To verdener
- 2008
- 1 h 56 min
AVALIAÇÃO DA IMDb
7,0/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe daughter of a Jehovah's Witness is forced to choose between religion and love when she falls for someone outside her faith.The daughter of a Jehovah's Witness is forced to choose between religion and love when she falls for someone outside her faith.The daughter of a Jehovah's Witness is forced to choose between religion and love when she falls for someone outside her faith.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 12 indicações no total
Rosalinde Mynster
- Sara
- (as Rosalinde Spanning)
Sarah Boberg
- Karen
- (as Sarah Kjærgaard Boberg)
Jacob Ottensten
- August
- (as Jacob August Ottensten)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Much of my family and friends are JW's and have no interest in seeing this film.Knowing their belief's I really understand their lack of interest in a film maybe about JW's made by non-JW's,it's a no brainer,stay away from it.The reviews only enforce the thought of avoidance.Good acting is good acting but using a movie drama for education on a religion doesn't make sense.In one of the Ben-Hur movies they try to pass it off as a Bible experience even though the Bible makes NO mention of a person named Ben-Hur.The makers of this film may of have thought the movies errors had less chance of upsetting JW's than another religion.Enjoy the acting but why formulate a religious opinion from a movie made by a non-member of that religion.
So I saw this movie past the best of my own judgement. Their wasn't anything graphically or verbally bad which I was expecting since its rating. But I have to say my jaw expressively saying is "dropped to the ground". Why doesn't anyone really do information background checks anymore. First of all I am a Jehovahs Witness, and yes I know many people that had gotten themselves in a similar situation. But what bothered me of this movie was its overall portrayal of my faith. I don't want people to think Im a sect. And guess what I am EDUCATED. Isn't that a twister. I have mine in arts, but enough about that. Why doesn't anyone ask Jehovahs Witnesses what they do. Yes, we don't have a goal of materialism. But we do need to support ourselves "HELLO!!!" To be honest all my friends have degrees! whether its in Arts, Teaching or Medical. We have them all in fact I was going for a degree in RN too. So maybe in Denmark they don't research too much because I am a full time Pioneer and I own my own Business! My faith didn't stir me to be apprehensive in accomplishing that. Like the girl sadly displayed! I'm offended...BIG TIME.
I read about this movie and thought it seemed interesting, but it still far exceeded my expectations. Inspired by a true story, "Worlds Apart" is a superior drama that delves into one of the world's most intriguing religious groups and the universal theme of divided loyalty.
17-year old Sara Dahl (Rosalinde Mynster) is a beautiful but somewhat introverted student who lives in a small Danish town with her parents, Andreas (Jens Jørn Spottag) and Karen (Sarah Boberg), and her younger siblings, Elisabeth (Sarah Juel Werner) and August (Jacob Ottensten). All are active Jehovah's Witnesses. Early on, Andreas confesses that he has committed adultery. Karen decides to divorce him, but because he is repentant, the children oppose the divorce and decide that Karen should be the one to move out, which she is.
Shortly afterward, Sara and her friend Thea (Catrine Beck) attend a party in which Sara meets a 23-year old musician named Teis (Johan Philip Asbæk). She falls for him, but becomes very drunk. Teis walks her home and the two stay in touch.
They soon get together again and while walking through a mall, Sara is approached by a young man revealed to be her older brother, Jonas (Thomas Knuth-Winterfeldt). The two have a brief and curiously awkward conversation. After Jonas leaves, Sara explains that Jonas was expelled from the JW organization because of reading an improper book and therefore is to be shunned by his family. Sara adds that she only spoke to Jonas because Teis was there. Teis, who is non-religious, quickly becomes hostile toward Sara about the JW belief that only JWs are saved.
Teis finds Sara at school shortly afterward and apologizes for criticizing her faith. The two steadily grow closer and one night at a café, Sara loses track of time and misses her train. She spends the night at Teis' apartment where the two sleep in the same bed and kiss but don't have sex or even undress.
Still, Andreas is very upset and takes her to see the church elders, all of whom are middle aged men. Seemingly led by a man named John (Anders W. Berthelsen), she is questioned about Teis, including whether he touched her breasts or not. The movie doesn't show that act, but Sara says that it happened. The elders do accept her claim that the two didn't have sex and allow her to remain in the organization, but order her to end her relationship with Teis through a letter.
She does so but feels bad about it, especially after learning that Teis has called her several times since receiving the letter but that her family hasn't told her. She asks Andreas for permission to talk to Teis in person. Andreas reluctantly agrees and shortly after Sara visits Teis, he surprises everyone by attending a service at Sara's church. Andreas and John are suspicious and John offers to refer Teis to another JW church. But Teis insists that he wants to hear about God the same way that Sara does. John reluctantly accepts that and gives Sara permission to see Teis provided the two don't have sex.
