Jackass 3

In 1928, Charlie Chaplin wowed audiences by appearing on screen with a real, live lion for his celebrated film The Circus. A lion! Real! On screen! Audiences were mesmerized by this fascinating new art of cinema, an art made all the more engaging for the fact that the plastics of its image had roots in reality; that somewhere else in space and time, Chaplin had actually stood next to this lion and the reality of this image was now available to them for their own viewing pleasure.

For a contemporary equivalent, I give you Steve-O launched through the stratosphere in a PortaPotty full of dog poop. In 3D.

Jackass 3D appeals to cinema's time-honored capacity for ontological testament, and makes an equally compelling case for the camera's potency as an empathy machine: We see the setup of a stunt, we endure its execution, and we then either clutch our balls or puke in our mouths, depending on what the stunt entails. Cinema is reality, and their pain is ours.

Jackass isn't simply effective in the art of its performers, however, as there is a genius to the framing and editing of each segment as well. Many of the film's laughs are built in to its premises, and the crew smartly eschews over-explanation. We see a tee ball, we see the path this ball is on track to take, and we see Steve-O's nuts--as an intelligent and discerning audience, it is left to us to piece together the narrative before it unfolds, resulting in our increased engagement and a far greater potential for humor upon realization. And we then hang in that moment of anticipation, until the situation's potential energy is quickly and cathartically rendered kinetic.

Jackass 3D is notable as well for its use of stereoscopic 3D cinematography. In one scene, Johnny Knoxville fires a projectile toward the screen in slow motion to great effect: shallow depth of field slowly reveals this item to be a dildo, and 3D reveals the dildo to be humorously close to your face. Elsewhere, stereoscopy is employed in the service of some truly excellent model work; the scene's genuine beauty makes its ultimate subversion all the more effective.

Needless to say, Jackass 3D will not appeal to everyone. But as the film so effectively marries the ontology of outrageous stupidity to so many facets of cinematic expression, it's definitely worth seeing if you think you can stomach it. TK 10/17/10

Jackass 3D is at the time of me writing this, the last movie made by the Jackass crew, the group of Morons who charmed the world by doing painful, gross and stupid stunts to entertain an audience. Jackass the movie is a long episode of the show, Jackass number 2 raises expectations by being a bit more wacky and toony and including the best Climax and opening of the series, but 3D is not only the funniest, but also the one that really pushes the limits of stupidity, chaos and grosseness, this is Jackass at their most Ridiculous...and i kinda liked it.

I didn't watched Jackass itself until 2 years ago, where i fell in love with how creatively and insane some of their stuff were, it's not high quality entertainment, but there is something oddly charming about this group of morons, and 3D pushes those morons into their most painful stuff yet.

The best way to describe this movie is as a live action 90's cartoon, chaotic, loud, colorful, gross and violent. The highlights for me are the more ingenious stunts that include 3 or the whole crew, like the Jet, Electric Avenue and the Ram Jam. But it does contain probably the smallest and probably one of my favorite stunts, the snake river redemption, not for the Stunt itself, but the interactions between the group and Wee Man on a leprechaun outfit.

This movie is ridicolous, gross, if you don't have a taste for those kind of movies, you are gonna hate it. But if you enjoy a good laugh, even for how gross it can be, watch it, it's a good movie! Disgusting but Good!

How does one review "Jackass 3D"? The tertiary installment in MTV's prank and stunt franchise is basically immune to criticism because you get exactly what you pay for. Love it or hate it, "Jackass 3D" accomplishes just about everything it sets out to; in effect, Johnny Knoxville scores a goal on an empty net.

I am the anomaly, but I'd wager next to no one is 'on the fence' about whether or not they should see this film. They either contributed to the massive $50 million opening weekend box office cume, or they immediately dismissed it. In my case, however, having never seen the "Jackass" films wasn't a conscious snub. Believe it or not, there just always seemed to be something better to watch.

