Dois adultos solteiros tornam-se cuidadores de uma menina órfã quando seus melhores amigos morrem em um acidente.Dois adultos solteiros tornam-se cuidadores de uma menina órfã quando seus melhores amigos morrem em um acidente.Dois adultos solteiros tornam-se cuidadores de uma menina órfã quando seus melhores amigos morrem em um acidente.
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I am not a great fan of romantic comedies because, honestly, they all seem the same. This one proved me wrong! I actually laughed (unexpected) and even cried (really unexpected) during this movie. There is great chemistry between all the cast members . The premise that the story is based on is presented as very believable. I found myself immersed in the possibility of this happening in real life, not just reel life! I think the director brought out the best in the actors. Katie Heigl has more depth as an actor than I gave her credit for. Josh Duhmel proves to be more than just a pretty face. I really loved this movie and was so glad I went to see it!
Holly (Katherine Heigl) and Eric, known by his last name, Messer (Josh Duhamel) were once set up by close married friends, wife Alison (Christina Hendricks) and hubby Peter (Hayes MacArthur). The date lasted all of five minutes, as each took an instant dislike to one another and rang the gong. However, they have had to see each other over the last few years, at parties and gatherings thrown by the wedded couple. More so now that the A and P have a little girl named Sophie. A self-described "control freak", Holly owns a gourmet food shop called Fraiche, in the Atlanta area, where she has grown interested in a frequent customer, Dr. Sam (Josh Lucas). For his part, Messer works in sports television, operating cameras for the Hawks basketball franchise and he has a new girlfriend every five minutes. Into this setting comes a shock. Alison and Peter tragically die in an automobile crash and, unbelievably, leave custody of Sophie to their unmarried pals, Holly and Messer. After the tears and agony, the we-loathe-each-other couple realize that they must move into their friends' large home and learn how to take care of their new daughter, with civility. But, as both are practicing "on the job parenting", they still have quite a few arguments and upsets. Juggling jobs and babies is a tough job, they quickly concede. Could it also be that, despite Dr. Sam's growing presence and Messer's frequent galpals, that Holly and Messer will actually grow to like each other? Maybe! This is a lovely new entry into the world of romantic comedies, for all of the genre's dedicated fans. Despite the tried and true theme of mismatched, argumentative folks falling in love, the movie has a few new twists, as a result of the adorable baby. Heigl and Duhamel are perfectly wonderful as the main couple, although both are such pros in this type of film that they should probably try to "branch out" in their next projects or be stuck in this kind of thing forever. The supporting cast is also very fine, as are the settings, costumes, and camera work. Add on the zesty direction and polished, humorous storyline and a winning flick emerges. Therefore, Hollywood, please send us more movies like this one, and fans, take time out from life's more mundane practices and make plans for a view.
OK, so perhaps it's a bit formulaic. But getting through the process was unexpected. A very sweet story line, and some clunky transitions; however, the ultimate feel was very sweet and pulled at the heart strings. Life isn't simple, doesn't always go as expected, and requires a bit of effort. This film seemed to capture a wide variety of experiences and faced them with poignancy and humor.
I truly was expecting it to be all fluff, or very silly, and I didn't expect the film to tell the story as well as it did. Insight into different families, good times, bad times, and the mundane. No huge laugh out loud moments, but definitely some chuckles. I'm glad I gave it a shot. Give it a try sometime, and you just might be surprised, too.
I truly was expecting it to be all fluff, or very silly, and I didn't expect the film to tell the story as well as it did. Insight into different families, good times, bad times, and the mundane. No huge laugh out loud moments, but definitely some chuckles. I'm glad I gave it a shot. Give it a try sometime, and you just might be surprised, too.
