Muito Além dos Limites

Cuba Gooding Jr plays Micheal Dixon, a former gangster turned well respected border patrol officer, whose life becomes complicated when people from his past decide to pay him a visit.

The box cover suggest more of an action film, but its actually more of a character story, it unfolds very well and the direction by Kevin Bray(WALKING TALL) is pretty good, but overall the film is pretty average fair, the problems I basically have with this film is the would be gang Gooding Jr's character use to hang with, they never really seemed like a gang, they were never really intimidating, they were actually more annoying and at times it also seemed like they never really had major chemistry, despite the fact that the characters apparently knew each other a long time, otherwise the acting was above par, but when I look at Cuba Gooding Jr, I can say that he is not beyond picking better material, and I would like see him in something better than what he has done lately.

Overall, its pretty average fair and Cuba Gooding Jr as well as the rest of the cast and the director, can certainly do better.

One wonders when Cuba Gooding, Jr is going to find roles that are equal to his talent. LINEWATCH is a sleepwalk/phone-in role written for him by David W. Waterfield and directed by Kevin Bray in a story that attempts to take on a few too many problem situations in one session - illegal immigration, the human manipulation and abuse by the Coyotes and those involved in the crime industry of illegal transportation, Los Angeles ghetto crime life, across the border drug trafficking, family values in gangsters who turn to an honest life, etc. Not that these problems don't deserve our being reminded of serious situations constantly present, but the story has been told many times in better ways.

Michael Dixon (Cuba Gooding Jr.) is an ex-gang member living close to the Mexican border with his beautiful wife Angela (Sharon Leal) and daughter as he serves as a US Border Patrol Agent. His heart is in the right place and when he discovers a van full of expired immigrants the pain of his job surfaces. Simultaneously he discovers a band of drug smugglers who work to find a way to transport drugs across the border in to the US - a gang comprised of Michael's old gang. His 'friend', near psychotic Drake (Omari Hardwick - very impressive in this role), makes threats to Michael cajoling him into working with Mike's ex-gang to route the drug smuggling trucks across the border using Mike's affiliation with the US Border Patrol information. The stress that Michael feels under the threat of the gang's violence to his family leads him to act in a manner that brings the story to an end.

Gooding remains a fine screen presence: had he been given a better script and story it would be a pleasure to see him again. The supporting cast is fine, the cinematography by Paul M. Sommers is dirty and gritty as it should be and the musical score by Jeff McIlwain all but smothers the dialogue. The reason this film didn't make it in theaters is very obvious.

Grady Harp

Cuba Gooding portrays a seemingly respectable cop whose shady past catches up with him, jeopardising his family and career. The concept may not be original, but Gooding's performance and reactions to some wretched and desperate conflicts serve to enhance the voyeuristic pleasure.

The well developed, colourful and generally unsavoury characters surrounding the drug and people trafficking industry add grit to the realism and enhance our understanding of, and sympathy for, Dixon's predicament.

Set against the harsh but stunning background of New Mexico's border country, superbly directed and acted, this is a cut above your average crime flick.

As a resident of a border state with Mexico, I was intrigued with the potential storyline that this film could portray. Unfortunately, it started out by meeting my expectations, but flat-lined about 15 minutes in. Aside from Cuba Gooding Jr.,and the actors who played both his wife and daughter, the performances of everyone else reeked with an odor that indicated that this was a low budget independent film. Instead of chasing "coyotes," the well known and despised human smugglers who incite so much tension and hatred along our borders, this film chased a story line about a bunch of big city gansta's who had the maturity level of 8 year olds. It's worth the $3 rental just to see Cuba Gooding Jr. Don't expect too much though. You just might be disappointed.

The plot: A cop with a dark past comes face-to-face with the past he's been running away from.

Cuba Gooding, Jr stars as a border patrol officer in New Mexico. He's trying to track down the ruthless "coyote" who left illegal immigrants for dead. In the mean time, he's clashing with racist vigilantes and his superiors, while trying to salvage his family life. This get even more complicated when some L.A. gang members show up, recognize him, and threaten to kill his family, unless he acts as their inside man.

I liked the first part of this movie better, before the gangsters showed up. Once the gangster plot took over, I became considerably less enthused, though I stuck around to see how it would end. The gangsters have a few good scenes, but they never really get the characterization that good villains require. In one memorable scene, they engage in some particularly brutal hazing, which does a good job of making you hate them... but it doesn't really tell you who they are.

The movie plays out somewhat predictably, but the competent stunts and fight choreography make the action sequences pretty watchable. The acting wasn't really a problem for me, but I doubt anyone here is going to win any awards. I generally enjoyed Linewatch, but it's difficult to recommend the movie to anyone but other die-hard Cuba Gooding, Jr fans. His career has been in freefall ever since the mid-2000s, but I actually liked most of his recent movies. They're not great movies, but they're better than what Steven Seagal has been shoveling out.