AVALIAÇÃO DA IMDb
6,0/10
38 mil
SUA AVALIAÇÃO
Psiquiatra especialista em casos de desordens múltiplas de personalidade, descobre que seu último paciente não só possui diversas personalidades como também todas elas são vítimas de assassi... Ler tudoPsiquiatra especialista em casos de desordens múltiplas de personalidade, descobre que seu último paciente não só possui diversas personalidades como também todas elas são vítimas de assassinato.Psiquiatra especialista em casos de desordens múltiplas de personalidade, descobre que seu último paciente não só possui diversas personalidades como também todas elas são vítimas de assassinato.
- Direção
- Roteirista
- Artistas
Brian Anthony Wilson
- Virgil
- (as Brian A. Wilson)
Charles David Richards
- Holiday Inn Bar Keep
- (as Charles D. Richards)
Trenton Rupecht
- Young Monty
- (as Trenton Ruprecht)
Avaliações em destaque
Shelter has dealt with an unfair start into cinemas, it was ready for release way back in 2010 and now it's finally being released On Demand and in limited theaters under its new title 6 Souls. The movie starts with the introduction of Cara Harding, a female forensic psychiatrist played by Julianne Moore, who just finished wrapping up her current case, when her father Dr. Harding approaches her with a new case. Cara is hesitant at first but soon agrees to take the job and soon discovers that not only does her new patient has multiple personalities but all of them are murder victims, we are then taken on a tailspin with her to figure out why this is happening.
The movie has its moments of grotesque eeriness that gets under your skin but just not a lot of scares or action. The story just gets lost in its own complexity of twists with not much payoffs. For a movie that is almost 2 hours long it just didn't accomplish that much or had any moments that stood out to me. The film does have a lot of spooky imagery with creepy locations, but just didn't take full advantage of them. The film starts off well as a psychological thriller and character study, and then when the horror elements seep in, the film's effectiveness fades away and becomes illogical.
The intense and focused performances are where this film shines. Julianne Moore can do any role justice and in this problematic film she proves it with her raw emotions and mesmerizing red head beauty. Julianne plays Cara Harding, a forensic psychiatrist who picks up the most challenging cases of her career when she meets her new patient who has a multiple personality disorder. Jonathan Rhys Meyers gives a captivating performance as David/Adam/Wesley and is probably the very best I've seen from him so far. Jonathan's performance could have been an over the top mess if approached the wrong way, but he made it organic and gripping to watch. The supporting actors were not half bad either and also made it watch able.
Directors, Måns Mårlind and Björn Stein prove that maybe two heads aren't that better than one to tackle a flawed story. They do create a certain atmosphere that evokes fear and some stomach turning images but didn't really know how to end the story effectively or answer all of our questions. Writer, Michael Cooney seems to have made the same mistakes here that he did with his other screenplay Identity, which also had a great start but ruined it for me with it's lousy last half that was also illogical, his stories are just uneven to me, but I do like his effort for trying to bring something different to this mostly unoriginal genre.
Overall, I can see why they waited so long to release the film, but it deserves a much better treatment than the crap like Texas Chainsaw 3D, which made its way to movie theaters way to easily than this. The film lacks scares, thrills and the story leads to no payoff, but the performances are solid, the atmosphere, imagery are spooky and the concept is a nice change of pace. The movie as a whole could have been so much better and executed with a more terrifying impact, but it's a whole lot more decent than what it got treated as, so it's granted at least one viewing if you want something different from the norm. Just don't expect too much from this one.
The movie has its moments of grotesque eeriness that gets under your skin but just not a lot of scares or action. The story just gets lost in its own complexity of twists with not much payoffs. For a movie that is almost 2 hours long it just didn't accomplish that much or had any moments that stood out to me. The film does have a lot of spooky imagery with creepy locations, but just didn't take full advantage of them. The film starts off well as a psychological thriller and character study, and then when the horror elements seep in, the film's effectiveness fades away and becomes illogical.