"Life as We Know It" is predictable. Not breaking news. 3 years ago Josh Duhamel as Messer and Katherine Heigl as Holly have a set up date by their best friends Peter and Alison (Hayes MacArthur and Christina Hendricks) that terminates in Holly's Smart Car. Holly despises Messer way too much. Life happens and tragedy unfolds. Peter and Alison die in a car accident. In their will, unbeknownst to Messer and Holly, the Novaks' name them as legal guardians to their 1 year-old daughter Sophie. Reluctantly, Messer and Holly agree to move into the Novaks' house, and raise Sophie until they can figure this out. Did Alison and Peter know something that Holly and Messer were clueless to? Do they fall in love, and transform into loving parents?
Come on, we're smart and have seen our share of romantic comedies. Narrative surprise is not the strong suit of Ian Deitchman and Kristin Rusk Robinson's screenplay. In spite of all this, "Life as We Know It" is touching romantic comedy. Katherine Heigl and Josh Duhamel are awesome, and have a natural chemistry. Deitchman and Robinson's story strongly evolves. Director Greg Berlanti expertly orchestrates the right tone. Although, "Life" is romantic comedy, the set up is heart wrenching tragedy. The future of orphaned Sophie (played by Brooke and Kiley Liddell) hangs in the balance of whether Heigl and Duhamel can get over themselves. Heigl has a charming vulnerability and authenticity as Holly, who has dreams of expanding her bakeshop and dearly misses Alison, her personal rock. Duhamel is a nice surprise. He casually inhabits Messer, the Player who really has a big heart, by the numbers. However, Duhamel never overplays, embodying humanity and humor. With Duhamel we cheer for Messer's transformation. At the story arc, he confesses to Heigl, "Together Somehow we're a family."
At times we're smarter than the screenplay. From the beginning we see through Messer's jerk facade, and distinguish the good man that he is and great guy he can be. Holly is too obsessed being annoyed, to see the obvious. Fortunately, Heigl and Duhamel are smarter than the script—hinting at the underlying love Holly and Messer have always had. Chemistry conquers a lot. Validation comes when Baby Whisperer Amy (great Britt Flatmo) says, "You guys make an awesome couple." Listen to the 12 year-old. Heigl and Duhamel are an amazing looking couple that has a very comfortable feel.
What Berlanti does well is populate "Life" with quirky supporting characters and nominal narrative twists. Melissa McCarthy is good as the seen-it-all Mom DeeDee. Andrew Daly and Bill Brochtrup are funny as the gay parents Scott and Gary, who faun over the strikingly handsome Duhamel. Sarah Burns is awesome as the social worker Janine Groff, who warns Holly and Messer about complicating their relationship. Burns is hysterically touching as she becomes their biggest advocate. Brooke and Kiley Liddell are priceless as Sophie. Though hers is not really a performance, she is just being. There are the formulae high jinx with baby poop and babysitting duty. Conflict is manufactured. Messer is offered the sports TV director slot for the Phoenix Suns, which would displace him from home in Atlanta. Holly starts a relationship with solid Sam (down home charming Josh Lucas), Sophie's pediatrician. Life is diverging.
Here in "Life as We Know It" there is an upside to predictability. We cheer for Holly, Messer, and Sophie, because we see before they do: They are a family. Heigl and Duhamel are awesome, apart or together. They overcome a lot of the formulae. Being predictable is overrated, when you have great heart like "Life as We Know It".
Come on, we're smart and have seen our share of romantic comedies. Narrative surprise is not the strong suit of Ian Deitchman and Kristin Rusk Robinson's screenplay. In spite of all this, "Life as We Know It" is touching romantic comedy. Katherine Heigl and Josh Duhamel are awesome, and have a natural chemistry. Deitchman and Robinson's story strongly evolves. Director Greg Berlanti expertly orchestrates the right tone. Although, "Life" is romantic comedy, the set up is heart wrenching tragedy. The future of orphaned Sophie (played by Brooke and Kiley Liddell) hangs in the balance of whether Heigl and Duhamel can get over themselves. Heigl has a charming vulnerability and authenticity as Holly, who has dreams of expanding her bakeshop and dearly misses Alison, her personal rock. Duhamel is a nice surprise. He casually inhabits Messer, the Player who really has a big heart, by the numbers. However, Duhamel never overplays, embodying humanity and humor. With Duhamel we cheer for Messer's transformation. At the story arc, he confesses to Heigl, "Together Somehow we're a family."
