Homem Interior

My title says it all. Two of my pet plot peeves are stupidity (the characters do something stupid to move the plot forward) and contrivance (circumstances beyond credibility to move the plot forward). So masterful in so many ways, it is a shame that this plot seems written by a drunk amateur shouting out random ideas ("hey, and then this could happen!...").

The best bit was Stanley Tucci's and Atkin Estimond's neo-Sherlock/Watson rendition. Great character concept, actor pairing, and portrayal. The only downside (again) was the fairly contrived scenarios they were challenged to solve. But I could watch them banter all day.

I would reboot the series around Tucci and Estimond and hire a professional writer to focus on plot structure and you would have winner to rival "Sherlock" and "Elementary".

I can certainly understand not liking this, but it seems like a lot of the negative takes have come from people expecting it to be something else. I guess because of who was involved in its creation, a lot of people expected something along the lines of Sherlock. Maybe there was also some misleading marketing involved, but if so, I missed it.

What it reminds me of more than anything else (and *far* more than Sherlock) is Fargo, both the movie and the FX series. It's a dark comedy with two main plot lines, one about regular people who get themselves into a criminal misunderstanding, make a series of bad decisions in the ensuing panic and progressively making the situation worse for themselves until it all unravels, and the other about a journalist collaborating with an eccentric, hyper-competent death row inmate to rescue the person who got imprisoned in one of the former group's early bad decisions. I'm not gonna deny that it's implausible and absurd, but I think that's by design.

If you go in expecting Sherlock, you'll probably be disappointed. If you go in expecting Fargo, I think it'll be enjoyable enough.

I dont understand why the negative reviews? Moffat developed a tongue in the cheek thriller. I think that people who gave this series 1 star dont understand the quirky, playful script behind it. They take it all very seriously and dont grin as the the story develops.

It is not a drama, it is not a thriller that will make you sit at the edge of your couch. Did you guys watch "The Woman in the House Across the Street from the Girl in the Window"? Did you think that was a real crime show? This is a implausible but playful TV series that will hook you to Netflix for four hours because everything that sounds very illogical will tie to a ending and everything will work out. And your heart will pound to know what will happen in the end!

Relax, just sit and enjoy the show. Dont take everything too seriously! This one will make you disconnected from the world over the weekend! Quite good and very enjoyable light series!

OK Yep - its imlausable - but how many plausible pieces of fiction are there?

This is an British TV programme by The BBC. Its basically half set in The USA but intertwines with a UK based situation. Quite unique in my view.

I think its really well written - great storyline and really good characters.

At first, when I saw Stanley Tucci - a resident of my home town London (and I see him sometimes around the neighbourhood) - was in this production I was not at all convinced of his suitability - but he is absolutely perfect in this role.

Its a really well produced series worthy of a lot more than the ratings on here. I dont know why the ratings are so low - with the storyline, acting and intertwining production, I think this is just great.

But dont take it all too serriously!

You must watch it until AFTER The Credits on the last episode.

So much talent, actors and writers, but what a farce. They probably had to first come up with a list of plotholes to then write a story around it. I can't imagine running into so many problems when writing the story first... Every possible cliche is present. Should get stars only for that achievement.

• Empty phone battery
• Sudden and irrational change of mind at crucial point in story
• Calling each other and the others ignoring the call
• When they eventually answer the phone, talk about anything other than the thing they WANTED to get across
• Endless trivial discussions to actively ignore the topic you had to get off your chest. Next time, talk about the weather, at least *something* interesting to listen to.

• Ending up at the other side of the world for no apparent reason
• Convenient van to run over the one character that can make a difference.