Em 1961, um desconhecido Bob Dylan, de 19 anos, chegou à cidade de Nova York com seu violão e criou relacionamentos com ícones da música folk. Foi rapidamente notado e começou a sua ascensão... Ler tudoEm 1961, um desconhecido Bob Dylan, de 19 anos, chegou à cidade de Nova York com seu violão e criou relacionamentos com ícones da música folk. Foi rapidamente notado e começou a sua ascensão meteórica.Em 1961, um desconhecido Bob Dylan, de 19 anos, chegou à cidade de Nova York com seu violão e criou relacionamentos com ícones da música folk. Foi rapidamente notado e começou a sua ascensão meteórica.
- Direção
- Roteiristas
- Artistas
- Indicado a 8 Oscars
- 26 vitórias e 129 indicações no total
- Federal Court Clerk
- (as Leonard Grossman)
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Avaliações em destaque
Those of us alive in early '60's could not have known the nasal, raspy-voiced 19-year-old, Bob Dylan (Timothee Chalamet), would one day change folk music forever. Director James Mangold in the biopic A Complete Unknown, perfectly captures the times changing and Dylan as he takes us from Pete Seeger's traditional folk to Dylan's own brand of folk rock.
The surprise in this solid one-of-the-best of the year, is how much music Mangold and co-writer Jay Cocks give the audience. Besides, several of the tunes are played in full by the lead actors, not something I could say even in the wake of Bohemian Rhapsody. Another surprise, Chalamet can sing very well.
Inevitably, a folk star must contend with the attentions of women, either friends or colleagues. The latter are represented in the distractingly attractive Joan Baez (Monia Barbaro), both talented and beautiful. Her biopic, I Am a Noise, explained her ambivalence toward Dylan, who was her opposite with his growing selfish mien.
Lover Sylvie Russo (Elle Fanning), not as talented or beautiful as Baez, represents the collateral damage from his fame. Despite his growing disaffection, she still influenced him to write such classics as A Hard Rain's Gonna Fall and The Times They are A Changin.
Both women are treated as important parts of Dylan's life, not just weepy or ineffectually forlorn. Baez was never neutralized by his allure, whereas Sylvie shriveled. The film captures this rough spot in his life while it also champions his talent. Let's face it-he was distant, downright enigmatic, and the film doesn't try to explain why. But then, other attempts at understanding him such as Scorsese's No Direction Home and Haynes' I'm Not There failed as well. Dylan's just too interior to be flushed out.
What these and other parts of his life also show is Dylan's insensitivity while he could sing of more loving attitudes to mankind in general. It is commonly known that artists can be abrasive and dismissive but also creative beyond measure. Dylan, however, clashes with the warm and caring Pete Seeger (Edward Norton, waiting I predict for an Oscar nomination) over Dylan's electrifying folk music, one of the intriguing conflicts the film does not sugarcoat.
Besides the splendid period accuracy, A Complete Unknown offers multiple musical sequences to delight even the newest audiences. After seeing this bountiful biopic, audiences witness Dylan becoming better known and his music eternal for even the most conservative audience.
One of the best films of the year and a biopic for the ages.
Timmy just didn't live up to the expectation.
His detached, semi broody sort of 'sexy timing' thing is alright I guess, for portaying an a#hole, but not at all the qualities I'd want to depict a complex and rounded human being and artist as I imagine Dylan is.
Thank god for every time Edward Norton appeared on screen. Almost like someone shook me up to pay attention to the movie. Mr Norton was able to make it interesting somehow, but I saw a lot of other talented actors just falling through the cracks of this thin story.
Because it just missed a substantial story. That's the real flaw.
I know the songs. Yes they are great. But I hoped for a little more to get my teeth in.
Left the theatre feeling like I saw 'the best off', without really getting any wiser.
And that T. C. needs to get a little more life experience.
I am a fan of Bob Dylan. I have seen him in concert several times. I celebrate the man's entire catalog. I had some trepidation about watching A Complete Unknown.
The movie starts with Dylan(Chalamet) arriving in New York in 1961 and ends with his 1965 performance at Newport. It mostly focuses on his romantic relationships with Sylvie (Fanning) and Joan Baez (Barbaro). Along the way, we see Dylan's relationship with Pete Seeger (Norton) and Woody Guthrie, as well as Albert Grossman.
What I liked: -pretty much all of the acting performances were good. Most notably, Barbaro as Baez. The screen seemed to come alive every time she was on it.
- The music performances. I think the filmmakers did a great job making new performances of well known songs (Like a Rolling Stone for example). This could have gone bad, but they pulled it off. Chalamet and Barbaro deserve praise for their work here.
What I didn't like: -the uninspired script. It felt very paint by numbers. I would have liked to see more depth as to what makes Dylan Dylan. Chalamet's portrayal only enhanced this. The irony of playing Dylan, is that because he comes off as aloof and arrogant, playing him that way means you're being accurate, but not interesting.
I mostly enjoyed Ed Nortons portrayal of Seeger, but at times he laid on the "hokey Folkie" a bit too much. Again, maybe an accurate portrayal but lacks depth.
****Not sure if I'll ever watch this again. I will say it had more pros than cons, but overall, it was kinda boring.
Monica Barbaro playing Joan was a breath of fresh air! I hope she gets the praise she deserves for this and more opportunities in the future.
Elle Fanning was a slightly disappointing choice for a character based on Suze Rotolo who according to Bob was this breathtaking and striking woman. I didn't feel like Elle did her best work, she was too much Elle Fanning.
However my favorite part must have been Edward Norton as Pete Seeger. I am unfamiliar with the real Pete Seeger so I cannot compare but Edward Norton did a fantastic job in the film.
I will not likely see this film again, but walking out of the theater I had a nice aftertaste of the honor to legacy that Bob Dylan will leave (and already has) in this world. Timmy deserves an Oscar nomination and recognition for this role. I'm very curious to compare this to the Bruce Springsteen biopic with Jeremy Allen White when it comes out.
The problem with the film is that the story reads like a greatest hits rather than a biopic. It's like the writers and director wanted to fit as many songs in as possible and forgot they were meant to be telling a story at the same time.
It's not a bad film in any way, I just was expecting it to be better than average. With the quality of acting and singing in the film it really deserved better story telling to go with it.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
Você sabia?
- CuriosidadesEdward Norton was the first cast member to muster up the courage to reach out to the real Joan Baez for advice, interested in what the real Pete Seeger was like and her friendship with him. He then passed on word to Monica Barbaro that Baez was willing to speak with her.
- Erros de gravaçãoAt Newport 1965, stage monitors are visible when Bob and his electric band are performing. But no monitors were actually used at Newport that year, and they did not become common for performing musicians until a few years later.
- Citações
Bob Dylan: I don't think they want to hear what I want to play.
Johnny Cash: Who's they?
Bob Dylan: You know, the people who decide what folk music is or isn't.
Johnny Cash: Fuck them, I wanna hear you. Go track some mud on somebody's carpet. Make some noise, B.D.
- Trilhas sonorasDusty Old Dust (So Long It's Been Good to Know Yuh)
Written and Performed by Woody Guthrie
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- A Complete Unknown
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 75.001.720
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.655.553
- 29 de dez. de 2024
- Faturamento bruto mundial
- US$ 140.508.652
- Tempo de duração2 horas 21 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1