The intense and focused performances are where this film shines. Julianne Moore can do any role justice and in this problematic film she proves it with her raw emotions and mesmerizing red head beauty. Julianne plays Cara Harding, a forensic psychiatrist who picks up the most challenging cases of her career when she meets her new patient who has a multiple personality disorder. Jonathan Rhys Meyers gives a captivating performance as David/Adam/Wesley and is probably the very best I've seen from him so far. Jonathan's performance could have been an over the top mess if approached the wrong way, but he made it organic and gripping to watch. The supporting actors were not half bad either and also made it watch able.
Directors, Måns Mårlind and Björn Stein prove that maybe two heads aren't that better than one to tackle a flawed story. They do create a certain atmosphere that evokes fear and some stomach turning images but didn't really know how to end the story effectively or answer all of our questions. Writer, Michael Cooney seems to have made the same mistakes here that he did with his other screenplay Identity, which also had a great start but ruined it for me with it's lousy last half that was also illogical, his stories are just uneven to me, but I do like his effort for trying to bring something different to this mostly unoriginal genre.
Overall, I can see why they waited so long to release the film, but it deserves a much better treatment than the crap like Texas Chainsaw 3D, which made its way to movie theaters way to easily than this. The film lacks scares, thrills and the story leads to no payoff, but the performances are solid, the atmosphere, imagery are spooky and the concept is a nice change of pace. The movie as a whole could have been so much better and executed with a more terrifying impact, but it's a whole lot more decent than what it got treated as, so it's granted at least one viewing if you want something different from the norm. Just don't expect too much from this one.
Based on a previous review here suggesting that fans of The Ring would like this I went to see Shelter and I think the previous advice needs more clarification. If you liked The Ring then yes, you'll probably like this. If however you thought The Ring had pointless cut aways and sudden close-ups just to try to build tension or make you jump, then you will be as equally frustrated with this film. Still in the latter group, I would assume that you loved Ringu and therefore you will appreciate the story this film is trying to tell despite the occasional ham-fisted way it goes about presenting it.
Jonathan (male lead) is really quite good, although Julianne comes across far too much as if she has been cast as Dana Scully. In truth this whole film would have been more believable if this had of been the story line for the X Files 2 movie. Knowing that going in will probably help get past the weird opening 30 minutes where it swings from place to place until we settle on the story it is wanting to tell. Despite the plot holes and some questionable decisions by the characters, I did leave the film feeling pleased and positive about the whole experience.
Jonathan (male lead) is really quite good, although Julianne comes across far too much as if she has been cast as Dana Scully. In truth this whole film would have been more believable if this had of been the story line for the X Files 2 movie. Knowing that going in will probably help get past the weird opening 30 minutes where it swings from place to place until we settle on the story it is wanting to tell. Despite the plot holes and some questionable decisions by the characters, I did leave the film feeling pleased and positive about the whole experience.
It's really rare for an American film to open in Japan before America, so I rushed to see it. Well, I might not have rushed had it not been for Juliana Moore who does deliver despite huge gaping plot holes littered throughout the film.
I won't give anything away about the story. There is a lot of development in the first half of the movie which might make the film seem s l o w for some viewers. When the mystery is revealed it is surprising but even given the careful buildup you might still have to make an effort to suspend your disbelief if only because of the plot holes (which I can not mention with out enumerating spoilers).
There are quite a few logical disconnects, too. In a age of cell phones when you're a busy psychiatrist why would you drive across town to do something which would take ten seconds by phone? Because it's a plot device.
Still, I enjoyed the film. I can not recommend it to my Japanese friends as there is a lot of talk about God and Faith which is lost on a truly secular country; but I can recommend it to people who like films like The Ring or The Exorcist. There are some interesting characters and a lot of good acting especially by the male lead who, well, you'll see.
