Wallander

This new addition to the TV detective genre grabbed my attention and I was rewarded by an enjoyable drama. I was impressed by the scenery, Nordic interiors and ambiance of this piece, and it had an atmosphere of Northern light that reminded me of other detective stories set in the north, such as Insomnia (Al Pacino, in Alaska) or Smilla's Feeling for Snow. That atmosphere was compelling and Ken Branagh's performance kept my attention, although the plot seemed to be heading in a certain direction and the answer was not a big surprise. The fact that everyone spoke English but all were clearly Swedish was amusing as well. That aspect reminded me of Gorky Park, in which all the Russians spoke with English accents. It allows the suspension of disbelief and the English-speaking viewer feels drawn into another culture. I don't usually watch detective/murder mysteries these days because I don't enjoy murder as a spectator sport, but this was worth seeing because of the performances and the unusual setting, sets, high production values and stunning photography. Looking forward to the next 2 episodes.

Detective Kurt Wallander, a man in perpetual need of a shave and a healthy meal is a noir-by-day modern gumshoe fighting for justice. His dedication has cost him. His wife left him after finding out he's already married to his work. His daughter is an earnest and dutiful supporter of the detective, but oblivious to the evil his eyes see daily. Not sure how he's doing it, but Kenneth Branagh OWNS this role and he's *really* appealing as this frayed-at-the-edges public servant. Shot like a mini-series, or a movie for TV, I admit I am impressed with his ability to flex into this role that is so utterly unlike his Shakespeare work. Frankly, he acts circles around the other cast members. A must-see for the mildest Branagh fan and good enough for any mystery/detective story lover. FYI: Disc 1 has two episodes. Disc 2 has one episode and special features that has spoilers if you don't see the other shows first. I was disappointed that I saw the 3rd episode before the first two. I understand there are 3 more episodes ordered for 2010. 07/09

This is a series of high quality with storyline based on the successful novels of Henning Mankell and on an outstanding actor in the leading role.

Why you MUST see it?

• Incredible character development! Wallander's personality is an open book to the viewer who is in sympathy with him and is able to share their feelings with him as the plot reveals itself. The series manages to depict a great and charming contradiction. Wallander is a compassionate inspector who suffers from the murders he encounters during his investigations. He is inappropriately compassionate for this job yet he does everything for it. Although misery follows his personal life he doesn't lose hope and believes in the goodness of people. This is that gives him the dimension of a hero even though he is presented incredibly ordinary and human who often make mistakes.

• Really good acting from the most of the cast.

• Amazing directing which transfers completely the atmosphere of Sweden. It is really good that BBC decided to film the series in Sweden as it provides ideal landscapes for photography and directing and greatly matches with the melancholic personality of Wallander and with the original script of course.

• Solid script that follows consistently enough Mankell's novels.

If you prefer a series that is based on quality and not visual effects you should definitely go for it.

Watching two episodes of "Wallander" makes me think of Isabelle Huppert's line in Hal Hartley's great "Amateur": "everything I write comes out sad. Why do you think that is?" Kenneth Brannagh's shambling, weary detective Kurt Wallander is as far from TV's 'Columbo' as it's possible to get, despite certain physical similarities.

In a way that I seem to recognise as uniquely Nordic, Wallander goes about his daily business – solving murders – with a residual sadness on him and his world, and everything in the show – from the art-house photography and pared-down sets, to the score, to his life and to each episode's stories themselves – helps create a consistent portrait, so that by the time I settled down for episode two, Wallander's appearance was an automatic trigger to a certain state of mind.

Each classy episode takes its time, draws visual comparisons, sets Wallander up in his world, makes you know him better. I'm loving it : it's on a par with the excellent French TV thriller "Engrenages" that previously appeared on BBC4, and anything ever so slightly formulaic about the story lines in each episode is offset by the serious and committed acting, the well-drawn characterisation, the consistent visual tone. I'm so glad they avoided the Meryl Streep world of accents and wholesale removal of the drama to the UK (or USA). These are Swedish characters in a Swedish town who write in Swedish – it's just that we're hearing them in English. And this technique allows them to cast truly excellent English supporting actors without any fear of uneven accents or geographic transitions that don't work so well. (No English forest ever looks quite like a Scandinavian one. And the British don't so much do sadness and mournful humour, as bleakness and black humour – they're quite different.)

I saw Kenneth Brannagh as an electrifying 'Hamlet' on stage in the late 80s, and this feels something like being reacquainted with an old ghost. He's no longer young, and he's not beautiful, but he makes masterful use of his eyes, his voice, the very weariness life has given him – to create a memorable man, not just a cartoon portrait. Highly recommended.

While it does have its slow moments, and one or two plots may have moments that are hard to keep up. Regardless of how inferior it is or not to the 2005 series which is admittedly absolutely brilliant, this is still extremely good and any other flaws if any are compensated by the quality of how the series is made, constructed and acted. For instance, the Swedish setting is truly evocative and very often stunning. The music is haunting too, while the writing is of really good quality and the stories in general very well written. And then we have Kenneth Branagh, who I think is a great actor and more than decent director, especially in Shakespeare. He is brilliant as the dour and world-weary Kurt Wallander, and Sarah Smart, Jeany Spark, Rixhard McCabe and David Warner solidly support him. Overall, this is a well done television series. 9/10 Bethany Cox