Um grupo de assaltantes de bancos tem seu plano de milhões de dólares interrompido por um detetive durão.Um grupo de assaltantes de bancos tem seu plano de milhões de dólares interrompido por um detetive durão.Um grupo de assaltantes de bancos tem seu plano de milhões de dólares interrompido por um detetive durão.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 7 indicações no total
Nicholas Turturro
- Franco Dalia
- (as Nick Turturro)
Zoe Saldaña
- Lilli
- (as Zoe Saldana)
Avaliações em destaque
I have wanted to see this movie since the first trailer I saw last year. I am a big fan of heist/action movies. Seeing Idris Elba and Michael Ealy and Paul Walker in the trailer, I knew I would at least get my quotient of eye candy. After seeing some of the reviews for this movie, I had very low expectations.
Takers turned out to be a decent heist movie. They didn't do anything that was all that original. It was pretty predictable. It was just mindless entertainment that I enjoyed watching. I thought there was some good action sequences...I wish there were more of them. There was more melodrama than I was expecting, but I think it helped give the movie an ounce of depth. Don't expect Oscar worthy material or big unexpected plot turns and I think you will end up enjoying it.
Takers turned out to be a decent heist movie. They didn't do anything that was all that original. It was pretty predictable. It was just mindless entertainment that I enjoyed watching. I thought there was some good action sequences...I wish there were more of them. There was more melodrama than I was expecting, but I think it helped give the movie an ounce of depth. Don't expect Oscar worthy material or big unexpected plot turns and I think you will end up enjoying it.
This movie is fast-paced and the cinematography (specifically the shaky camera thing) is clever and interesting when it's not irritating. Also, there is some eye candy for the ladies and some of the cast is full of interesting and appealing characters, some who actually do decent acting jobs ("some" is the operative word.) Those are the good points.
Now the other side. I like T.I. as a rapper and even thought he did an okay acting job in ATL a few years ago, but his acting here was just downright criminal. There was one scene in which he dominated the dialog that I actually said out loud, "his acting is so bad, it's offensive." You're actually offended that that is being pushed off as something you should buy as a viewer. You're wondering how no one in the director's booth was offended by it. In fairness, the fast action of the bulk of the movie shields the poor acting a bit, so the blow is blunted a bit. But between his poor acting and Chris Brown's sometimey acting, it was just a lot being asked of the viewer. Speaking of characters, the lack of character development is also a low point of the film. I agree with another commenter that you're asked to feel something for a character who dies, but you feel nothing because you really haven't been given anything to know or care about. And finally as others have stated, the plot is clichéd to the point that you're wondering if it's supposed to be a satire of some sort. But no, no satire. They're seriously trying to wrap Heat and Set it Off and Dead Presidents up in a big bow and pass it off as a new present. Just not a good thing to do.
I rate it a 5 on a 10-point scale because while it's not a great movie, it does hold your attention and as bad as some parts are, it's not the worst movie I've ever seen. So I say giving it about half credit is pretty accurate. In that vain, I won't say you should pay to see this or you shouldn't pay to see it. I say do the 50/50 thing--flip a coin. Either way, the earth won't shatter. This movie is just not that significant either way. It will probably be forgotten pretty soon.
Now the other side. I like T.I. as a rapper and even thought he did an okay acting job in ATL a few years ago, but his acting here was just downright criminal. There was one scene in which he dominated the dialog that I actually said out loud, "his acting is so bad, it's offensive." You're actually offended that that is being pushed off as something you should buy as a viewer. You're wondering how no one in the director's booth was offended by it. In fairness, the fast action of the bulk of the movie shields the poor acting a bit, so the blow is blunted a bit. But between his poor acting and Chris Brown's sometimey acting, it was just a lot being asked of the viewer. Speaking of characters, the lack of character development is also a low point of the film. I agree with another commenter that you're asked to feel something for a character who dies, but you feel nothing because you really haven't been given anything to know or care about. And finally as others have stated, the plot is clichéd to the point that you're wondering if it's supposed to be a satire of some sort. But no, no satire. They're seriously trying to wrap Heat and Set it Off and Dead Presidents up in a big bow and pass it off as a new present. Just not a good thing to do.
I rate it a 5 on a 10-point scale because while it's not a great movie, it does hold your attention and as bad as some parts are, it's not the worst movie I've ever seen. So I say giving it about half credit is pretty accurate. In that vain, I won't say you should pay to see this or you shouldn't pay to see it. I say do the 50/50 thing--flip a coin. Either way, the earth won't shatter. This movie is just not that significant either way. It will probably be forgotten pretty soon.
As the tittle says, if you want a really good thieves-crew movie go for "The Town" (Ben Affleck's new adventure), or, if you missed it, "Heat" (1995). If you missed this one, wait no longer and get it NOW, its a masterpiece.
Takers is entertaining, action packed, bang bang and all those flashy things. You will be as satisfied as in a meal without dessert, you are full but you still lack something sweet.