Teis' faith initially appears to be sincere and Sara's grows as well. She quits school (seemingly some kind of post-high school institution) to become a pioneer (door-to-door missionary). But right after a large JW convention, Teis and Sara have sex for the first time. From there, Sara's faith steadily fades.
Sara says that she's moving in with Karen but actually moves in with Teis. Karen covers for Sara and also secretly sees Jonas. Teis introduces Sara to his non-religious parents, Vagn (Hans Henrik Voetmann) and Jette (Charlotte Fich). Vagn treats Sara cordially but Jette spews out a long list of anti-JW comments. Sara and Teis leave and Teis seems embarrassed by his mother's behavior but reveals to Sara that he's concluded that he doesn't believe in God after all.
Eventually, Sara's façade falls apart. Elisabeth, while visiting Karen, notices that no clothes are in Sara's supposed closets. That leads to Sara being given an ultimatum from the elders – leave Teis or be expelled.
I won't reveal her decision but I will say that my only significant criticism of the movie is that a character dies because of refusing a blood transfusion. That strikes me as a forced attempt to emphasize one of the most distinctive parts of JW doctrine. However, that character's funeral is very powerfully used to set up a hard hitting climax.
This is one of my three favorite foreign movies, along with "Noi" ("Nói albínói") from Iceland and "Kissed by Winter" ("Vinterkyss") from Norway – what is it about the Nordics?! The performances in "Worlds Apart" are outstanding, the screenplay is very compelling, and there's plenty of great scenery for anyone who appreciates small town Denmark, as I do.
JWs are widely ridiculed and dismissed as being brainwashed. But despite coming from one of the most secular countries in the world, this movie is surprisingly balanced in its portrayal of JWs. While their beliefs and tactics are brought into question, the movie portrays JWs as, above all, human beings. None are demonized and all are portrayed as well intentioned and in some cases compassionate, even if misguided. And they even evoke sympathy because of the torment that stems from their dilemma between loving someone – whether romantically or familially – and the fear of going against the teachings of the church and maybe even losing their salvation.
I've read dozens of message board postings related to this movie and almost all posters who identify themselves as former JWs describe the movie as very realistic and emotional. And even most with no ties to the JW church can relate to the aforementioned universal theme of divided loyalty.
Unrated by the MPAA but very PG-13 level, this is one of those rare movies that I strongly recommend to everyone.
17-year old Sara Dahl (Rosalinde Mynster) is a beautiful but somewhat introverted student who lives in a small Danish town with her parents, Andreas (Jens Jørn Spottag) and Karen (Sarah Boberg), and her younger siblings, Elisabeth (Sarah Juel Werner) and August (Jacob Ottensten). All are active Jehovah's Witnesses. Early on, Andreas confesses that he has committed adultery. Karen decides to divorce him, but because he is repentant, the children oppose the divorce and decide that Karen should be the one to move out, which she is.
Shortly afterward, Sara and her friend Thea (Catrine Beck) attend a party in which Sara meets a 23-year old musician named Teis (Johan Philip Asbæk). She falls for him, but becomes very drunk. Teis walks her home and the two stay in touch.
They soon get together again and while walking through a mall, Sara is approached by a young man revealed to be her older brother, Jonas (Thomas Knuth-Winterfeldt). The two have a brief and curiously awkward conversation. After Jonas leaves, Sara explains that Jonas was expelled from the JW organization because of reading an improper book and therefore is to be shunned by his family. Sara adds that she only spoke to Jonas because Teis was there. Teis, who is non-religious, quickly becomes hostile toward Sara about the JW belief that only JWs are saved.
Teis finds Sara at school shortly afterward and apologizes for criticizing her faith. The two steadily grow closer and one night at a café, Sara loses track of time and misses her train. She spends the night at Teis' apartment where the two sleep in the same bed and kiss but don't have sex or even undress.
Still, Andreas is very upset and takes her to see the church elders, all of whom are middle aged men. Seemingly led by a man named John (Anders W. Berthelsen), she is questioned about Teis, including whether he touched her breasts or not. The movie doesn't show that act, but Sara says that it happened. The elders do accept her claim that the two didn't have sex and allow her to remain in the organization, but order her to end her relationship with Teis through a letter.
