Conspiração Xangai

This is a fascinating movie in many ways, not least for its partially successful elucidation of a particularly dark period in Shanghai's colourful history. However, "Shanghai" comes across all too often as a confused mish-mash of other movies - Casablanca and The Third Man both spring rather too readily to mind - while offering little of its own in the way of an original plot or any intriguing character arcs.

Solid acting work all 'round. Franka Potente is probably the most watchable of the actors here, despite being less toothsome than Gong Li (who looks every bit her age in this movie but is still ravishingly attractive).

There are a few intriguing glimpses of Shanghai as it might have been in the early 40s, including one particularly well-recreated crane shot of the Bund - although I have to say the ships look just a tad too close to the imposing British-built buildings lining that famous boulevard. There's another shot from inside the Cusack character's hotel room showing a few of Shanghai's classic buildings through the window, clearly digitally composited as those particular buildings could never have been viewed that way from the one vantage point.

However, it seems (judging from the credits) that the vast majority of this movie was shot in Thailand, and thus most of the street scenes and interiors are fairly generic and not particularly evocative of Shanghai's history. For a much better rendition of this you need to have a look at Ang Lee's "Lust, Caution" which treads similar territory (Shanghai, spies, Japanese occupation etc) with much more style.

Indeed I find myself wondering why this movie was made at all, given that pretty much 100% of its thematic territory had been covered by Lee's movie just a couple of years before, and with considerably more chutzpah.

Nevertheless...if you're a fan of any of these actors, it's worth a look.

One of those movies when watching that I am not thrilled, but enjoying it enough to not stop half way through

So dont expect greatness and you could have an enjoyable experience.

The good: great actors are starring in it. It is beautifully photographed. The story is enticing.

The bad: it simply is lacking greatness. It's just....not there. Still an enjoyable watch!

Shanghai takes place just before Japan entered the World War Two. Paul Soames (John Cusack) comes to China to look for his friend who, like him, worked for the American intelligence effort. From that basic setting we end up getting a good mystery thriller, with all the usual good stuff. Glamorous women, elegant locations, the looming threat of war, betrayals, reveals, backstabbing and more.

One of the film's strengths are its actors. I haven't seen Cusack in anything for a while, but he's still in great shape and gives a good performance as your typical silent neo-noir investigator hero. Li Gong is also very good as Anna Lan-Ting, the resident femme fatale.

Truth be told, I kind of wish the script was a bit better so that these people could have really stretched their wings. As it is, it's not bad, but it's not really all that original either. You can figure out the mystery pretty early if you know anything about history, the biggest twist when it comes to characters also comes near the beginning, none of the romance subplots really surprise and as a whole, while I was entertained, I wasn't really that thrilled.

Shanghai is a good film to check out if you're a fan of wartime period pieces and want to see one that, for a change, doesn't take place in Western Europe. It has great actors, a decent script, excellent production values and a tight enough pacing to make up for its unoriginality.

The subject matter is interesting. There is suspense and action and romance. Too bad it didn't get a bigger box office release and reception. Some slight imperfections are there.

The cast is good. All top notch Asian actors. Chow and Watanabe add stature. Gong Li is alluring if a little older. Cusack is a bit goofy looking but blends in to the scenes well. Heard Johnny Depp was interested probably would have been worse.

The sets are bit too theatrical and lacked a little on location feel.

The story is feel good old fashioned adventure romance and not irritating. Sometimes it was hard to catch some of the dialog and because of that got a bit lost.

Overall worth watching.

We've seen this in spy movies before: men do things because it is their duty, for whatever reason they feel it is, until they meet a woman. Then it all goes haywire. Most of the time, people love this kind of script and when you have the cast that you have: Cusack, Chow, Watanabe, Morse, Morgan, you expect to love a good old fashioned spy movie that also teaches about the period before the Japanese entering the second world war. Asian sensibilities in the romantic noir period: win!

However, the biggest sin of the movie was, believe it or not, the editing. John Cusack is not a fantastic actor, but he is good enough. Ken Watanabe is always good, no matter what kind of movie you cast him in, and all of David Morse, Yun-Fat Chow and Jeffrey Dean Morgan had marginal roles, yet well acted. However the editing of the material was horrendous, to the point where you didn't actually get what the movie was about, who was who and what were they doing. For Western audiences that do not know the history in the region - as myself - would be especially difficult to understand where the plot is going and what are the different factions and what their goals are.

I wanted to like the movie, a detective noir about spies in Shanghai before the Japanese declaration of war and the reasons why Americans might not have found out in time about the Pearl Harbor attack: women! :) but it didn't work out that way. Instead it felt a little bit like another bit of Asian/Cusack melange: Dragon Blade, which was just as epic and just as clumsy a production.