The Factory

If you like a cat and mouse game type movie and looking for something with a new twist this is a movie that will meet your needs.

The story is a little slow at the beginning but it keeps you wanting to know the next step.

There are some great blindsides that will get you.

The acting was basic follow the script, not bad but nothing special. The movie has many scenes that are at night so a darker screen. Just making it harder to see the movie if you're in a bright room or watching during the day.

I loved what they did and it caught me by surprise and made me want to tell everyone... guess you'll have to watch to know what scene I'm referring to.

The gamut of ratings doesn't surprise me, as everyone has different tastes. The acting was just fine, and the premise I thought was happening for the majority of the movie read much like Law & Order: SVU. I love that show. So this movie was kind of my niche, and I still watched it despite it being a straight-to-DVD film. Hey, Boondock Saints is a B movie by definition, and that movie is awesome, in my opinion. But back to this film. I was having some issues with Netflix, so I had to pause it frequently. I read some reviews during that time, and I knew there would be a major plot twist at the end. So I was pretty excited through the whole film. I think anyone who enjoys SAW movies will like this film. I love those "no way, it was right in front of me the whole time" moments. Also, the cast towards the 2nd quarter of the film were totally believable to me. I am not an expert on cinema, and I have liked some "bad" movies before, but this one doesn't fall into my bad movie category. Date Movie....that was a bad movie! But if you take away anything, stay tuned for the plot twist. Unless you are Sherlock Holmes, you will not guess it!

Hollywood veteran John Cusack is detective Mike Fletcher, a maverick cop who has a hard time playing by the rules at the best of times, let alone when trying to find his missing daughter. Mistaken for a streetwalker by the creepy-for-the-sake-of-being-creepy Gary Gemeaux (Dallas Roberts), Abby Fletcher (Mae Whitman) is thrown into a makeshift dungeon with a couple of other inmates who are forced to produce children for a mysterious benefactor.

Cusack and Roberts make an honourable effort despite an uninspired script, but that is the only highlight to draw from this film. Part-police procedural, part-torture porn exploitation, The Factory blends the two polarising genres with mixed results; the end product serving more to unsettle than stimulate or entertain.

Many of the film's victims are inherently unlikeable, and as such do not demand audience sympathy for their dire situations to the extent that they should. The Factory is actually tolerable, albeit immediately forgettable, for much of its run time, until an overly ambitious climax shreds any filmic credibility that might have still lingered in the mind of the viewer. The 'twist' ending is both predictable and illogical, resulting in a disastrous conclusion leaving one feeling somewhere between 'unsatisfied' and 'downright cheated'.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*

After watching this movie, I had to wonder if this genre isn't simply exhausted: basically, psychopath kidnaps daughter of someone he shouldn't have. We all buy into this for one reason. We know that we'll eventually get a pay off in the form of revenge. Make the psychopath as evil as possible so that later we will relish his destruction. We will even overlook inconsistencies and absurdities in the plot as long as we get paid off for it. Well, I'll leave it up to each viewer to determine whether this film paid off, for me, it didn't.

This movie can only work if you accept the amazing coincidence that forms the basis of the story, but then you find that you have to accept a lot more coincidences. What I think happened was that the initial screenplay had logical inconsistencies which the writer(s) attempted to plug which led to more inconsistencies and so on. So you get a lot of contrived scenes and 'wow, look what I found, what a coincidence" scenes. I have a feeling that the whole ending was grafted on as an afterthought and then the screenplay was readjusted to it.

I watched this movie primarily because John Cusack was in it and that gave it a certain credibility. He does okay. There's nothing much in the way of interacting with other characters. They could have been played by mannequins and the movie would have been about the same.

Much of the movie seems like a series of scenes grafted on from other movies like "Taken", "Taxi Driver" and a few others. My advice for potential viewers is to watch those movies instead. The Factory needs too many renovations.

I had quite a hassle with trying to watch "The Factory". I rented the Blu-ray of the movie, but when I took it home I accidentally dropped the Blu-ray box down my building's elevator shaft. I had to wait overnight for the elevator man to come and retrieve it, and only after he retrieved the movie could I watch it.

It wasn't worth the hassle.

Now, this is not one of the worst movies ever made. For one thing, the movie does has some atmosphere - the Canadian locations covered in snow add a somewhat moody feeling. Also, near the end there is a twist that I admit I didn't see coming... though when I thought about it after the movie was over, it seemed to be silly and not making much sense.

But that silly twist doesn't sink the movie. There are two things that ultimately don't make the movie work. The first is that there is no sense of tension or desperation at any moment in the movie, despite the fact that the story is about a cop's daughter who is kidnapped by a deranged lunatic. The cop - and everyone else for that matter - takes the situation much too calmly. The second problem is with John Cusack's performance. John Cusack has given good performances in past movies, but he's really miscast here. He simply isn't believable as a tough cop, and sticks out like a sore thumb.

As I said earlier, this isn't one of the worst movies ever made. But those problems I mentioned ultimately sink the movie, and it's understandable why the distributor (Warner Brothers) let this movie sit on the shelf for quite some time (the movie has a 2010 copyright date) before ultimately giving it a direct-to-DVD release.