Pássaro Branco: Uma História de Extraordinário

In a world where violence and action always takes credit, sometimes we need to take a moment and enjoy the kind movies.

This movie truly touched me in so many ways, its character development is outstanding, and the director's way to send the message is phenomenal also. I would truly advise every parent to give this movie a shot and watch it with their children as there are some really deep and meaningful life lessons throughout the movie, a movie that teaches us (specifically the young generation) to love and be kind to others instead being mean and using others to bully our way to the top.

Truly recommended !

This movie actually opens in modern day New York, a boy of 15 (Bryce Gheisar as Julian Albans) is starting at a new school. In conversation he uses the term "the school I left" but was quickly corrected, he was expelled from the school for poor behavior towards a fellow student.

It turns out his grandmother, Helen Mirren as Grand-mère, is a world famous artist in town for a special event honoring her life's work. She visits Julian and she is the one who corrects him. Then, the rest of this movie is basically a flashback to Autumn 1942 in a small French community after the Nazi Germans took control, then spanning 1943 and I presume part of 1944. With a short return to modern day New York at the end of the movie to show how Julian's attitude was changed by his grandmother's story.

British actress Ariella Glaser, about 14 or 15, is the main character, Sara Blum, a Jewish schoolgirl who was persecuted, had to go into hiding, and who grew up to be the artist and grandmother of Julien. She tells him her story to illustrate how attitude and behavior are everything in human existence. Using the analogy that darkness cannot overcome darkness, you need the light and that is the human experience.

Also good is young Australian actor Orlando Schwerdt as Julien Beaumier, a young boy who had been impacted by polio and now wore an awkward leg brace. Julien was a kind person who played a big role in Sara's survival and who was the inspiration for naming the grandson Julian.

Also good is American actress Gillian Anderson as Vivienne Beaumier, helping hide young Sara and serving as a surrogate mother in the absence of her parents.

This is a very good and well-made movie with a worthwhile story. The young actress that plays teenage Sara is remarkably good.

My wife and I watched it at home on DVD from our public library.

The expelled bully Julian from Wonder (2017) is trying to fit in hard in his new high school and is still struggling. He does feel guilty but doesn't understand why he was made to pay so much. While he is still unsure, his grandma Sara visits him from Paris and shares her life story as a little girl in the Nazi occupied France during the second World War. She shares her nightmare of being ostracized and how she is forced live a life in hiding with the help of Julian and his family. The boy turns out to be her first love as they bond over an year, helping her hide from Nazi army. Her story is the triumph of humanity, love over hate and Sara knows better that it is time to share this story with Julian, fondly named after her Julian. How he became the light of her life when her's was filled with darkness and hopes to instill the same light in Julian to help him out of his predicament.

The Wonder reference is limited to Julian as the story is entirely that of Sara in the 1940s. Needless to say, this was an out and out sob fest, unlike Wonder which had it's lighter moments. Having said that, White Bird is still a heart touching tale and a well directed one. The story got me captivated instantly though it travels through familiar tropes and the director gets on with the story immediately without wasting much time with Julian from current time. The world during the Nazi dominance was truly heartbreaking as the people turned against Jews, told through Sara and her parents' pov. The scenes where Sara and Julian test their imagination that knows no bounds, were well executed. Despite the predictability, it is still an all important film even for the current times and the stance it takes against hatred is worth a watch. Helen Mirren as Sara shines in her extended cameo while the performances by the leads just melted my heart.

The headline names of Helen Mirren and Gillian Anderson drew me to this one, the type of film that I would normally pass on, given that it concerns a theme that has probably been done a hundred times before. And of course it has, but not always in such a compelling and effective way. It avoids becoming too saccharine or clumsily tugging at over used emotional strings. Yet, there are sweet moments and powerfully emotional moments, but done so subtly that they creep up on you with great effect. Of course the darkest side of human nature is introduced soon enough, as the daily life of a sleepy French town is unmercifully invaded. Having said that, this is still a film that can be watched by the whole family, as it avoids being graphicly violent, whilst leaving viewers in no doubt as to the nature of evil. There are all sorts of lessons to be learned ( or relearned ) regarding how people choose to behave in ordinary as well as extraordinary situations.

As an added bonus, the cinematography and production are exceptional with an effective soundtrack. The young actors look like they are as experienced as the two much older stars mentioned previously.

Back in 2017, a movie called WONDER (based on the 2012 book by R. J Palacio) came out, about a disfigured young boy going to public school for the first time. I actually just watched it. I really liked how they showed the story through a few characters' perspectives. Keeping with that trend, a sort-of sequel kind of spinoff has been released called WHITE BIRD (based on the 2019 graphic novel from the same author). Don't worry, you don't have to have seen WONDER to understand what's going on. This is about Julien (Bryse Gheisar), an ex-school bully who is getting a taste of his own medicine at a new preppy school. He gets a visit from his grandmother Sara (Hellen Miren), who tells him a story of her past. In 1942 France, a young Sara (Ariella Glaser) is forced into hiding from the Nazis, taken in by a classmate named Julien (Orlando Schwerdt), who has a lame leg due to polio. Him and his parents (played by Gillian Anderson and Jo Stone-Fewings) hide her in their barn. This is a good movie. The performances of the two leads are great and sparking with chemistry. I was pretty stressed throughout the experience due to the circumstances. It does have an "Anne Frank" vibe, but it's done well here. In dark times, sometimes all we need is kindness and hope. It's a little heavy-handed in some parts, but a very solid film. Remember, kindness can change somebody's life.