O Caminho Estreito para os Confins do Norte

I really wanted to watch this series. However, as seems to be a cinematography trope with some films and series these days, e.g. 'Nosferatu' I could not see the actors faces in a lot of the scenes as it's been colour graded with a dark hue that prevents me being able to see the nuances in the characters interactions. This artistic choice spoiled it for me. Does the darkness represent the lead characters ethical/moral struggles as complex multilayered people and the inhumanity and darkness of war and it's ongoing residue in their minds, probably, but I would have preferred to be able to see them struggling with these emotions. I tried really hard as the acting, set design and direction are striving towards something truthful and beautiful but ruined in my opinion by the cinematography. The actors commitment to their roles is admirable, however in search of truth the actors sometimes belong to the mumble, whisper my lines style that makes the dialogue unintelligible. Maybe it's my smart TV's inability to render it watchable, but I doubt it!

You can rarely see a good series or movie from the australian perspective. It's a short series but keeps you engaged at almost every scene. The brutality of the japanese or the POW struggling for survival really comes through the screen on an emotional level.

I would say it's a unique World War 2 series, can't put it in a category. It's not really about the war but how we humans sometimes lack the humanity, emphaty or the communication so we could understand each other. When we can't communicate or express ourselves then we just move on instead repairing the thing that brings us the most joy or even who brings us the most love.

A must watch for anyone who enjoys war series with less action and more emphasis on the emotional and personal struggles for both the character and You, the viewer.

Haunting and gruesome and riveting: a full spectrum of emotions like a life in fast-forward. Its complexity does not have a tidy resolution; it offers no sweeping redemption, but a kind of peace. A form of justice, like memory. Beautifully and soulfully acted. Brilliant cinematography that doesn't shrink from horrors but zooms in on tenderness so it lingers. A score like a witness. Gratifying to see Jacob Elordi take on projects that capitalize on his substance as an artist. It left me sleepless and reeling with Tennyson ringing in my ears, but not hopeless or bleak. "Come, my friends. Tis not too late to seek a newer world."

One of the hardest things I watched yet one of the best things I watched.

Do yourself a favour and press play. Photography is just alluring, poetic and yet so descriptive that you just can't look away. Storytelling is compelling and keeps you constantly engaged, its tragedy and mourning, and romance, and longing and suffering and friendship and companionship. All together, all at once.

Despite being a short series, you get to know every character in such a way that it becomes personal, you suffer with them, you laugh with them and you miss them when they are gone.

It's a shot straight to the heart but oh such a lovely one.

I agree with comments by other reviewers about the dark murky lighting on parts of the series. I know the intent is to create atmosphere but possibly taken too far. The three timelines were also a bit confusing especially as the two main female characters resembled each other in the early episodes. However, those are small quibbles. This is one of the better series I have seen. A compelling story which stays with you for a long time. The acting was superb. There are scenes which are difficult to watch because they are brutal. Not for the squeamish. An important time in history which poses questions relevant today.