Gentlemen Broncos - Cavalheiros Nada Gentis

this unknown little indie film is a strange delight, i managed to catch it on TV recently and i was amazingly surprised. its premise did sound like a rip off of big fat liar, but its content was filled with a sparkling amount of originality. the cast wonderfully carry the story of original creations being destroyed which i believe to be a stab at all the films which may have been based on great source material but destroyed by the stupid minds the carry on to own them. the best part has to be the performance from Jermaine clement as a snooty and up his own anus sci-fi writer. an excellent treat for any hunters out there. i would highly recommend this film to any one who enjoys cringe humour that is made to make you feel uncomfortable.

So, I completely understand why people do not like this movie. It can be gross, confusing, and just plain stupid at times. With that said, it is one of the funniest movies I have ever seen. Jemaine Clement and Sam Rockwell fell into the roles of some of the funniest characters I have ever seen. There are some lines when both in and out of context made me laugh so hard I cried.

This movie is not for everyone, I think people who like both napoleon Dynamite and Nacho Libre will find some enjoyment out of this(which I don't). More importantly, I think people looking for some sci-fi fantasy literature satire will get a kick out of this, because both the dialog with the "Authors" and all the excerpts from the two books had my laughing out loud constantly.

Three other films spring to mind that Broncos reminds me of in the sense that they all bring similar elements; absurdist story structure, over-the-top character-acting, and an unapologetic bevy of immature, toilet-ish, sometimes abstract humor.

What I can't think of is two people other than me that actually enjoy this kind of film a lot. And I'm guessing you can't either. That's why I think these kinds of films do badly. It breaks down like this;

• 10%; people who even knew this was coming out - 5%; of those people saw it - 2.5%; of those people liked it - 90% of everybody else doesn't care - 100% of those people who didn't care would probably hate this worse than could possibly be imagined.

If you disagree and love this film, see box office receipts for, and then watch; Land of the Lost, Freddy Got Fingered, and UHF. Not only are they three excellent movies in a similar vein, but they all bombed beyond oblivion for the same reason.

I'm going to keep this one short and simple.

Gentleman Broncos is the 3rd feature film written and directed by Jared Hess. Gentleman Broncos follows awkward sci-fi loving Benjamin as he tries to have his story, Yeast Lords, made into a "movie." But after going to a sci-fi camp and meeting his favorite sci-fi author, Chevalier played by Jemaine from Flight of the Concords, he steals Benjamin's idea and makes the book himself.

Now, first things first, unlike another That Was Junk writer, I like Napoleon Dynamite and I don't think it's the worst movie I've ever seen. I love it in fact; movies about awkward, weird people out of place people make me smile. And that's what this movie felt like. It's basically Napoleon Dynamite 2. The main character, Benjamin played by Micheal Angorano, isn't necessarily as weird as Napoleon Dynamite but everyone else around him is such as his mother, played by lovely Jennifer Coolidge who sells tacky clothing and giant balls of popcorn, is.

Everything and everyone is weird in this movie. And everyone is fitted in retroesque clothing and sporting bad haircuts. There is a lot of silly dialog and snappy one-liners that would make any teenager crack-up. Watching at 5 in the morning had me laughing, but honestly the lack of sleep could have been a factor. It's quite obvious Jared Hess has an odd and unique way of making movies. Even if one hates the dialog, I don't think anyone could deny that he is a great director. And cinematographer Munn Powell, also DP on Napoleon Dynamite, has a way of making Hess' movies look dated. Hess loves awkward, deformed, and over the top character. Héctor Jiménez, of Nacho Libre fame plays over-smiling and flamboyant Lonnie. Sam Rockwell plays the rough and tough Bronco and the flouncy Brutus. And Mike White plays the Jennifer Coolidge's slow husband. I loved all these characters because they were silly. I can most definitely guarantee that one of the big reasons this movie has a 5.4 on IMDb is because people hate the characters. They make you feel uncomfortable and have you asking "why are they doing that?" Their dialog, movements and just everything about them is completely unnecessary. So why do I love them, because everything about them is so unnecessary. It's like passing through a small town when you're coming from your big city home. Everything is surreal and you feel like you've stepped into another world. The Clothes are old fashion and the people are completely clueless. I love people and movies like that personally. I love movies that don't take their characters too seriously and can make them silly. It's the reason why I watch movies like G-Force from time to time.

If Napoleon Dynamite made you want to pull your eyeballs out then stay for from this movie, you won't like it.

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"Gentlemen Broncos" is so off-the-charts weird at times that you often can't tell whether it's breaking new ground as a brilliantly original and creative work - or just trying too hard.

Michael Angarano ("Forbidden Kingdom") plays Benjamin Pervis, a friendless teen who lives with his penniless mom in a geodesic-domed house in rural Utah. Ben is a writer of sci-fi fantasy fiction who has one of his stories stolen by Ronald Chevalier (the delightful Jemaine Clement), a world-famous author with a James Mason voice. Ben also runs into a couple of bizarre indie-film makers who want to make the same story Chevalier stole from him (entitled "Yeast Lords" from the series "Gentlemen Broncos") into one of their shoestring-budget productions.

It's hard to know whether writers Jared and Jerusha Hess (Jared also directed the film) have any real affection for their characters and the world they inhabit or whether they view them merely as objects of out-and-out mockery and ridicule. In fact, the characters, with their mouth-breathing, slack-jawed expressions and atonal line readings, achieve near-freak show status at times. It's this air of condescension, rather than the tale itself, that sometimes makes it hard for us to laugh at what's happening on screen.

Despite this discomfort, however, there is still much to admire in the work. The movie has fun parodying both the unscrupulous nature of the publishing business and the accoutrements of low-budget filmmaking. Clement is marvelously deadpan as the sci-fi penner whose writer's-block forces him to scrap all traces of authorial integrity in pursuit of the almighty buck. And Angarano creates in Benjamin a character we can actually care about and root for. The enactments of scenes from Benjamin's novels are appropriately hokey and cheesy, and the movie also makes astute musical choices, particularly Zager and Evans' 1969 hit "In the Year 2525," which effectively book-ends the story.