I won't give anything away about the story. There is a lot of development in the first half of the movie which might make the film seem s l o w for some viewers. When the mystery is revealed it is surprising but even given the careful buildup you might still have to make an effort to suspend your disbelief if only because of the plot holes (which I can not mention with out enumerating spoilers).
There are quite a few logical disconnects, too. In a age of cell phones when you're a busy psychiatrist why would you drive across town to do something which would take ten seconds by phone? Because it's a plot device.
Still, I enjoyed the film. I can not recommend it to my Japanese friends as there is a lot of talk about God and Faith which is lost on a truly secular country; but I can recommend it to people who like films like The Ring or The Exorcist. There are some interesting characters and a lot of good acting especially by the male lead who, well, you'll see.
Adding together the presence of Michael Cooney as the writer who gave us 'Identity', which boasted originality and a fast paced story AND with the addition of Julianne Moore who eats this genre for breakfast, my expectations for this were high. The movie starts off well, 'on the edge'; with Jonathan Rhys Meyer's character being introduced perfectly. Plenty of reason to call it a horror/thriller at this point with excellent use of sound to create the jumpy vibe. However the direction from the Swedish duo Måns Mårlind and Björn Stein soon starts to really let the grip of the film slip. OK admittedly there are plot holes and the pace is slow after the initial quick start which covers a lot of explanatory material for the theory behind the story. But to have taken the obviousness out of that, the direction could have been so much more original and less armature looking, with close ups and set ups for jumps so obvious and dull. The first 30 minutes or so of the film has the horror edge, after that a Sunday paced drama with a frankly ridiculous set of ideas behind Meyers character which are not overly original sets this up to mainly let moviegoers expectations down. Meyer's brilliant acting including his shift in accents and characters and Moore's usual type cast brilliant acting make this watchable and average. This could have been so good and does not fit into the horror/thriller genre well and do it justice. An average supernatural thriller with a couple of jumps at best as horror. What a shame.
6 SOULS has a compelling and unique storyline that nicely intermixes spiritual and psychological elements: There are some very original ideas here. It's well-produced and cinematized with realistic acting by all. It has the necessary focus but still leaves room for individual interpretation, the sort of film that you can watch multiple times, picking up new details and subtleties with each view. At times it seems pro-Christian, at times anti-Christian, or at least critical of the superstitious-fundamentalist brand of Christianity. Again, the religious elements are clear enough yet also vague enough.
The plot does drag and meander a good bit. There are also some of the usual tired old demon-tropes (people throwing up black goop, etc). Still,this film has a fairly solid mythos behind it and relies more on surprise and suspense than it does raw schlock. While nothing truly special, 6 SOULS is probably worth seeing if you like psychological/supernatural horror and have been disappointed by most other recent films in this genre.
The ending leaves room for an interesting sequel. . .7 SOULS?
The plot does drag and meander a good bit. There are also some of the usual tired old demon-tropes (people throwing up black goop, etc). Still,this film has a fairly solid mythos behind it and relies more on surprise and suspense than it does raw schlock. While nothing truly special, 6 SOULS is probably worth seeing if you like psychological/supernatural horror and have been disappointed by most other recent films in this genre.
The ending leaves room for an interesting sequel. . .7 SOULS?
Você sabia?
- CuriosidadesMovie also goes by the title "Shelter". The "6 Souls" is the title for US release.
- Erros de gravaçãoDavid says in his childhood home there are 10 windows; 11 if you count the star in the front door. When Dr. Harding drives to his childhood home, 12 windows are visible, and that is not counting however many there are on the unseen side of the house.
- Citações
Cara Harding: Just because you're older, doesn't mean you're right. It could just mean that you've been wrong for longer.
- Cenas durante ou pós-créditosGod is the first credited on "the producers wish to thank" part of closing credits.
- ConexõesFeatured in Projector: Shelter (2013)
Principais escolhas
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- How long is 6 Souls?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 6 espíritus
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 22.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 3.205.167
- Tempo de duração1 hora 52 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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