Adicionar um enredo no seu idiomaIn 1979, an Indian family moves to America with hopes of living the American Dream. While their 10-year-old boy Smith falls head-over-heels for the girl next door, his desire to become a "go... Ler tudoIn 1979, an Indian family moves to America with hopes of living the American Dream. While their 10-year-old boy Smith falls head-over-heels for the girl next door, his desire to become a "good old boy" propels him further away from his family's ideals than ever before.In 1979, an Indian family moves to America with hopes of living the American Dream. While their 10-year-old boy Smith falls head-over-heels for the girl next door, his desire to become a "good old boy" propels him further away from his family's ideals than ever before.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 8 indicações no total
- Nancy Brunner
- (as Hilarie Burton)
Avaliações em destaque
The movie opens with Smith, the 10 year old boy, being shown a picture of his future bride in India for when he's 22. Smith, meanwhile, is pining for the girl next door. The two families try and act neighbourly, with some lighthearted culture clashes happening along the way. However, Smith and Amy (the neighbor) do become close and that leads to a fatherly relationship with Butch, Amy's father.
Smith, thus grows up with different life lessons coming from both of his father figures, his father and Butch, which does result in conflict with his more traditional Indian father. There may be parts of these lessons which some may see as racist, or as the white father figure showing the proper way over the Indian father. To me, though, they seemed more the way life was in the 70s. Kids would dress up in Native American costumes for Halloween. Parents from a foreign country would, and still go, get upset for leaning too heavily towards Western culture.
The film is lighthearted, fun to watch, and while not brimming with laugh out loud moments funny in its own way. The last 10 minutes of the movie are melancholy compared to the first 90, but they do seem real to the story, and anything else would likely be a betrayal to the characters.
This film won't preach to you and I can't put my finger on just one thing in particular, but it left me feeling euphoric walking out. Nostalgia, memories and emotions flowed through me. It hearkens back to a time where we were all innocent. As kids emulating our parents and yearning to break out.
The performances are just as impressive. Jason Lee appears in a role I've never seen him play, and plays it to perfection: The beer drinking role model... Hilarie Burton and Poorna Jagannathan play characters who couldn't be more opposite, yet are equally as endearing. Anjul Nigam was terrific and relentless. At times I felt as though he was the film's hero and others it's villain. Lastly, the kids stole the show. Brighton Sharbino and Roni Akurati were delightful. They had tremendous rapport with one another and delivered as authentic performances as I have seen kids deliver in a film!
If you want to have fun, if you want to laugh, if you want tears in your eyes and if you want to remember the good old days, THIS is the film to see! Very impressed, Bravo!
Growing up Smith is an engaging story about a boy who is an Indian immigrant growing up before our eyes, falling in love with his first crush, dealing with bullies and an ever-changing family dynamic... No this isn't the story of January 2017, it is actually set in 1979. However timely this film may be, it goes beyond the preferential force feeding you may come to expect from films that are socially or politically charged in today's climate... It hits you where it hurts most, your heart. You see, this film connected with me on numerous levels, not because I am Indian or an immigrant, I am neither. I am an American born in Virginia. It hit me hard because it tapped into the innocence we are all born with as children. That innocence that knows no skin tone, no material objects, no predisposition to one's background, only the natural, visceral feelings we have as kids.
At the center of this story is Smith, played effortlessly by newcomer Roni Akurati, a young boy who deeply yearns to be an American. He wants to eat apple pie, listen to the Bee Gees and eat KFC. He also falls in love with his first crush, the figurative and literal girl next door, a young blonde, blue eyed girl, the enchanting and lovable Amy, played by Brighton Sharbino. As the two become friends, his desire to be American grows as he befriends her father Butch Brunner, played by Jason Lee. On the surface, I don't have to tell you much about Butch Brunner you can't already surmise from his name. Glad they stopped short of naming him Biff a la Back to the Future. What is different about Butch is that despite his exterior, he too is an endearing figure that we can all relate to. He is the hard working, beer drinking, meat loving, full bearded white guy from Oklahoma who like many Americans struggles to make ends meat, raise a family and find happiness in this world. The two form a bond, a friendship that transcends their age, their race or their position in life.
There are many layers and subplots to this film which uncommonly do not detract from the main story-line. There is the overly-strict Indian father constantly battling the urge to have his family assimilate, but not lose their own identity and culture. His wife who tries to hold the family together. Butch's wife who has the impossible job of sticking by her husband and supporting his wishes and dreams like keeping his motorcycle, however balancing the looming monthly elephant in the room called mortgage, bills, life.
This was as honest, entertaining, heartwarming and evocative a film as I have seen. That isn't hyperbole, it is simply the humble feelings of a filmmaker who recognizes "okay, the bar's been set". The subtlety, the sincerity from scene to scene and character to character made this not only an enjoyable film, but one I truly respected and will hold close.
In closing, I must say that maybe equally as impressive as the film itself, is the fact that this is an Indie. This film was made for 2 million dollars which on its own is an outstanding achievement. The film being set in 1979, having star quality talent both on screen and off. I don't recall an Indie this well-crafted. Masterfully directed by Frank Lotito, beautifully shot by Thomas Scott Stanton, and what a terrific script by Paul Quinn, Gregory Scott Houghton and one of the film's stars Anjul Nigam. I could go on and on, the production design, music, all of the performances, all of these visual components contributed to make a timeless film that if you told me was a major Studio release-50 million dollar film, I wouldn't think twice. It is that complete.
Not sure if this film is considered in this past year's flock of films (It is listed 2015, but releasing 2017) but if it is, it is certainly in my top 10 of best films of the year. Hat's off to all involved, you made a tremendous film.
Você sabia?
- CuriosidadesThe world premiere was June 1, 2015 in Kirkland, Washington as part of the Seattle International Film Festival.
- Erros de gravaçãoThe movie was based in the years 1977-1980 judging by Saturday Night Fever, Star Wars, etc. In those days US$1 was approximately 8-9 Indian Rupees. So in the beginning when they said $2 was 125 Rupees, that is based on currency rates of 2015 on wards.
- ConexõesReferences Happy Days (1974)
Principais escolhas
- How long is Growing Up Smith?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Growing Up Smith
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 35.312
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.867
- 5 de fev. de 2017
- Faturamento bruto mundial
- US$ 35.312
- Tempo de duração1 hora 42 minutos
- Cor
- Proporção
- 2.35 : 1