Uma talentosa pianista faz um pacto com o Diabo para ser melhor que sua irmã mais velha, em uma prestigiosa instituição para músicos clássicos.Uma talentosa pianista faz um pacto com o Diabo para ser melhor que sua irmã mais velha, em uma prestigiosa instituição para músicos clássicos.Uma talentosa pianista faz um pacto com o Diabo para ser melhor que sua irmã mais velha, em uma prestigiosa instituição para músicos clássicos.
- Prêmios
- 2 indicações no total
Avaliações em destaque
I thought the story wasn't wildly original but just different enough to make it feel fresh. The pacing felt very good and kept me solidly engaged from start to finish. I wish there was a little bit more background as far as the supernatural aspect and where and how it manifested in the modern day.
The acting was hit or miss. The main blonde twin did an excellent job throughout. Her range of emotion was really quite good and she gave a solid performance. The other twin did a decent job and while her delivery often felt natural, many times it felt situationally "inappropriate". Some of the side characters were not all that great.
I really liked the score/sound design, the overall vibe of this production and I was quite pleased with the ending as well. It felt in-line with the story and not a cop out like so many are nowadays. I would definitely recommend checking it out.
Juliet (Sydney Sweeney) lives under the shadow of her twin sister Vivian (Madison Iseman). Though both are talented pianists, Juliet's demeanour means that Vivian is graduating to Julliard but she is not. Moira (Ji Eun Hwang), their current schools most gifted student, takes her own life, which means the final concerts solo is vacant. Vivian seems the natural person to claim it, until Juliet finds Moira's notebook, a cryptic and dark series of notes, markings and illustrations. The book has an effect on Juliet, increasing her confidence, but how far is she willing to go to claim that solo.
As with "Black Box" I feel that there's lots to admire with this film, but little to love. It does feel like a budget version of "Black Swan", with its story of pressure are the higher end of artistic achievement. The performances from the two leads, Iselman and Sweeney, are really good. Art direction and cinematherapy are decent, the effects - such as they are - aren't bad - though it does help that they often aren't looking for realism, rather part of a fantastic dream type sequence. I do feel like I'm prepared to give the film a whole point for the final shot (to say anything more is a bit too spoilery).
But plot wise it's a bit too humdrum and predictable. You'll be well in advance of Juliet in terms of what is happening and you'll probably see the ending coming a mile off. There are a couple of minor twists that the film doesn't do a great job of disguising and it's all just a little too flat, and lacking in originality and invention to recommend it as worthwhile.
Negatives ultimately outweighed the positives for me, but at least there were positives.
I'm not a big music fan (and certainly not classical music) but I didn't find that hindered my enjoyment of the film at all. If that's putting you off seeing the movie I would suggest not to worry about it. The film is a horror, but more in a bizarre way than a suspenseful or gory way. If horror isn't for you, I would say that isn't necessarily a deal-breaker on this one. I could imagine non-horror fans finding a way to enjoy this movie.
Sydney Sweeney was really good in the lead role here. She played a big part in making the film as watchable as it was. She's in every scene so it was very important she got her performance right. I liked 'Nocturne' without ever perhaps loving it. It's worth a look but don't set your expectations too high.
Juliet had applied only to Julliard but was not accepted and this has caused issues with the faculty who had encouraged her to apply to other schools as well due to the 7% acceptance of Julliard and the longs odds of one or both of them being accepted.
When the top musician at the school kills herself, a spot to do a featured performance at an upcoming showcase arises and Vivian is asked to perform as she is clearly the next in line. Juliet comes into possession of a mysterious notebook filled with strange drawings that belonged to the recently departed former prodigy and she becomes obsessed with the drawings which seem to predict the future and in turn cause her to add drawings of her own to them. This starts a chain of events where Juliet sees a change in personality where she begins to covet her sister's talent, success, boyfriend, and more and begins a chain of events that will upturn their lives.
The film like the prior three Blumhouse Amazon films is not scary nor overly intense but it does have an engaging story and characters which will keep you watching and delivers an entertaining twist on films such as "The Competition" which depict the struggles and conflicts of aspiring musicians.
3.5 stars out of 5
Você sabia?
- CuriosidadesThe word nocturne is defined as a short composition of a romantic or dreamy character suggestive of night, typically for piano.
- Citações
Dr. Cask: Her technique is no better than yours.
Juliet: That's not...
Dr. Cask: Take the compliment. Her technique is no better. Her efficiency is worse. So, what makes Vivian the star and you the... whatever you are? She plays like the devil is at the door.
Juliet: What about Moira?
Dr. Cask: Moira?
Juliet: She beat Vi the first time around. Is that how she played?
Dr. Cask: She played like the devil was in the room.
- ConexõesReferences Sinfonia de Paris (1951)
Principais escolhas
Detalhes
- Tempo de duração1 hora 30 minutos
- Cor
- Proporção
- 2.39:1