Filhos da Violência

"Wild Indian" may have an intriguing plot on paper, but unfortunately it does not deliver. There's little self introspection, and little emotional engagement throughout. The end result is bland and boring.

I usually dont complain a lot about endings. Good, bad, it's the writer's story and they have a reason for that. The ending here is ok and I would have accepted if we have had a bit more moments of tension, more dialogue, more development of his PTSD, more something. I felt everything undercooked. When it finished, I asked to myself: "Is that it?".

A shame because I was really liking the first two acts of the film until I realised that...it was already the end of the third one.

I can see where non-native viewers may not understand the narrative. As an Indian I felt it on a cellular-level. After generations of trauma and violence to our people, one cannot escape the effects that are with you everyday. Of course each person is affected to varying degrees. I thought all the actors did a great job. Thanks to everyone who made this film possible. The history, stories and lives of native peoples need to be told. This is just one story. Looking forward to seeing more work from the writer/director.

The subject matter of this movie is EXTREMELY important. Unfortunately, this plays more like a fictional documentary by a dispassionate observer, moves extremely slow, lacks character development, and never provides access for the audience to feel what fundamentally motivates the characters.

In the hands of a nascent writer/director, the story was not fully and cogently developed. This is made even more dissapointing by the fact that the writer/director is the child of a psychologist -- and the essential psychological elements were repressed, undeveloped, and never explicitly expressed in the story. I can only imagine that this reflects the writer/director's own personal predicament in life -- unhealed.

Showing what happens is not nearly as engaging, emotive, and inspiring of compassion and empathy as exploring the fundamental reasons WHY it happens. Abstract causality merely conveys confusion on the part of the film maker -- perhaps reflecting his own unresolved confusion about life on the res.

Abused Makwa grows up on a troubled Reservation in Wisconsin with his cousin Teddo in the 80s. Over three decades later they meet again and the contrast is glaring. Michael Greyeyes and Chaske Spencer head the cast while Jesse Eisenberg and Kate Bosworth have peripheral roles.

"Wild Indian" (2021) is a slow burn drama about modern AmerIndians and the challenges of life on a Reservation, plus the ins & outs of life beyond. It has the melancholy, mundane tone of "Leo" (2002), "The Woodsman" (2004) and "First Snow" (2006). Although it may not be on the level of "Woodsman," it's arguably superior to the other two.

Writer/director Lyle Mitchell Corbine Jr. Grew up on Reservations in Wisconsin & Minnesota so the movie obviously depicts things that he witnessed. He respects the intelligence of the viewer without spelling things out. It's a mixture of glaring clarity and vagueness that provokes you to reflect and put the pieces together.

What's going on with a certain character at the beach at the end? I'm part Abenaki and perfectly understand what was going on because I've done the same thing, but you don't have to be any particular race/tribe to relate.

The film runs 1 hour, 30 minutes, and was shot in Oklahoma with bits done in SoCal.

GRADE: B.