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Freakonomics

  • 2010
  • PG-13
  • 1 h 33 min
AVALIAÇÃO DA IMDb
6,3/10
7,8 mil
SUA AVALIAÇÃO
Freakonomics (2010)
Some of the world's most innovative documentary filmmakers explore incentives-based thinking.
Reproduzir trailer2:32
2 vídeos
12 fotos
Documentary

Adicionar um enredo no seu idiomaA collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.

  • Direção
    • Heidi Ewing
    • Alex Gibney
    • Seth Gordon
  • Roteiristas
    • Peter Bull
    • Alex Gibney
    • Jeremy Chilnick
  • Artistas
    • James Ransone
    • Morgan Spurlock
    • Tempestt Bledsoe
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    7,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Roteiristas
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Artistas
      • James Ransone
      • Morgan Spurlock
      • Tempestt Bledsoe
    • 32Avaliações de usuários
    • 45Avaliações da crítica
    • 58Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos2

    Freakonomics
    Trailer 2:32
    Freakonomics
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes

    Fotos11

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    Elenco principal79

    Editar
    James Ransone
    James Ransone
    Morgan Spurlock
    Morgan Spurlock
    • Self - Narrator
    Tempestt Bledsoe
    Tempestt Bledsoe
    • Self
    • (cenas de arquivo)
    Melvin Van Peebles
    Melvin Van Peebles
    • Self - Narrator (segment "It's Not Always A Wonderful Life")
    Bill Gates
    Bill Gates
    • Self
    John D. Rockefeller
    John D. Rockefeller
    • Self
    Ngozi Jane Anyanwu
    Ngozi Jane Anyanwu
    • Uneek
    Tarô Akebono
    Tarô Akebono
    • Self
    • (as Akebono)
    Veronica Heffron
    • Courtroom Audience
    Zoe Sloane
    Zoe Sloane
    • Blake
    Dan Chen
    Dan Chen
    • Bruce-Cubicle Worker
    Rahmel Long
    Rahmel Long
    • Courtroom Audience
    Richard Kohn
    • Judge Ignatius Lyons
    Emma Meyers
    • Angela-Cubicle Worker
    Bronson Gilmore
    • Kevin-Cubicle Worker
    • (as Tyler J. Gilmore)
    Greg Crowe
    Greg Crowe
    • Johnny the Mechanic
    Kahiry Bess
    • Deshawn
    Steven Levitt
    • Self - Author
    • Direção
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Roteiristas
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários32

    6,37.8K
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    Avaliações em destaque

    8intern-88

    When economics becomes freaky

    Until 2005, the words 'economics' and 'fun' were unlikely to be found in the same sentence. Economics was seen as a dry, technical, mathematical discipline: the preserve of driven businessmen, greedy bankers and staid Treasury officials. Fun was its opposite: spontaneous enjoyment available to regular people.

    The publication of Freakonomics in 2005 changed all that. Steven Levitt, a professor of economics at the University of Chicago, and Stephen Dubner, a New York Times journalist, somehow gave economics popular appeal. So far the book has sold over four million copies worldwide. Last year, a sequel, Superfreakonomics, was published and there is also a Freakonomics blog linked to the New York Times website.

    Wherever there's an unexpected publishing hit, you can be sure that a bandwagon will soon follow. In 2007 alone we had Steven Landsburg's More Sex is Safer Sex, Tyler Cowen's Discover Your Inner Economist and Diane Coyle's The Soulful Science. Nor is the fun confined to the paperback stands. Earlier this month there was even an international academic symposium on 'economics made fun in the face of economic crisis' at Erasmus University in Rotterdam.

    The film follows the structure of the book with chapters loosely linked by the broad approach of the authors. There is little sense of narrative beyond that. However, one innovation is that different chapters are made by different directors including Morgan Spurlock (Super Size Me), Alex Gibney (Taxi to the Dark Side) and Seth Gordon (The King of Kong).

    Freakonomics the movie is worth watching for two reasons. As with any cultural phenomenon, whether it is The X-Factor or Strictly Come Dancing (aka Dancing with the Stars outside the UK), it is interesting to ask why it catches the popular imagination. This is particularly true when the subject matter is – or at least was – widely seen as incredibly dull.

    Understanding the approach to economics taken in the film also helps reveal some deeper truths. It shows the limitations of contemporary economics and can even help viewers understand fashionable policy initiatives such as the attempt to 'nudge' people to behave in a particular way.

    The first thing that viewers of the Freakonomics movie are likely to notice it that has little time for the traditional subject matter of the discipline. There is no room for discussion of business, supply-and- demand curves, and certainly no mathematics. Instead it covers such subjects as parenting, naming babies, cheating at exams, corruption among Sumo wrestlers and crime. If anything, such topics would normally be classified as sociology rather than economics.

    From the authors' perspective, what makes their book economics is their approach to these subjects. Their concerns are unashamedly practical. They want to use economic tools to help improve human behaviour in all these areas.

    Levitt and Dubner's mantra, and indeed that of contemporary market economics generally, is that 'humans respond to incentives'. Such incentives are often financial but they can also be moral and social. In each case the authors ask themselves what incentives would work best to improve outcomes:

    Is bribing toddlers with M&Ms a good way to potty train them? Should pupils be paid to perform better at school? If so, at what age and exactly how? Does choosing a particular name for a baby improve its life chances? For example, through the choice of name alone, is a Brendan likely to do better than a Deshawn? Both the attractions and limitations of this form of economics should already have started to become clear. The subject matter of Freakonomics relates to everyday interests and concerns. It is about practical questions that confront individuals and parents as well as policymakers.

