Garota Fantástica

I attended the World Premiere of "Whip It" at the 2009 Toronto International Film Festival. This is quite an impressive directorial debut for Drew Barrymore (who also stars).

Barrymore works with a Shauna Cross script (based on her own novel Derby Girl) and an all-star cast featuring Ellen Page, Marcia Gay Harden, Daniel Stern, Kristen Wiig, Landon Pigg, Jimmy Fallon, Eve, and Juliette Lewis.

Page is Bliss Cavendar, whose mother (Harden) sees her daughter in gowns and crowns as she continues the family tradition of winning beauty pageant trophies. But Bliss' chance encounter with a group of roller skating girls plants other ideas in her head. Austin, Texas happens to host a roller derby league, it's not too far away, and Bliss finally sees a way out of her town (and gown). This sets up a family confrontation that is the stuff of classic coming-of-age stories.

The film starts out slow then whips into action, its brilliant ensemble cast hitting its stride and functioning like a winning roller derby team (without the bruises). Then just when you think "Whip It" is headed into sports rom-com cliché territory, surprising twists keep it original and refreshing. But despite the multitude of talented actors, Page clearly carries the film on her diminutive shoulders and is easily in control of the material.

Production values are naturally first rate, with a vivid color palette and in-your-face costumes that are occasionally (and appropriately) over the top. Cinematographer Robert D. Yeoman and editor Dylan Tichenor work perfectly in sync by reflecting both the snail's pace of Bliss' home life vs. the secret one that flies on wheels around the Austin track. Camera-work places the viewer directly into the action. Despite having been filmed primarily in Michigan (due to favorable tax credits) the Austin scenes are prominent, placing its landmarks in a warm, affectionate light. One benefit of a big budget is the ability to purchase music rights, and the result is a killer soundtrack that will have the audience singing along. Be sure to stay for the second of the two closing credits songs, the best ever cover of one of the greatest rock 'n roll love songs of all time, The Association's "Never My Love." Fox Searchlight scores again with Ellen Page, just like they did in 2007 with "Juno." Unlike that (at the time) dark horse, this is no little indie. This is classic Hollywood comedy. "Whip It" is another crowd pleaser to add to this year's must-see list.

I really enjoyed this movie and it's one of those movies that you can only explain as that; an enjoyable movie. It's blissful in a way of how it doesn't have a lot of astonishing aspects of it visually but when you start watching you can't stop. Me and my family watched this in a hotel for the first time as we scrolled through the channels and when we stopped on this one we kind of all just left it there without saying much. Everyone was easily engaged and thankfully we started it from the relative beginning. It just has a natural feel to that draws me in, my family, and hopefully others as well. It isn't trying to be anything; it's not arthouse neither is it a cliche comedy, it's just a good movie and a very enjoyable one to watch with really funny jokes and dialogue and characters who give off the correct tones that the director was going for.

Great watch, would watch again, and can recommend.

I've actually been to some of the Austin locations and seen that roller rink: it's a pretty cool place with a powerful vibe to the room.

I've really had enough of pagentry, it just feels very boring, so maybe it was the perfect way to start this movie. It's a very cliche "I don't want your life" beginning, but grounding the establishing act in that foundation really takes us on a journey of growth in this "finding of self" (possibly a "coming of age", but no really) story. When something grabs our interests, even on a weird flyer, or a pair of skates, we should pay attention, and the smaller the thing is that calls out to you, the more you should pay attention.

Roller derby is a bad ass little sport, and maybe "no one gets famous" or "successful" from it, but it looks fun and I'm sure the people that do it love it. While the roller derby aspect is great, and the romantic plot lines are good, and the best friend angle is really good (just realizing how multi-threaded this movie actually is), it is the self discovery, the character growth of Bliss (thanks to Ellen Page's powerful delivery) of being a person that we can barely hear, to being someone how is able to yell for what she wants, delivery a hit, and be a literal poster child.

The movie honestly makes me envious: while I'd like to be an attractive tough girl, sure, to find a passion while you still have time to enough to enjoy it, to find people to guide and support that passion, and then compete and find adversity from people twice your age is an amazing thing all to itself.

I'll never be a "roller derby girl", but I know I can always come live vicariously through this movie.

Drew Barrymore's directorial debut is a little gem. It could have been called Juno on Skates, such are the comparisons, but that is not necessarily a bad thing. Sure, Bliss Cavendar is almost identical to Juno MacGuff (and not just because Ellen Page plays them both), it follows a similar 'finding oneself' story arc, there are eccentric yet lovable parents and it prides itself on the unique dialogue flowing throughout; however Whip It has something up its sleeve to give it its own recognisable edge – roller-derby. Fun doesn't come any thicker, faster or sillier than roller-derbying. Barrymore understands this and appropriately places the underground sport front and centre. The editing is occasionally too quick meaning you can't always see what is going on, but you are caught up in the atmosphere so much it doesn't really matter.

Beneath the action is a coming-of-age tale that wears its heart on its sleeve and bears all. Despite being slightly predictable and clichéd, real life roller-derby competitor Shauna Cross' screenplay (adapted from her own book) makes up for it with razor-sharp dialogue ("I can grow the balls") and genuinely intriguing characters. Not to mention the comedy littered throughout; never laugh-out-loud moments but you'll be chuckling from start to finish. The romance subplot could have been left out though, it doesn't hold your interest like the other story elements and feels slightly unnecessary.

Undeniably cute once again, Ellen Page stamps her A-list spot with another splendid, oddly appealing performance. Page's serious acting chops are matched by her superb comic timing as she proves that she is one of the finest young actors coming through today. The huge supporting cast is letdown by no-one; Kristen Wiig the pick of the bunch, her deadpan humour is hilarious and she is surely another actress we will see more of in the future. A special mention to Marcia Gay Harden and Daniel Stern as well, they play Bliss' old folks with warmth and likability, never allowing them to become the typical misunderstanding parents you often find in these movies.

A laugh-a-minute affair with a bigger than average heart. Throw in a terrific little indie soundtrack and you have yourself a must-see movie.

4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)

A film about those confusing and painful growing-up years. Similar to "Juno" in some ways but I liked this more. Portrays a girls search for meaning and acceptance with honesty and heart. While she does go against her parents wishes, rebellion is not glorified like I thought it would be. A thoughtful comedy