She does so but feels bad about it, especially after learning that Teis has called her several times since receiving the letter but that her family hasn't told her. She asks Andreas for permission to talk to Teis in person. Andreas reluctantly agrees and shortly after Sara visits Teis, he surprises everyone by attending a service at Sara's church. Andreas and John are suspicious and John offers to refer Teis to another JW church. But Teis insists that he wants to hear about God the same way that Sara does. John reluctantly accepts that and gives Sara permission to see Teis provided the two don't have sex.
Teis' faith initially appears to be sincere and Sara's grows as well. She quits school (seemingly some kind of post-high school institution) to become a pioneer (door-to-door missionary). But right after a large JW convention, Teis and Sara have sex for the first time. From there, Sara's faith steadily fades.
Sara says that she's moving in with Karen but actually moves in with Teis. Karen covers for Sara and also secretly sees Jonas. Teis introduces Sara to his non-religious parents, Vagn (Hans Henrik Voetmann) and Jette (Charlotte Fich). Vagn treats Sara cordially but Jette spews out a long list of anti-JW comments. Sara and Teis leave and Teis seems embarrassed by his mother's behavior but reveals to Sara that he's concluded that he doesn't believe in God after all.
Eventually, Sara's façade falls apart. Elisabeth, while visiting Karen, notices that no clothes are in Sara's supposed closets. That leads to Sara being given an ultimatum from the elders – leave Teis or be expelled.
I won't reveal her decision but I will say that my only significant criticism of the movie is that a character dies because of refusing a blood transfusion. That strikes me as a forced attempt to emphasize one of the most distinctive parts of JW doctrine. However, that character's funeral is very powerfully used to set up a hard hitting climax.
This is one of my three favorite foreign movies, along with "Noi" ("Nói albínói") from Iceland and "Kissed by Winter" ("Vinterkyss") from Norway – what is it about the Nordics?! The performances in "Worlds Apart" are outstanding, the screenplay is very compelling, and there's plenty of great scenery for anyone who appreciates small town Denmark, as I do.
JWs are widely ridiculed and dismissed as being brainwashed. But despite coming from one of the most secular countries in the world, this movie is surprisingly balanced in its portrayal of JWs. While their beliefs and tactics are brought into question, the movie portrays JWs as, above all, human beings. None are demonized and all are portrayed as well intentioned and in some cases compassionate, even if misguided. And they even evoke sympathy because of the torment that stems from their dilemma between loving someone – whether romantically or familially – and the fear of going against the teachings of the church and maybe even losing their salvation.
I've read dozens of message board postings related to this movie and almost all posters who identify themselves as former JWs describe the movie as very realistic and emotional. And even most with no ties to the JW church can relate to the aforementioned universal theme of divided loyalty.
Unrated by the MPAA but very PG-13 level, this is one of those rare movies that I strongly recommend to everyone.
A true story of the painful experience suffered by a good girl wanting to do right by her family whilst it dawns on her that the religious sect she was born into places a doomsday belief above simple humanity.
She and her family are subjected to sentencing by a cabal of men who are called 'elders' whenever they stray from the path of Jehovah. Wrong doers who smoke, fornicate or receive blood transfusions risk being expelled from the chosen few who believe a happy life will be theirs after Armageddon.
The strong irony of adulterous men being forgiven is in stark contrast to the wrath shown towards a teenage girl who loves her family deeply and wants to please them, yet is exposed to the normal temptations of an adolescent.
We need more films such as this in a world where increasing religious fanaticism and evangelism are threatening the intelligent evolution of man and women kind.
The girl on whom the film is based gives her stamp of approval by making a very brief appearance.
The saddest thing of all is the excruciating loneliness suffered by those who are expelled from a tightly enclosed religious sect and treated as though they are dead. What a compassionate bunch of nitwits!
She and her family are subjected to sentencing by a cabal of men who are called 'elders' whenever they stray from the path of Jehovah. Wrong doers who smoke, fornicate or receive blood transfusions risk being expelled from the chosen few who believe a happy life will be theirs after Armageddon.
The strong irony of adulterous men being forgiven is in stark contrast to the wrath shown towards a teenage girl who loves her family deeply and wants to please them, yet is exposed to the normal temptations of an adolescent.
We need more films such as this in a world where increasing religious fanaticism and evangelism are threatening the intelligent evolution of man and women kind.
The girl on whom the film is based gives her stamp of approval by making a very brief appearance.
The saddest thing of all is the excruciating loneliness suffered by those who are expelled from a tightly enclosed religious sect and treated as though they are dead. What a compassionate bunch of nitwits!
For those interested in the social and cultural influences of certain religions in modern society, Worlds Apart offers an interesting, realistic perspective of a Jehovah's Witness girl trying to reconcile her faith, whilst involving herself in a relationship with a "non-believer" older boy.
