Um grupos de sobreviventes do vírus da raiva vive em uma ilha. Quando um do grupo deixa a ilha em uma missão ao continente, ele descobre segredos, maravilhas e horrores que transformaram não... Ler tudoUm grupos de sobreviventes do vírus da raiva vive em uma ilha. Quando um do grupo deixa a ilha em uma missão ao continente, ele descobre segredos, maravilhas e horrores que transformaram não apenas os infectados, mas outros sobreviventes.Um grupos de sobreviventes do vírus da raiva vive em uma ilha. Quando um do grupo deixa a ilha em uma missão ao continente, ele descobre segredos, maravilhas e horrores que transformaram não apenas os infectados, mas outros sobreviventes.
- Prêmios
- 4 vitórias e 35 indicações no total
- Jimmy's Sister
- (as Darcie Summer Smith)
Resumo
Avaliações em destaque
My biggest "why" is this movie being attached to the 28 series. Completely unnecessary and misleading. It was probably done to attract a wider audience; otherwise, it would have fallen into the unpopular indie horror film category with little financial success.
As a 28 fan, I was disappointed, however, in the first 15 minutes I realised I should forget I'm watching a 28 movie to have a chance of enjoying it.
The cinematography and art direction were out of the box in a good way. The cast and acting were good.
Nevertheless, fans of this genre will find some way to appreciate a different direction in which this film tries to take, but I sincerely think he should have stuck with the formula that made the prior two films cult classics.
It looks pretty fantastic (strangely the colouring reminded me of Garland's Men) and, contrary to what a lot of reviews claim, the acting is solid, particularly from Jodie Comer and Alfie Williams. The mixing in of archive clips isn't a particularly groundbreaking move, but it's effective.
It's hard to define exactly what subgengre this film belongs to, but there are strong folk horror vibes throughout, and that plays well with the satirical edge to the film (what is it about zombie movies and satire?). As a political statement about 21st century British decline it isn't as over egged as I feared it might be- it's subtle to the point where I wonder whether it can be fully appreciated viewers who aren't familiar with our strange little island.
It's easily as tense and bloody as the other two films (although this one is rated 15 which shows you how times have changed). There are some genuinely tense moments throughout.
The ending. All I'll say is that however you imagine the last 5 minutes will go, you're wrong. If this is to be the first part of a trilogy, it's going to get batshit crazy (although again, anyone not familiar with British pop culture will not appreciate quite how bizarre the ending is).
Unfortunately, the momentum doesn't last. As the film transitions into its second half, it shifts gears into a more melodramatic human drama. The focus moves away from the infected threat and toward a lackluster subplot involving a mother and a doctor. The characters at this point make some questionable decisions which really doesn't help the film's validity.
The final act unfortunately teetered on lacklustre and borderline comedic, completely changing the tone of the first act.
I stand by saying the directing, camera work, editing and cinematography were the highlight. The landscapes and post apocalyptic setting was beautiful to look at. These elements made the film worth watching. There were some plot elements that were interesting enough but were never explored to the full potential.
However a weak plot, even weaker characters and a lacklustre ending prevent this instalment from being memorable.
Should have guessed from the 15 certificate that it would lack the horror and the edge of the earlier films. I don't want to spoil the plot but there are 2 or 3 plot lines that really don't make sense. The ending I felt was particularly bad.
I get that the story is a very blunt metaphor for Brexit and the theme of rebirth (literally in one case) is very clear but just didn't gel or work as a story for me.
If you are looking for a continuance of the earlier, darker, scarier films I fear you may also leave the cinema disappointed.
The Best New and Upcoming Horror
The Best New and Upcoming Horror
Trilha sonora
Você sabia?
- CuriosidadesA group of children sing the hymn "Abide with Me" at school. In 28 Days Later, this song plays in the background as Jim discovers his dead parents.
- Erros de gravaçãoWhen Spike and Isla go into the gas filled petrol station, the gas is shown as floating above them. But Benzene gas is heavier than air so they would have been wading through it as they walked. So they would not have been able to escape unscathed by ducking down when the soldier sets off the gas explosion.
- Citações
Dr. Kelson: Spike, momento mori, what did it mean?
Spike: Remember we must die.
Dr. Kelson: And it's true. There are many kinds of death. Some are better than others. The best are peaceful where we leave each other in love. You love your mother?
Spike: I love her.
Dr. Kelson: And Isla you love Spike?
Isla: So much.
Dr. Kelson: Memento amorous. Remember you must love.
- Cenas durante ou pós-créditosHaunting snippets of the movie, mostly consisting of the infected, are shown throughout the end credits.
- ConexõesFeatured in Midnight Screenings: 28 Years Later (2025)
- Trilhas sonorasAbide with Me
Written by Henry F. Lyte (as Henry Francis Lyte)
Principais escolhas
The Year in Posters
The Year in Posters
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- 28 Years Later
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 70.446.897
- Fim de semana de estreia nos EUA e Canadá
- US$ 30.002.966
- 22 de jun. de 2025
- Faturamento bruto mundial
- US$ 151.308.832
- Tempo de duração
- 1 h 55 min(115 min)
- Cor
- Mixagem de som
- Proporção
- 2.76 : 1






