As Crônicas de Nárnia: O Leão, a Feiticeira e o Guarda-Roupa

The Lion, The Witch and The Wardrobe is an extremely enjoyable filmization of CS Lewis's magical childhood epic. The story expertly weaves in childhood themes with a modern day Christian plot line (including a slightly grisly 'crucifiction' scene) to create an enchanting motion picture. Tilda Swinton is superb as the sinister White Witch. The children are average though young Georgie Henly stands out. The Special effects are more than adequate, with a specially impressive rendering of Aslan. The film moves slowly initially and its epic nature become apparent only towards the end with a vicious (but bloodless) final battle. All told, a pleasant surprise indeed!

Overall 8/10

So says Mrs. Macready to the children, but thankfully they do not listen in the book, or in the movie, which is perhaps most notable for clinging so closely to the original. My kiddos and I have been enjoying the Narnia books over the past several months, and they are big fans of them; so they were naturally drawn to the movie too, which I hadn't seen before. Lucy steals the show in both media, and all of us thought she was the best acted; as the youngest, of course, she guides the others with her imagination, which is validated by "the Professor" before all four siblings take the plunge into the closet. Probably the most striking scene is not Aslan's death, but Lucy's initial encounter with the faun, Tumnus, in which not only the wonder between the two but also the tension and potential menace is given its space. In fact, the Christianizing elements which are often pointed out by Lewis's critics and supporters take a clear back seat in the movie, which instead chooses to go even further than the book in "classicizing" Narnia with figures from Greek mythology, from centaurs, griffons, and satyrs fighting for Peter to the minotaur general and cyclops fighting for the Ice Queen. Both my son and daughter pointed out that virtually the only added scenes were London being bombed, at the very beginning, and the parallel vision of griffons "bombing" the Queen's army with rocks before battle was engaged.

To sum things up: I loved this movie.

I had been waiting for it ever since it was announced, so of course I couldn't pass up the chance to see a press preview this morning. And, while there were some definite weaknesses (mostly in the quality of the animations), overall I was completely convinced. Naturally it did not coincide 100% with my own vision of Narnia visually, but emotionally it rang absolutely true, choking me up several times and really touching me. I walked out of the theatre with a warm, contented feeling - just like I feel every time I read C.S. Lewis' book!

The stand-out performance was definitely Tilda Swinton's as the White Witch, but I liked all actors/voices, from cute little Lucy (newcomer Georgie Henley) to majestic Aslan (Liam Neeson). I thought the children did a great job, considering their relative inexperience and the amount of blue screen work involved.

Tip: Stay seated through the actor credits - afterwards there's another small scene.

The Lion the Witch and the Wardrobe should go down in the history books right up there with the likes of Lord of the Rings. I went to see it expecting a very good movie. I came out stunned by the magnitude of the picture. Everything about it is so well done, the casting, the scenery, the score. Lord of the Rings is the only thing I can think of to compare it to. I experienced the same overwhelming sense of awe watching both of these phenomenal pictures. The CG images are very good, though not quite as startlingly realistic as those in LOTR. I cannot find fault with the casting in any way.

Though the voice of Liam Neeson is not as I would have imagined a lion's at first, it is smooth, confident, and effective. Aslan is given the presence so essential to the heart of the story. I must comment on the performance of James McAvoy as Mr. Tumnus, which I believe was the best in the film. Lucy was adorable, and surprisingly convincing, and Peter was given a very firm performance. I was a little nervous about how Edmund would turn out, but I needn't have worried; those large, startlingly dark eyes are perfect for the change from traitor to hero.

I commend the directors of the movie on their strict adherence to the book. Narnia isn't just "based" on the book. It IS the book. The scope, depth, and wonder of Lewis's world have been captured in a timeless manner that should be cherished for all ages. This is a movie for everyone, at a level for children to understand, yet with a fast plot and exciting battle sequences that will keep anyone interested. The last battle scene especially is as touching as any I have ever seen, including those in LOTR, putting tears in my eyes even while my heart soared. Go see Narnia for an exciting, well-done film, and a timeless message that our world so desperately needs.

Ten stars!!

Adam Adamson's film adaptation of C. S. Lewis' first entry in his classic Narnia Series starts off awkwardly like a combination of the "Wizard of Oz" and "Lord of the Rings." The filmmakers spend too much time early on trying to be cute and Disney-fy the product while clumsily presenting scenes composed of live-action actors and not-so-great computer effects. The result, not surprisingly is like an animated film with some flesh-and-blood actors spliced in. However, once you get used to the film stylistically, all is mostly forgiven.

The filmmakers finally find solid ground when they really start to dig deeply into the story and reveal the blending of nature-based neo-paganism with medieval Christian mythology and wrap it up nicely into a children's fairytale. It's when you start to realize the white witch (played effectively by the always somewhat creepy Tilda Swinton) represents the old pre-Abraham polytheism demanding animal and human sacrifice for appeasing the pantheon of gods/goddesses and the lion king, Aslan, represents the Christian view of one self-sacrificing god that you remember the brilliance of Lewis' source material. And while it isn't terribly well executed, the epic "Battle-Beast" style showdown at the end is pretty entertaining from a visual and imaginative standpoint.