A Vida Íntima de Pippa Lee

I'm one of the millions who fell in love with these actors years ago, and it was especially wonderful to see Robin Wright and Winona Ryder. LOVE the climactic scene between those two - when Pippa is speaking with her son and Sandra is there and - well, I won't spoil it! Very funny. Great to see Keanu again in an ordinary role, I got so used to Neo/Matrix Keanu, this was a treat for him to play just an average messed up person. I've loved Alan Arkin since WAIT UNTIL DARK - you scared the crap outta me as a child!! Funny thing was, I thought you were Jerry Lewis back then, I was so young, and you looked similar, and it creeped me out, and for a long long time, I couldn't like Jerry Lewis because he was such a bad guy in my mind...grew up and found out it was YOU!! By then, I was mature enough to understand acting. I'll have you know that WAIT UNTIL DARK is in my Top 5 movies of all time, probably #2, and also in my Top 5 is THE PRINCESS BRIDE.

THE PRIVATE LIVES OF PIPPA LEE has some memorable lines of dialogue! I won't spoil that experience either - it's a treat to hear them in context for the first time. Great work, Rebecca Miller! The mother of Pippa and how she affected her daughter makes Pippa a fascinating protagonist. I love her struggle, it's such a non-struggle and yet so real and painful a conflict.

Great work, all of you! APPLAUSE!!

I attended the North American Premiere of "The Private Lives of Pippa Lee" at the 2009 Toronto International Film Festival. Written and directed by Rebecca Miller from her own book, this is the complex, multi-layered life story of a woman trying to survive her checkered past. Its stellar cast makes this film a joy -- Robin Wright Penn is extraordinary as the titular character, while Keanu Reeves, Blake Lively, and Winona Ryder truly shine in supporting roles. But "The Private Lives of Pippa Lee" is, most of all, a vehicle for the legendary Alan Arkin as Pippa's husband Herb Lee. He's at his best yet.

The script is about 5/50 drama and comedy so it's hard to pin it down either way. But that's what real life is, isn't it? The art and costume direction are superb with great care taken to ensure that each of Pippa Lee's "lives" has its own unique color palette and sets to match. Keeping it all together is a wonderful recurring musical theme and sweet score. There are a number of clever transitions between sets and time periods which were not done with computers but "in-camera." As an aficionado of the craft of film-making, these set tricks blew me away.

More and more, Hollywood is checking out the state of those born in the 50s. The former hippies, with their libertarian ways of life, and what happened to them after the backlash. Why are they nowadays so strangely conservative? What made them become like that?

This is an intelligent version of the theme. Many under-texts show us Pippa Lee as the disastrous teenager and young woman, heading into this relationship with this old man, who pretends to see her, but much more sees himself and his sophisticated needs.

Good acting, good thoughts, unforeseeable feelings, but no real answer to the backlash question.

This will be regarded as 'a woman's movie' since it is written and directed by a woman (Rebecca Miller) and its central character (Robin Wright Penn) and most of the support roles (Julianne Moore, Winona Ryder, Blake Lively, Mario Bello, Monica Bellucci) are women too. But the male roles (Alan Arkin and Keanu Reeves) contribute to a stellar cast and the themes of self-discovery and self-expression are universal. If Pippa is angst-ridden, it's because she's had a traumatic life and the movie reveals a series of dramatic incidents, while concluding on a hopeful note. With not a car chase or a special effect in sight, this is an adult film in the proper sense of the word and as such well-worth viewing.

Remember Lucy Jordan? The tragic heroine of Shel Silverstein's 1975 ballad immortalized by Marianne Faithful? Think of this fabulous movie as of Lucy Jordan's life set in an alternate universe, a universe in which she doesn't kill herself at 37. Rather, she rides out her life as a radiant wife and a loving mother of two. Pippa Lee (Robin Wright Penn) is about ten years older than Lucy Jordan at her time of dying. But her father-figure husband (Alan Arkin), many years her senior, isn't getting any younger, her kids are distant both physically and emotionally, and her friends are really not much help at all. As Pippa starts to lose it, a stranger (Keanu Reeves) comes to town. Writer-director Rebecca Miller, who is also an actress of some distinction, has composed an engaging tale that is touching, but never cheesy. There's a moment in one of the flashbacks when the story is about to take a Charlie Kaufman turn, but it doesn't. No regrets though. Outstanding performances by Robin Wright Penn as Pippa Lee, Blake Lively as her younger self, and Maria Bello as her mother. Guest appearance by Winona Ryder as Pippa's best friend Sandra. Stay for Lucinda Williams, whose 1978 classic "I lost it" is playing over the credits.