Quando o ex abusivo da Cecilia tira sua própria vida, ela suspeita que a morte dele tenha sido uma farsa. Quando uma série de eventos a persiguem, Cecilia trabalha para provar que está sendo... Ler tudoQuando o ex abusivo da Cecilia tira sua própria vida, ela suspeita que a morte dele tenha sido uma farsa. Quando uma série de eventos a persiguem, Cecilia trabalha para provar que está sendo caçada por alguém que ninguém pode ver.Quando o ex abusivo da Cecilia tira sua própria vida, ela suspeita que a morte dele tenha sido uma farsa. Quando uma série de eventos a persiguem, Cecilia trabalha para provar que está sendo caçada por alguém que ninguém pode ver.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 43 vitórias e 84 indicações no total
- Strike-Stun Guard
- (as Serag Mohammed)
Avaliações em destaque
An outstanding lead from Elisabeth Moss in a genuinely suspenseful piece of cinema with a refreshing perspective on a tried and tested theme.
I will never tell someone not to watch something But I certainly won't say I enjoyed it
There were a few scenes that were cool And the Concept of things was intriguing But not enough to save the film
From the opening scene, the movie sucks you in with tension and unease. Cecilia (Elizabeth Moss) is trying to escape from her abusive boyfriend while he is asleep, and with practically no dialogue or exposition, we immediately understand the situation and feel for Moss' character. She's trapped in an abusive relationship and fears for her life. It's a testament to Whannell's deliberate direction, using visual cues to give us the information we need while slowly ratcheting up the suspense. The movie is not reliant on jump scares. There are a few, but they're 100% earned and actually effective because we care about the characters. The excellent score helps add to the atmosphere, alternating between pulsating ambience and melancholy orchestral bits.
From the concise writing, likable characters, clever directing, a powerhouse lead performance, and a genuinely scary villain, The Invisible Man gets just about everything right. I suppose you could nitpick some of the logic, but that's missing the point. It's a film about gaining freedom from a toxic relationship, and Whannell knows exactly how to pace the story so that we don't spend too much time dwelling on potential plot holes. Overall, a gripping and expertly crafted psychological thriller.
I was so pleased with this film & im so glad I went. This movie was like Gone Girl on crack, it was sooooo good! Kept you on edge majority of the movie & Elizabeth Moss' performance is one to remember. Her acting was so good, even I began to believe she was insane.
The music & sound effects are loud af & as always, makes everything ten times scarier than it needs to be but storyline is magnificent & the twists kept coming.
And if you hate horrors just like me, the lead up to any jump scares is predictable af so you know when they're coming lmaooo.
Você sabia?
- CuriosidadesLeigh Whannell chose not to have an opening establishing Cecilia's predicament with Adrian "because I wanted to just drop the audience into Cecilia's situation without any back story and make them feel everything through her, and luckily I had Elisabeth Moss who is very good at communicating a lot to the audience without saying anything."
- Erros de gravação(at around 37 mins) Cecilia passes out at a job interview from a high dose of diazepam (Valium). But if she had that much drug in her system she likely wouldn't have been able to walk into that interview, at least not in a straight line.
- Citações
Cecilia Kass: He said that wherever I went, he would find me, walk right up to me, and I wouldn't be able to see him.
- Cenas durante ou pós-créditosThe opening credits appear amidst large waves crashing against a cliff, appearing invisible until the waves crash against them and reveal them briefly.
- Versões alternativasThe UK release was cut, this film was originally seen for advice. The distributor was advised it was likely to be classified 18 uncut but that their preferred 15 classification could be obtained by making small changes to one scene to remove bloody injury detail during an attempted suicide. When the film was submitted for formal classification, the shots in question had been removed and the film was classified 15.
- ConexõesFeatured in Jimmy Kimmel Live!: Elisabeth Moss/Dan Abrams/Dustin Lynch (2020)
- Trilhas sonorasKids
Performed by Rich Brian
Courtesy of 88rising
Written by Rappy (as Sergiu Gherman), Tyler Mehlenbacher, Daniel Tannenbaum, Rich Brian (as Brian Soewarno), Adam Feeney (as Adam Feeney), Sean Miyashiro and Craig Balmoris
© Published by 88Rising Publishing LLC
© Published by One77 Music LLC
Administered by Kobalt Music Publishing Australia Pty Ltd
Universal Music Corp., Song of Universal Inc.
Administered by Universal Music Publishing Pty Ltd
© Quiet as Kept Music Inc. Licensed by EMI Music Publishing Australia Pty Limited
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.410.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 28.205.665
- 1 de mar. de 2020
- Faturamento bruto mundial
- US$ 144.492.724
- Tempo de duração2 horas 4 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1