At times we're smarter than the screenplay. From the beginning we see through Messer's jerk facade, and distinguish the good man that he is and great guy he can be. Holly is too obsessed being annoyed, to see the obvious. Fortunately, Heigl and Duhamel are smarter than the script—hinting at the underlying love Holly and Messer have always had. Chemistry conquers a lot. Validation comes when Baby Whisperer Amy (great Britt Flatmo) says, "You guys make an awesome couple." Listen to the 12 year-old. Heigl and Duhamel are an amazing looking couple that has a very comfortable feel.
What Berlanti does well is populate "Life" with quirky supporting characters and nominal narrative twists. Melissa McCarthy is good as the seen-it-all Mom DeeDee. Andrew Daly and Bill Brochtrup are funny as the gay parents Scott and Gary, who faun over the strikingly handsome Duhamel. Sarah Burns is awesome as the social worker Janine Groff, who warns Holly and Messer about complicating their relationship. Burns is hysterically touching as she becomes their biggest advocate. Brooke and Kiley Liddell are priceless as Sophie. Though hers is not really a performance, she is just being. There are the formulae high jinx with baby poop and babysitting duty. Conflict is manufactured. Messer is offered the sports TV director slot for the Phoenix Suns, which would displace him from home in Atlanta. Holly starts a relationship with solid Sam (down home charming Josh Lucas), Sophie's pediatrician. Life is diverging.
Here in "Life as We Know It" there is an upside to predictability. We cheer for Holly, Messer, and Sophie, because we see before they do: They are a family. Heigl and Duhamel are awesome, apart or together. They overcome a lot of the formulae. Being predictable is overrated, when you have great heart like "Life as We Know It".
This film is about two people who got set up by their friends, but the date dis not go well at all. Their friend died unexpectedly, and they have to care for their friend's child.
"Life as We Know It" is fun to watch. It's a formulaic romantic comedy in the sense that you know what will happen in the end, but still it is not so formulaic as it has there are lots of elements which are not usually in romantic comedies. It is not usual for romantic comedies to incorporate the frustration of child care, for example. The two leads are charming, believable and goes well together. The social worker is very funny too, but if she really acted like that in real life, she would not have been so professional!
"Life as We Know It" is fun to watch. It's a formulaic romantic comedy in the sense that you know what will happen in the end, but still it is not so formulaic as it has there are lots of elements which are not usually in romantic comedies. It is not usual for romantic comedies to incorporate the frustration of child care, for example. The two leads are charming, believable and goes well together. The social worker is very funny too, but if she really acted like that in real life, she would not have been so professional!
Você sabia?
- CuriosidadesKatherine Heigl campaigned to have Josh Duhamel cast as her co-star after the studio expressed doubts about his comedic ability.
- Erros de gravaçãoWhen the baby first came home after Children Protection Service and start crying after a sleep while Eric and Holly were discussing about the costs, Eric drinks alcohol. After each camera view when they talk to the baby, his beer changes in his hands.
- Citações
Eric Messer: Having somebody help you doesn't mean that you fail, it just means that you're not in it alone.
- Trilhas sonorasYou Know I'm No Good
Written and Performed by Amy Winehouse
Courtesy of Universal-Island Records Ltd.
Under license from Universal Music Enterprises
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- How long is Life as We Know It?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Bajo el Mismo Techo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 53.374.681
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.506.464
- 10 de out. de 2010
- Faturamento bruto mundial
- US$ 105.734.416
- Tempo de duração
- 1 h 55 min(115 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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