Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.Um conto gótico de obsessão entre uma jovem assombrada na Alemanha do século XIX e o antigo vampiro da Transilvânia que a persegue, trazendo consigo um horror incalculável.
- Direção
- Roteiristas
- Artistas
- Indicado a 4 Oscars
- 58 vitórias e 195 indicações no total
Gherghina Bereghianu
- Innkeeper's Mother-in-Law
- (as Georgina Bereghianu)
Katerina Bila
- Virgin on Horseback
- (as Kateřina Bílá)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'Nosferatu' is lauded for its visuals, gothic atmosphere, and strong performances by Lily-Rose Depp and Bill Skarsgård. The film's meticulous detail and haunting score are appreciated, though some find the pacing slow and story unoriginal. Themes of isolation and obsession are well-explored, but narrative clarity is criticized. Practical effects enhance the immersive experience, yet the film's length is seen as tedious by some.
Avaliações em destaque
This film did nothing that Coppola's 1992 Bram Stoker's Dracula didn't already do. Coppola's film both thematically, and visually broke ground (costumes, creature design, set pieces, etc.), and had a far more expository, but also sinister and apprehensive feel. Not to mention it was also far more carnal. Nosferatu on the other hand, just felt like a tamer, "nothing new to see here" re-make, with nothing remotely original in any depictions. Maybe if Nosferatu looked scarier than a bald Vlad Teppish ("The Impaler", "Dracul"), that might've helped. I give it a 5-6 with a "I wouldn't watch it again" rating.
F. W. Murnau's (illegally adapted) 1922 film Nosferatu presented the vampire as a sickly, batlike elf. In the new 'Nosferatu,' Robert Eggers introduces an off-putting new look for Count Orlok, but Nosferatu (2024) is an unnecessary retelling of Murnau's original film wrapped in mediocrity. It reflects a trend of nostalgia and reboots. Innovation takes a backseat to reverence in the foreground. This is an exercise in indulgence that only the MMXXV Generation will enjoy. Visually, the film is overblown in its impressionistic palette. Coppola's Dracula was visually more imposing, combining opulent gothic imagery with operatic intensity. Herzog's Nosferatu (1979) had more haunting, austere beauty. And Carl Dreyer's Vampyr (1932) was more dreamlike.
It is boring. The acting is way too much and ridiculous overacting. The crying, the terrified faces and behaviour all felt so overplayed and unnecessary. The scenes, images and costumes are very impressive but that's about it. I didn't like any of the characters, Lily Rose Depp and her husband are not my definition of beautiful or handsome. The count's "breathing" is very annoying too.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
The scenes as individual images were really well-made. I like historical settings in movies but overall, the film felt pretentious and self-indulgent, trying too hard to impress without delivering real meaning or a real story.
I was very excited to see this movie and finally went to see it. And it is....... Fine.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.
It also wasn't very scary. Very creepy! But not very scary.
The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.
The actors are good but overall the majority of the film feels pointless.
The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.
I usually love Robert Eggers' work - his films have this unique ability to pull you into eerie, unsettling worlds that linger with you long after the movie has finished. But his take on Nosferatu just didn't land for me.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.
To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.
Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.
Você sabia?
- CuriosidadesThe exteriors of Orlok's castle were filmed at Hunedoara Castle, also known as Corvin Castle, a Romanian castle located in Transylvania and one of the largest medieval castles extant in Europe.
- Erros de gravaçãoWhen Willem DaFoe sets fire to Knock's coffin, you can clearly see the gas jets igniting under the coffin.
- Citações
Ellen Hutter: Professor, my dreams grow darker. Does evil come from within us, or from beyond?
- Cenas durante ou pós-créditosThe Universal Pictures, Focus Features, Maiden Voyage Pictures and Studio 8 production logos are 1920-styled versions, in homage to the era Nosferatu (1922) released.
- Versões alternativasThe "Extended Cut" features four minutes of new footage, lengthening two scenes that were already included in the theatrical version. The first new scene is a Count Orlok monologue, responding to Thomas's mention of the ritual witnessed at a tavern during his journey, where the townspeople dug up a body from the forest and impaled it with a stake. The second scene shows more of the Second Night and foreshadows Ellen's eventual acceptance of agency over her own fate.
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Director Robert Eggers' Essential Watchlist
Director Robert Eggers' Essential Watchlist
Nosferatu director Robert Eggers recommends four of his all-time favorite films + one beloved TV series which he regularly returns to for inspiration and entertainment.
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Ma Cà Rồng Nosferatu
- Locações de filme
- Corvin Castle, Transylvania region, Romênia(Castle shown in the trailer, 40 second mark)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 95.608.235
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.652.560
- 29 de dez. de 2024
- Faturamento bruto mundial
- US$ 181.764.515
- Tempo de duração
- 2 h 12 min(132 min)
- Cor
- Mixagem de som
- Proporção
- 1.66 : 1
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