Duna: A Profecia

Dune: Prophecy is everything i hoped it would be and more. It's a great spin-off from a beloved movie franchise. I have to start by saying I've never read the source material or saw the original movie. My experience of Dune is predicated on the two Dune movies that have come out the last few years starring Timothée Chalamet and Zendaya. Those two movies (especially Dune: Part Two) are two of my favorite movies I've seen over the last few years. I absolutely love both of them so I had high expectations for this series. Dune: Prophecy is a series that takes place 10,000 years before the Dune movies start and about how the Harkonnen sisters started the Bene Gesserit as they fight off forces that threaten the future of mankind. The show may feel more like Game of Thrones than Dune but either way...it's very entertaining. The most important thing about this show is it does exactly what it set out to do in the fact that it deepens our understanding of the Bene Gesserit. You don't have to have watched the two Dune movies to enjoy this but you'll definitely enjoy it more if you have.

"Dune: Prophecy" is a compelling addition to the Dune universe, offering a deep dive into the origins of the Bene Gesserit sisterhood. Set 10,000 years before the events of Frank Herbert's original novels, the series explores the intricate political and social dynamics that shape this enigmatic order.

The narrative centers on sisters Valya and Tula Harkonnen, portrayed by Emily Watson and Olivia Williams, respectively. Their performances are standout, bringing depth and nuance to characters navigating a complex web of power struggles and prophetic visions. The show's commitment to character development is evident, allowing viewers to engage with the protagonists' motivations and conflicts.

Visually, "Dune: Prophecy" is impressive. The cinematography captures the stark beauty of the Dune universe, with detailed set designs and special effects that enhance the storytelling. The depiction of various planets and cultures adds richness to the world-building, immersing the audience in a diverse and expansive galaxy.

The series delves into themes of power, destiny, and the ethical complexities of foresight. It effectively portrays the Bene Gesserit's manipulative strategies and their influence on imperial politics, providing insight into their rise as a formidable force. The political intrigue is reminiscent of other epic sagas, offering a blend of strategy and mysticism that keeps viewers engaged.

However, the show's dense narrative and extensive lore can be challenging for newcomers to the Dune franchise. The intricate plotlines and multitude of characters require attentive viewing to fully grasp the unfolding events. Additionally, while the series pays homage to the source material, it occasionally leans heavily on established tropes, which may feel familiar to seasoned science fiction audiences.

In summary, "Dune: Prophecy" is a well-crafted series that expands the Dune mythology with strong performances and impressive visuals. Its exploration of the Bene Gesserit's origins offers a fresh perspective for fans of the franchise. While it presents a complex and layered narrative that may be demanding for some viewers, it rewards those who invest in its rich storytelling.

The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.

The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.

Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.

Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.

In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.

Dune: Prophecy brings us back to Frank Herbert's universe with a different approach. Instead of grand battles, the series explores the intrigues of the Bene Gesserit and their struggle for control. It's not necessary to have seen the movies to understand it, as it builds its own rhythm and atmosphere.

It stands out for its setting and for Emily Watson's performance, which brings depth and presence to her character. However, at times, the pacing is slow, and it may feel like it lacks intensity. Even so, it manages to create interest through its conflicts and the mystery surrounding the story.

It's not a series for everyone, but for those who enjoy more political and dense science fiction, Dune: Prophecy offers an intriguing premise with great potential.

The universe of this saga was unknown to me. Last year, I tried watching the movie that came out. Honestly, I wanted to get into this world, but the movie failed to captivate me. I attempted to watch it twice and gave up both times because I found it boring and felt like I was missing an introduction.

So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.

If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.

I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.