    In many ways it is better seen as a form of self-help than economics in the traditional sense. It is an attempt to find better, supposedly more scientific, ways to improve the behaviour of errant individuals. It says little, if anything, about traditional key economic questions such as how to organise production, how to raise productivity or how to create a more prosperous society.

    Although the Freakonomics approach is not entirely mainstream it is not marginal either. Gary Becker, also a professor of economics at the University of Chicago, won the Nobel Prize for economics in 1992 for work on similar questions to those raised in the film. Although his work was not aimed at the general public, his concerns were comparable to those of Levitt and Dubner's.

    Even mainstream economics, although more concerned with business than Freakonomics, suffers from many of the same weaknesses. Its focus is largely on individual consumer behaviour, its approach is ahistorical and it has little to say about the process of production.

    Freakonomics the film, like the book, is entertaining and sometimes thought-provoking. Although it is more self-help than traditional economics it shares many of the weaknesses of more serious works in the discipline.

    Its focus on individual behaviour also lends itself to a preoccupation with manipulating individual choices. That is where Freakonomics becomes truly freaky.
    6SnakesOnAnAfricanPlain

    Freakonomics (2010)

    Freakonomics is one of those films that tries to make a complex subject accessible to a mainstream audience. Here, there subject in question is economics, and how it is everywhere. Although trying to reach a wider audience in a fun way we can relate to is admirable, it can't avoid a patronizing tone. Still, there are lots of interesting parts to this documentary. It's split into a number of sections, with each section helmed by a familiar documentary filmmaker. This allows for a number of fun and interesting style to be put on display. As we delve into the world of economics, this all feels like a few great bits in an overambitious whole. Each segment has a fascinating topic, and one that could be explored at full length. Corruption and murder in sumo wrestling, how our names affect our lives, and how abortion may have helped to reduce the crime rate. All great subjects that are handled with kid gloves. It has inspired me to look into further detail about some things, but I wonder if the ideas and thoughts provoked will last a long time.
    bettycjung

    Pop Economics 101

    1/27/18. An entertaining documentary that looks at the various ways economics play a role in our lives. So educational without feeling like you are being lectured to about ethical behaviors, cheating, etc. Worth catching. You'll learn some about how society functions!
    3angry127

    Poor Documentary

    I never read the book, but know that it is very popular. The movie does a bad job at selling the book.

    Though, I would still be up for reading the book after having watched the movie. This is because the fault of the movie was only partially due to the content of the book. The movie tries to move along at quick pace at the beginning. It has a very catchy poppy kind of theme to it and talks about a real practical use of the study of economics.

    After those 5 minutes, things seem to go terribly south. We get this long and fact lacking piece about sumo wrestling. There is an interesting statistic at the beginning of the segment about how sumo wrestlers will lose matches when there is no real loss to them in order to get payback in the future. The rest of it is exposition about how all the super smart economists are using these fancy numbers and statistics to give very good proof that sumo wrestlers are cheating. I would have liked to hear more about these statistics and the reasoning behind why its very likely that we're cheating. This smug movie instead insults our intelligence and passes by this thinking that we would be too stupid to understand it. The narrator goes on about assassinations of whistle blowers... blala yada yada. I started to lose interest at this point.

    There was a part that had an interesting look at why abortion may be one of the key reasons of the drop in crime in the 90's. This really peaked my interest and some convincing figures where given. I liked this segment and am eager to read more about this.

    After that is a boring long Good Morning America-esque expose on paying kids to get better grades in school. The kids are annoying, the concept is annoying, the results are paltry, and it all seems pretty meaningless by the time you get to the end of it. This was the segment that really killed the movie. It felt like it went on for an hour, although I'm sure it didn't. This reality show garbage really shouldn't be in any kind of movie that calls itself a documentary.
    RDOwens

    Interesting Documentary

    A few of the issues addressed in the book are examined: cheating, paying students, crime.

    The crime segment was interesting as statistics were actually used. I didn't quite understand how the percentages were developed for why crime decreased. I do find it interesting that Roe v. Wade is used to explain the reduction of crime in the late 1980s.

    I guess I didn't quite follow the sumo controversy too carefully. That a match that doesn't much matter is "thrown" doesn't bother me. When an NFL team has secured a spot in the playoffs, it often doesn't play its stars in a meaningless end of season regular game. I liken the sumo situation to that.

    Freakonomics is thought provoking. For that, it is recommended. Treat yourself to an interesting flick.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Lian Amado's debut.
    • Citações

      Steven Levitt - Author: The closest thing to a worldview, I would say, in "Freakonomics," is that incentives matter. Not just financial incentives, but social incentives and moral incentives.

    • Conexões
      Features A Felicidade Não se Compra (1946)
    • Trilhas sonoras
      Ave Maria
      Written by Johann Sebastian Bach

      Performed by Amy Butler and Mary Jane Newman

      Courtesy of X5 Music Group

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    • How long is Freakonomics?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 3 de setembro de 2010 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official site
      • Official site (Japan)
    • Idioma
      • Inglês
    • Também conhecido como
      • Фрикономика
    • Empresas de produção
      • Chad Troutwine Films
      • Cold Fusion Media Group
      • Green Film Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.900.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 101.270
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 31.893
      • 3 de out. de 2010
    • Faturamento bruto mundial
      • US$ 122.216
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 33 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital

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