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Stephen (Ryan Gosling) is a razor-sharp, rising star political media consultant. Presently, he is working on Pennsylvania Governor Mike Morris' (George Clooney) campaign for the Democratic presidential nomination. Steve-o has only one man above him, overall campaign manager Paul (Philip Seymour Hoffman). The two consult each other daily. The governor has a single chief competitor, an Arkansas senator with his own astute adviser, Tom (Paul Giamatti). At the moment, the Ohio primary is looming and the staff is working out of Cincinnati. One of the governor's lower-level workers is beautiful Molly (Evan Rachel Wood), the daughter of the present head of the National Democratic Party. Only 20, she is just learning the ropes. One day, she makes a pass at Stephen and he responds positively. But, he makes it clear to her that politics is his passion and, especially, Mike Morris, his idol. Indeed, Morris is handsome, smart, and appears to speak sincerely and clearly to potential voters. Yet, very soon after their first encounter, Molly drops a bombshell on Stephen. It is a stunning piece of news, one that could knock the earth off its axis. Also, amazingly, Tom has been courting Stephen to "switch sides" while a respected, determined journalist, Ida (Marisa Tomei) is eager for any and all campaign stories. A cauldron of conflicting genuine and perceived realities is brewing. What will be the result? This is a fine film, based on a stage play, and directed by Mr. Clooney. While the story is more predictable in nature, the script has some great lines and Clooney's direction is quite, quite admirable. This is particularly true of the performances he draws from the cast, with Gosling, Hoffman, Giamatti, Tomei, Clooney himself, and especially Wood giving great turns. All the film's amenities, from sets, costumes, and camera work, are also nice. If you are a discriminating film buff, who loves quality flicks with ample discussion points, then I'd suggest you see Ides at your earliest convenience.

George Clooney's 'Ides of March' could have been set in a corporation. Or a university. A family. But in fact it is set during a Presidential Campaign. Specifically a Democratic Primary in the state of Ohio. We've got two candidates. Each candidate has a staff. And more than the candidates, it's the politics between the staff members that forms the foundation of this story.

"I know something about you, so you'd better ... ' 'Ah, but I know something about YOU, so if you know what's good for you ... ' 'But what about the time that you ... ' 'Never mind me, what about you ... '

And so on. And so on. But most important, it works. It is compelling. The stakes get added to as the film progresses until the determination of the winning candidate will depend on nothing more than this back and forth of power.

I liked 'Ides of March'. A lot. I thought that Philip Seymour Hoffman and Paul Giamatti were perfect as opposing campaign managers; each more unlikeable than the other. Ryan Gosling as a younger campaign official is fine (though I think that the role was not as demanding as others). As one candidate, director George Clooney is at his handsome, well-spoken, best. If there is a weak-link, it's Evan Rachel Wood as a campaign intern with more on her mind than election strategies.

Though ten years old, the film and its story, its conflicts, its undercurrent of grime, it all seemed wholly relevant today. I recommend that you see it.

Ryan Gosling's at his best in dramatic roles and there's no exception here. As things unravel - that happens quickly thanks to the intense plot - Gosling decides that his ambitions are so important that he'll be willing willing to lose his soul. George Clooney has a very strong appeal, he's very convincing, his acting being almost perfect. "Ides of March" has very few flaws, the twists in the plot are not predictable and overall doesn't have any problems connecting with the viewers. Eventually, though there's no character to empathize with, the audience has the impression of a notable film noir, challenging us to come to terms with what politics is nowadays. I've seen intelligent filmmaking and a provocative moral fable.

And to talk about alternate thrillers, put this next to also Academy Award-nominated "Margin Call" for screenplay you easily spot the difference, both in the quality of performances and the power of the script. This thriller-drama revolves around Stephen (Ryan Gosling), a smart staffer for a campaign who learns the true face of politics the quick way.

The script is captivating and it draws the audience at the exact moment the film starts, but what satisfies more than the changes in Gosling from the beginning to the end? Ryan Gosling delivers his transition realistically through events that unfold in front of him, with solid and believable performances scene after scene that prove he is a highly capable actor. Gosling's mask-like portrait of the nameless hero in "Drive" is amazing and exciting, but his performance in "The Ides of March" undoubtedly expose to us more of his if not flawless, masterful and flexible acting abilities. And we shouldn't leave out Hoffman and Giamatti, who are both incredible and perfect for their roles, Paul Zara and Tom Duffy, respectively. Clooney is great, but credits should definitely be given to him for the whole package, for his directing and writing rather than his performance alone. Evan Rachel Wood plays a supporting role as Molly Stearns, who is much related to the entire campaign itself and many characters. She is also the key that motivates Gosling's actions.

"The Ides of March" is certainly one of the most powerful and believable political thrillers or dramas out there, so don't miss this for certain.

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George Clooney is running for President. Well, I mean, in "The Ides of March," as Governor Mike Morris, he's running for the Democratic Presidential nomination. He's the good guy and his opponent is the bad guy. Because that's how it is supposed to be, right? The opponent's campaign manager is played by the ever-shady Paul Giamatti, while Morris' campaign is championed by the young, handsome idealistic Stephen (Ryan Gosling).

This is about politics, the games people play to get ahead, and the types of people who get played—that's the interesting part. The refreshing part, is that this isn't about election night and who is going to win and who is going to lose. A few poll numbers are rattled off, but it's mostly about what is going to happen to our heroes (or anti-heroes) and what are they going to do in response. When you look like Clooney and Gosling, it's hard not to be the hero, but remember, this is politics and nobody is really a hero in that mess.

People make mistakes. I enjoyed following Stephen as he struggled internally with his path forward. He believes in the good of the Governor. He's smart and passionate and makes a good campaign manager. His mistakes seem minor and understandable. The problem is, he's 30. He's at the in-between age, where he's half young-college-student-ready-to-take-over-the-world and half experienced-cynic. Those are two very combative halves and when they come at odds within him, the character takes some shocking and drastic turns.

The few references to actual political gaffes are obvious and just done for comic relief. All the clever lines are stolen by Giamatti, who, I am predicting, will come away with the only acting nomination for the film. Although, the brilliant character work – that's done by everybody, and is what makes "The Ides of March" so intriguing.