It's quite a simple storyline presented by co-writer/director Niels Arden Oplev and clearly based on a true Danish story, but enhanced by the even-handed observations of the practices of this closed religious group, which has followers around the world.
Sara Dahl (Rosalinde Mynster) is seventeen years old and has been raised in a family of strict Jehovah's Witnesses. Sara follows the tenets of the faith and often joins her family to witness local people door to door in hopes of attracting new converts. Despite the Dahl family's devotion to their church, domestic matters are complicated when her father (Jens Jorn Spottag) is unfaithful to her mother (Sarah Boberg), and though contrite, she's unwilling to forgive him. In one of the more unsettling scenes in the movie, the 3 Dahl children vote to stay in the family home with the father, knowing this will lead to the mother leaving home as she wasn't prepared to forgive his transgressions. Sara, being the oldest child and a business college student, becomes the stand-in mother for her siblings, before meeting Teis (Pilou Asbaek), a boy she is immediately attracted too, at a dance club. Adding an extra layer of intriguing complexity to the story (without spoiling), is that we soon find out the eldest Dahl sibling, a son Jonas, has been expelled from his local church and then family, for "reading the wrong materials", questioning the Elders decisions and not repenting for these actions.
Worlds Apart is a well-directed, well-acted movie, illuminating the conventions of a religious group, that whilst being well-known, is frequently regarded by many in mainstream society, as one supporting character observes, as a "sect", As such it is frequently charged with indoctrination and manipulation of its adherents, by the powerful and influential Elders of the church branches. Ultimately Sara does make a contentious decision (as the real life person did), but we are reminded through the playing out of the narrative, that this may well mean she will have to contend with life-changing factors affecting her social and familiaral networks. It is a challenging, provocative, yet entertaining film that is recommended for those drawn to discussions of fundamentalist thinking and ideals.
It's quite a simple storyline presented by co-writer/director Niels Arden Oplev and clearly based on a true Danish story, but enhanced by the even-handed observations of the practices of this closed religious group, which has followers around the world.
Sara Dahl (Rosalinde Mynster) is seventeen years old and has been raised in a family of strict Jehovah's Witnesses. Sara follows the tenets of the faith and often joins her family to witness local people door to door in hopes of attracting new converts. Despite the Dahl family's devotion to their church, domestic matters are complicated when her father (Jens Jorn Spottag) is unfaithful to her mother (Sarah Boberg), and though contrite, she's unwilling to forgive him. In one of the more unsettling scenes in the movie, the 3 Dahl children vote to stay in the family home with the father, knowing this will lead to the mother leaving home as she wasn't prepared to forgive his transgressions. Sara, being the oldest child and a business college student, becomes the stand-in mother for her siblings, before meeting Teis (Pilou Asbaek), a boy she is immediately attracted too, at a dance club. Adding an extra layer of intriguing complexity to the story (without spoiling), is that we soon find out the eldest Dahl sibling, a son Jonas, has been expelled from his local church and then family, for "reading the wrong materials", questioning the Elders decisions and not repenting for these actions.
Worlds Apart is a well-directed, well-acted movie, illuminating the conventions of a religious group, that whilst being well-known, is frequently regarded by many in mainstream society, as one supporting character observes, as a "sect", As such it is frequently charged with indoctrination and manipulation of its adherents, by the powerful and influential Elders of the church branches. Ultimately Sara does make a contentious decision (as the real life person did), but we are reminded through the playing out of the narrative, that this may well mean she will have to contend with life-changing factors affecting her social and familiaral networks. It is a challenging, provocative, yet entertaining film that is recommended for those drawn to discussions of fundamentalist thinking and ideals.
Você sabia?
- CuriosidadesIn the last scene, the girl in the train who looks up and smiles at Sara is the "real life-Sara". Her name is Tabita, and the director got the inspiration for the film from reading her story in a national Danish newspaper in 2006.
- Erros de gravaçãoWhen Sara and her younger siblings visit their mother in her new apartment, it is clearly late afternoon, but the show on the TV displays the clock at 11 am.
- ConexõesFeatured in DR2 tema: Året der kommer (2008)
- Trilhas sonoras2 People
Performed by Jean Jacques Smoothie (as Smoothie) feat. Minnie Riperton
Music & lyrics: Jean Jacques Smoothie, Richard Rudolph, Minnie Riperton, Leon Ware
Published by Dickiebird Music and Publishing
(c) & (p) 2001 Echo
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- How long is Worlds Apart?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Worlds Apart
- Locações de filme
- Copenhage, Dinamarca(Odense, Denmark)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 4.361.860
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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