Uma Noite no Museu 2
Larry deixou de ser guarda-nocturno, mas ocasionalmente volta ao museu. Porém, o museu vai ser renovado e várias figuras vão ser substituídas e enviadas para o Instituto Smithsonian. Por iss... Ler tudoLarry deixou de ser guarda-nocturno, mas ocasionalmente volta ao museu. Porém, o museu vai ser renovado e várias figuras vão ser substituídas e enviadas para o Instituto Smithsonian. Por isso, decide socorrer os amigos em perigo.Larry deixou de ser guarda-nocturno, mas ocasionalmente volta ao museu. Porém, o museu vai ser renovado e várias figuras vão ser substituídas e enviadas para o Instituto Smithsonian. Por isso, decide socorrer os amigos em perigo.
- Prêmios
- 2 vitórias e 9 indicações no total
- Kahmunrah
- (narração)
- …
- Neanderthal #1
- (as Kerry Van Der Griend)
- Neanderthal #3
- (as Riccardo Dobran)
Avaliações em destaque
But with his millions he can't stop changes as the Museum is now going for interactive exhibits and many are being packed away and sent to the National Archives, some for exhibit in the Smithsonian.
So Stiller goes back into action and visits the archive which is lots of underground space between the Capitol and Lincoln Memorial.
I wonder myself in both of these films was Stiller really visiting Madame Tussaud's with all the historical figures coming to life.
Theodore Roosevelt's connection with the Museum Of Natural History is well known and Robin Williams is back as our rough riding 26th president. Others are back and new ones added.
Hank Azaria is brilliant as the Egyptian prince whose incantation caused all these exhibits to come to life after sundown. He sounds like he was channeling Boris Karloff.
Amy Adams is a feisty feminist role model Amelia Earhart who gets kind of interested in Stiller. They make a good team.
As for them getting together. A gambit that Meet Joe Black and Bing Crosby's A Connecticut Yankee In King Arthur's Court used is applied here. You have to see the film to see what I mean.
A few good laughs in this nice family entertainment film.
I walked into the theater not expecting to much, but when I left I was very happy with it. They handled every characters personality beautifully, and the inside jokes were hilarious. I don't want to give much away, but trust me, you'll laugh. It tackles many themes like, a house divided cannot stand, the way to happiness is doing what you love, don't dwell on the past, etc. For a family flick they handle this jumbled cast of characters with complex personalities amazingly. They threw away most of the characters from the first movie to make way for the newer characters, which I didn't like that much, but how many characters can you throw in a story to have it make sense?
This film is an amazing example of a movie made for kids and adults. Kids will enjoy the silly humor, and the monkey. While adults will laugh at the onslaught of in-jokes, and trust me, there's a lot.
All in all, this was a great movie, blew me away. The highlight for me was Hank Azaria, that lisp kills me every time.
The good: the effects were amazing! I loved all the animated characters (the moving paintings and how they could go inside them; the Einstein bobbleheads and the Jonas brother cupids, the black and white Al Capone, etc.). One of my favorite scenes was when they went inside the black and white painting. Another favorite was the little arguments between Larry and Brandon (Jonah Hill) and Larry and Kahmunrah (Hank Azaria). Probably the funniest scenes in the movie. By far the best character in the movie: Hank Azaria as Kahmunrah. And the lisp was just a genius touch. Another funny but rather unimportant character was Napoleon. I thought Ben Stiller and Amy Adams were cute together. But that's pretty much it. I wasn't impressed by Adams' performance. It was just so-so. I mean, when has she NOT played a bubbly character?
It just didn't seem as... magical compared to the first movie. I was pretty letdown because using the Smithsonian, the movie could have had a lot more potential.
Granted, the special effects were absolutely wonderful, and the cinematography, locations, costumes, sets and editing striking. Granted, the score was rousing and fun, and most of the direction solid. And granted the actors give it their all, Ben Stiller is solid if occasionally going overboard, Amy Adams and Hank Azaria are absolute hoots and Robin Williams returns as Roosevelt and along with Azaria is the standout of the actors playing the historical figures.
However, the recurring support cast aren't given much to do excepting Robin Williams, Owen Wilson is rather annoying, Napolean and Al Capone are written as quite badly-written caricatures and don't get me started on the Jonas Brothers, their presence added absolutely nothing to the proceedings and they were not funny at all. And if only there was a story and script that were consistently engaging, but the script and sight gags are very hit and miss and the story is thin, and these are further disadvantaged by the overlong length, tacky ending and too many scenes that drag.
In conclusion, watchable but quite average. 5/10 Bethany Cox
"Night at the Museum: Battle of the Smithsonian" unfortunately falls way short of my expectations. The first "Night at the Museum" was good, as the idea was novel and it was packed with fun adventures. That story unfolded nicely, like removing the wrapping paper to reveal pleasant surprises.
The sequel does not achieve the same. It has a flat and boring plot. Nothing unfolds but just happens for no reason. There are little fun moments, and the supposed jokes fail to make anyone laugh. The childish arguments that happens not once but twice in the movie are simply annoying. Furthermore, moving statues lost its novelty. The "new" elements in the movie are lifted straight from "Harry Potter" films and "The Mummy" films, making "Night at the Museum: Battle of the Smithsonian" so lame. Most parts of the movie bored me.
Você sabia?
- CuriosidadesDirector Shawn Levy told a National Public Radio interviewer that once the Smithsonian Institution agreed to lend their name to the film, their curators were very helpful and willing to share information about the real-life characters represented in the movie, but Levy had more trouble with the intellectual property-holders for the fictional characters represented. For instance, in the Darth Vader cameo, a LucasFilm employee came on-set to observe the scene and tell the filmmakers what Vader would or wouldn't do.
- Erros de gravação(at around 1h 6 mins) The Egyptians did not have any concept of PI until over 800 years after the pyramids were built and when they did their calculation was (incorrectly) 3.16. The reason why PI seems to pop up in certain ratios of measurements of the pyramids is most likely because they could have used wheels as measuring devices.
- Citações
Kah Mun Rah: [Darth Vader holds his hand up with a pinching motion] What is that? What is that? What does it mean? I don't know... you've lost me. Is that your breathing? Because I can't hear myself think.
[pause]
Kah Mun Rah: Let me tell you kindly, just simplify. There's too much going on! You're not evil, you're asthmatic, and what's with the cape? Are we going to the opera? I don't think so. Goodbye!
[Darth Vader and Oscar the Grouch leave]
- Cenas durante ou pós-créditosThere is an extra scene during the credits where Sailor Joey Motorola is seen reverse-engineering Larry Daley's cell-phone. He says to his mother (off camera) "I think I'm on to something!"
- Versões alternativasAdditional humour was brought to the German version by the Albert Einstein dub by Jean Pütz, a famous science journalist and TV host.
- ConexõesFeatured in The 81st Annual Academy Awards (2009)
- Trilhas sonoras7th Cavalry Regiment
Traditional
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Una noche en el museo 2
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 177.243.721
- Fim de semana de estreia nos EUA e Canadá
- US$ 54.173.286
- 24 de mai. de 2009
- Faturamento bruto mundial
- US$ 413.106.170
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1