The story in "Takers" is solid, with a few shortcuts along the way, but nothing damaging to the overall value of the movie. Acting is also very decent, nothing fancy, also a few bad apples, but mainly in the "second line" of actors.
Also, for the love story fans this has very little value, and the the little it has does not turn out too good.
Overall, my humble opinion, give this movie a chance and you will be satisfied.
Takers is entertaining, action packed, bang bang and all those flashy things. You will be as satisfied as in a meal without dessert, you are full but you still lack something sweet.
The story in "Takers" is solid, with a few shortcuts along the way, but nothing damaging to the overall value of the movie. Acting is also very decent, nothing fancy, also a few bad apples, but mainly in the "second line" of actors.
Also, for the love story fans this has very little value, and the the little it has does not turn out too good.
Overall, my humble opinion, give this movie a chance and you will be satisfied.
The plot for this film does not need to be explained. It's basically a pastiche of The Italian Job, True Romance and melodramatic clichés.
The third element in the blender, mentioned above, along with a script short on genuine character development (You'll sometimes forget that Hayden Christensen and Zoe Saldana are in it) are distracting for a film which develops a serious tone, but there are positives, depending on your genre preferences.
The film moves along briskly, even as we deal with a cringe-worthy first half, and when the actual robbery gets going, the fun starts. Though the cinematography is modeled too much off of the Bourne-style shaky cam, the set pieces are still very well pulled off.
The extended car chases and shootouts contain a level of energy and suspense that really makes them standout, comparable to similar scenes in the above mentioned films, along with an on-foot chase clearly modeling itself off of the Madagascar chase in Casino Royale. Every car whizzing by, bone crunch or gunshot affects the audience due to mostly- proper use of slow motion, and great editing, both sound and film wise.
The melodrama may make some engaged viewers start laughing due to how it's put on screen, but as the stakes get higher, gels with the storyline.
The main cast, considering the material they are given, do the best they can, and their charisma is enough for us to care about them when the stakes get REALLY high, particularly in the case of Matt Dillon and Idris Elba.
It's highly unoriginal and contains several other elements worthy of nitpicking, but after evaluating how I had spent the past 107 minutes of my life, I think it got the job done.
B-
The third element in the blender, mentioned above, along with a script short on genuine character development (You'll sometimes forget that Hayden Christensen and Zoe Saldana are in it) are distracting for a film which develops a serious tone, but there are positives, depending on your genre preferences.
The film moves along briskly, even as we deal with a cringe-worthy first half, and when the actual robbery gets going, the fun starts. Though the cinematography is modeled too much off of the Bourne-style shaky cam, the set pieces are still very well pulled off.
The extended car chases and shootouts contain a level of energy and suspense that really makes them standout, comparable to similar scenes in the above mentioned films, along with an on-foot chase clearly modeling itself off of the Madagascar chase in Casino Royale. Every car whizzing by, bone crunch or gunshot affects the audience due to mostly- proper use of slow motion, and great editing, both sound and film wise.
The melodrama may make some engaged viewers start laughing due to how it's put on screen, but as the stakes get higher, gels with the storyline.
The main cast, considering the material they are given, do the best they can, and their charisma is enough for us to care about them when the stakes get REALLY high, particularly in the case of Matt Dillon and Idris Elba.
It's highly unoriginal and contains several other elements worthy of nitpicking, but after evaluating how I had spent the past 107 minutes of my life, I think it got the job done.
B-
After reading the reviews posted here, I had little hope of seeing a good movie, although the fact that the movie was playing at a "budget" theater was incentive enough for me to see it. I'm glad I went. Over the last couple of years, I've found that reviews on movies have become extremely undependable. It seems as though a lot of folks, who fancy themselves as reliable movie critics, have become quite snobbish in their reviews. It's so easy to be critical. Some critics like to feel that they are a step above the rest of us, and therefore more likely to understand how the movie should have been written, versus the flawed production that was actually released upon the public. I'd have missed many a good movie had I listened to the "professionals". This is an entertaining movie. It's not "The Godfather" or "Shawshank Redemption", but it's a good old fashioned action movie that keeps your attention. Get some popcorn and soda, sit back, and enjoy the show.
Você sabia?
- CuriosidadesWas originally titled Bone Deep. The director liked the "We're takers, gents" line from Idris Elba's character so much he changed the name to Takers.
- Erros de gravaçãoIdris Elba's character is named Gordon Cozier, but he is listed in the end credits as playing "Gordon Jennings".
- Citações
Gordon Jennings: We're takers, gents. That's what we do for a living. We take.
- ConexõesFeatured in The Rotten Tomatoes Show: Zombieland/A Serious Man/Whip It (2009)
Principais escolhas
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- How long is Takers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El escuadrón del crimen
- Locações de filme
- 410 Boyd St, Los Angeles, Califórnia, EUA(Jake says goodby to Lilli on street just before big job.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 32.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 57.744.720
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.512.304
- 29 de ago. de 2010
- Faturamento bruto mundial
- US$ 80.205.382
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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