But mine's not a high horse. I sought out and watched "Jackass" and "Jackass: Number Two" the week prior to my first theater experience with the series, and I'm glad I did. After all, I grew up on "America's Funniest Home Videos" and throughout high school religiously followed the English hidden camera show "Trigger Happy TV." "Jackass" is not as clever as the latter, but by measure of unbridled chutzpah, Knoxville and Co. are the reigning kings.

Like a Victorian freak show or museum of oddities, the often self-destructive experiments of the "Jackass" crew are the guilty pleasures of our generation. There's something almost gladiatorial about watching the elaborate dangers these brave idiots subject themselves to. Man vs. bull, man vs. mule, man vs. man—our fascination with competition, spectacle, and injury is nothing new.

"Jackass 3D" being my first chance to observe others' response to these shenanigans, I was most amazed by the two-pronged reaction the audience had to the physical trauma the performers sustained. A given stunt would be executed, typically resulting in its participant doubling over in pain. The crowd laughed, as they'd been cued to. The film would then play back the moment in slow motion and suddenly everyone would groan or sharply inhale. Though we paid to laugh at people injuring themselves, what's more interesting is our ability to empathize with the depiction of human pain. That the "Jackass" films achieve both is not an insignificant feat.

This isn't the definitive "Jackass" experience, however. Having watched all three films in the span of a single week, I did discern a distinct arc that left me somewhat letdown with Knoxville's most recent effort. "Jackass: Number Two" improved upon the original with a more polished, professional look, and more elaborate and inventive stunts. It gave the genuine impression that the crew was pushing its boundaries and trumping itself wherever possible. That same sense of pioneering is largely missing from "Jackass 3D." The glasses- gimmick seems to supplant genuine innovation in their routine, and on the whole it feels slapdash in comparison to the conceptual genius of its prequel.

But what survives in "Jackass 3D," and what ultimately endeared me to the franchise is its creativity. Where it won me over was not in the painful payoff of each trick, but rather in the setup. The use of the camera to disorient, spotlight, and surprise is what really makes the series sing, and the trilogy is full of epiphanic moments of hilarity. "Jackass" has and always will be a potpourri of comedic elements, not all of which directly appeal to my specific sensibilities, but the variety is essential and the whole is somehow more than the sum of its parts.

I only wish "Jackass 3D" had more of the entrepreneurial spirit that so distinguished the second film. It may not be ambitious, but hey, a goal made on an empty net still counts.

Jackass is childish . Jackass is stupid . Jackass is sick . Jackass is right up my street!

In this latest instalment Johnny Knoxville and the boys go all three dimensional on our arse and although i only saw this in glorious 2 D it still looked amazing.

The contents are much the same as what we're used to. This time we are exposed to stunts such as " Super Mighty Glue" where Wee Man & Preston are super glued together. . "The High Five" , where a giant hand springs out and hits people unexpectedly and " The helicockter" well , Use your imagination on that one!.

My only disappointment is that i didn't get to see this in 3D as i think it might have looked great.

I'm not sure how much longer these guys can keep doing these stunts because sooner rather than later someone is going to get seriously hurt or failing that they will get too old but while they can i will still enjoy watching them.

I really liked the last Jackass movie, because there was an intelligence at work there, beyond just a desire to be shocking and gross (though "shocking" and "gross" is being too mild). And this was just a lot more of the same.

The film is not for the squeamish, especially due to the delight taken in excrement. Excrement here is treated like confetti on New Years Eve. I don't want to get into details, because much of my enjoyment of this film is due to the shock factor. There were a few scenes that I was just too scared to watch.

I won't get into trying to describe or give a list of what's shown here. Let me just say that if Thomas Edison had ever thought his invention would show something like THIS, he'd have destroyed his camera and killed himself. But for about 80% of this film, I was howling with laughter, though terribly embarrassed I was carrying on like that.

The only thing I can say specific to a scene in this movie is that the Midget Bar Fight has got to be, no doubt about it, the most hilarious "Candid" scene I've ever watched.

I had major qualms about going to see a film so crude, gross, violent, and obviously marketed to an audience about 40 years younger. I saw it. I loved it. I'm so embarrassed. And I saw it in 2-D. Which was at least one D more than I needed. The idea of watching some of these scenes in 3-D . . .