A Gunfighter's Pledge

A classic western plot -- a bad guy wants to grab off a small landowner's land and only a laconic wanderer can save the pretty ranch owner -- having killed her man by accident -- runs along in its well-greased way. Luke Perry is fine as the scruffy, squinty, hoarse hero. Jaclyn DeSantis is good as the woman he tries to help and while there are few surprises in this one, it plays nicely to the strengths of the classic western, including some fine camera work by James Wrenn.

It is the old-fashioned camera work that is most notable about this picture, and the color choices that hearken back to silent days, with blue tints for night scenes, an overall sepia wash to the day scenes and an amber touch to the interiors. There are lingering shots when people are riding horses, giving a leisurely but inevitable air to the entire proceedings. A very pleasant TV movie.

I picked this up on DVD and it felt like a TV movie, and hey ho, it was, no surprise there. But I brought it on the strenght of the lead actors, Luke Perry and Thomas C Howell both of whom are very under rated (Perry especially) It's a familiar yarn really. Sheriff (Perry) is in pursuit of the man who killed his family (Kim Coates almost sleep walking through the role) and Howell is the greedy land baron who wants it all. It feels a bit like an episode of the A-Team, but in the Wild West except that people do get shot.

The film has some strenghts, the acting all round is decent enough, and the photography and sets all blend well, but the dialogue is just so ordinary and the score swamps the film, with music almost all the way through and rather than uplifting the scenes makes them all the more banal. Shame really.

In A GUNFIGHTER'S PLEDGE, Luke Perry plays a lawman whose wife and son are murdered by a criminal he has twice incarcerated. Following the killer's trail into Mexico, Perry inadvertently kills an innocent man and takes the man's body home to a ranch where the dead man's sister and son live. Perry stays to help, and crosses paths with a mustache-twirling villain right out of DUDLEY DO-RIGHT, played by a sneering Thomas Howell in a big black hat and attire. Howell of course wants the dead man's ranch and will stop at nothing to get it, including hiring the gunslinger Perry has been seeking. The ending contains a twist. Perry is convincing as a haunted, tired lawman, although Howell is a little too Snidely Whiplash for my taste. Beautifully shot and staged in Simi Valley, Calif.

A tired, poorly written script puts this to bed and helps you nod off. I'm guessing the producers weren't worried about trying to make a profit from a cinema release. The best part is when it ends. Couldn't come soon enough.

The story is OK, the acting is reasonable.

But the camerawork is AWFUL. Several close ups of the characters, especially the baddy, are way OUT OF FOCUS.

How these scenes ever made it past the cutting floor is beyond me. I've never seen such bad camera work, and for me it ruins the whole movie. Literally, bad optics!