Diante da difícil escolha entre o amor de sua vida e o destino do universo conhecido, Paul Atreides, agora ao lado de Chani e dos Fremen, dará tudo de si para evitar o futuro terrível que só... Ler tudoDiante da difícil escolha entre o amor de sua vida e o destino do universo conhecido, Paul Atreides, agora ao lado de Chani e dos Fremen, dará tudo de si para evitar o futuro terrível que só ele pode prever.Diante da difícil escolha entre o amor de sua vida e o destino do universo conhecido, Paul Atreides, agora ao lado de Chani e dos Fremen, dará tudo de si para evitar o futuro terrível que só ele pode prever.
- Direção
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- Ganhou 2 Oscars
- 121 vitórias e 372 indicações no total
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Having left this essence out of the movies, they become a bit of an emptied out visual experience. A kind of secular, profane Dune. Still nice, but also a bit disappointing.
If you ARE going to see this film, the BankofMarquis strongly recommends you see it in theaters with the best sound and largest screen possible...for 2 reasons.
Reason 1: This film is visually and audibly stunning. It is a feast for the eyes and ears. Director Villeneuve (and all involved in the production, costume, sound and Fx design) have topped the very high bar they set for themselves with the first Dune and expect this film to rake in ALL of these types of awards come next Oscars' season. They visually (and audibly) credibly present new worlds in such a way that you are sure that the movie was filmed on location when (in fact) it is all pretty much green sky. An amazing technical achievement
Reason 2: It's a good thing that this film is visually and audibly stunning, because the storyline itself, is rather boring and somewhat complex. This is the fault of the source novel as Dune (and it's sequels) are just as interested in the politics and back room dealings of how you turn a hero into a Messiah (with a ton of backstory and plot development thought by the characters - never a good way to present a movie). So you will want to watch this in a theater so you can keep focused on the plot (as opposed to at home where you will be tempted to pick up your phone, pet the dog, go make a sandwich etc.) and not miss some of the intricacies.
Caught between Reason 1 and Reason 2 are a laundry list of performers and performances that are struggling to match the technical achievements of Dune: Part Two while acting against a green screen with some long, boring speeches and some very clunky dialogue.
Timothee Chalamet, Zendaya, Rebecca Ferguson and Charlotte Rampling all return from the first part and they are "just fine", not really elevating things, but not bringing them down either. They gamely bring their best to a rather difficult and thankless job.
Thank goodness Javier Bardem and Josh Brolin are back as their characters bring some life and energy to the proceedings while Florence Pugh, Dave Bautista, Lea Seydoux, Stellan Skarsgard and (especially) Christopher Walken (!) are wasted in their roles, really being more of a piece of furniture to move around rather than anything that represents an interesting character.
Only Austin Butler's Feyd-Rautha brings new excitement to the 2nd half of this 2 hour and 40 minute epic and, by that point in this film, it is much needed.
Come to DUNE: PART TWO for the visual and sound achievements and stay for...the visual and sound achievements - and the setup to the inevitable sequel.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
For book readers, I'd say this one takes more liberties than the first, but they were changes I liked, some for the better even. For the most part, it still hits the main beats from the book with a few things altered. The biggest change being no time jump. Therefore, a certain character doesn't fully appear in the movie contrary to the book. Though, they still use the character in a different way that I liked personally.
I know it's early in the year, but you can lock some Oscar nominations for this movie: Best Picture, Best Director, Best Adapted Screenplay, Best Editing, Best Cinematography, Best Score, Best Sound, Best Visual Effects, Best Costume, Best Production Design, Best Makeup, and hopefully Rebecca Ferguson this time for Best Supporting Actress. I guess that's pretty much every category now that I've typed it out lol.
Though I was fully engaged for its 2 hour and 46 minute run time, I would not call Dune 2 a masterpiece. Most characters acted emotionally flat. I also felt the romance between Paul and Chani was not convincing. When the story was reaching its climax, I did not care about the characters. I also think the movie should have spent a little time on setup about the Fremen. I get that they are oppressed by the Harkonnen, but their sacrifices and lost freedom should be shown to the viewer so we understand the emotional motivation to do a full assault on the Harkonnen.
Austin Butler was so intense in the movie. It illustrates his acting range. I hope he is recognized for his performance.
And here are some little nit-picky criticisms. They don't address how the Fremen eat. In terms of world building, these sort of details are necessary to make the world believable. I'm not convinced humans could survive on Arrakis. There is no way you could grow crops and raise animals. Did they eat synthetic food? The planet also couldn't sustain gigantic worms. These huge beasts would have to consume millions of calories a day, which is not available. Showing the details of a sustainable life on such a dry planet would help with believability. And the voice control thing done by the Bene Gesserit is sort of dumb. I know this is from the book, but that part of the book doesn't hold up over time.
Enough good things have already been said about this movie, so I'll just point out the negatives:
1. All viallians feel quite weak, bland, and never seem to pose any real threat. Bautista's character is a joke, Baron isn't threatening, and the new villian (being called as good as joker by some people) also feels very generic. The *new abilities* that Paul gets also feel too convenient and easy to get.
2. Characters change a lot instantly, Jessica suddenly becomes this completely different character, and same goes with Paul.
3. I can see how it may have to be rushed in the movie format, but the pacing could've been better.
4. Paul is the prophesied prophet, and... That just happens with no surprises etc. In some ways, I think that was for the better, as it avoids the overdone struggling hero cliche, but I was prepared to feel tense for Paul, but never really felt that there was a reason to feel tense.
Overall, it's a solid 8/10, it is a technical masterpiece if you look at cinematography etc., but as a movie overall, it's just another 'good watch' which is well worth its time, and that's completely fine.
Iconic On-Screen Romances
Iconic On-Screen Romances
Trilha sonora
Você sabia?
- CuriosidadesStellan Skarsgård's body makeup took 8 hours to apply and 2 hours to remove for every day of shooting. He didn't drink anything and took Imodium pills in order to avoid having to go to the bathroom during shooting days.
- Erros de gravaçãoDuring action scenes, the goggles Paul and the Fremen wear go from being on during wider shots, to being nowhere to be seen in closeups. One might think the visors on the goggles are retractable, but there are several shots in which Paul will have his goggles pulled down around his neck.
- Citações
Gurney Halleck: My lord, the great houses have answered. They refuse to honor your ascendency.
Stilgar: We await your orders, Lisan al-Gaib.
Paul Atreides: Lead them to paradise.
- Cenas durante ou pós-créditosAt the start of the film, a Sardaukar priest chants "Power over spice is power over all" as a prologue as it is subtitled onscreen.
- ConexõesFeatured in The 7PM Project: Episode dated 26 February 2024 (2024)
- Trilhas sonorasHouse Atreides
Written by Hans Zimmer
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Duna: Parte Dos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 190.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 282.144.358
- Fim de semana de estreia nos EUA e Canadá
- US$ 82.505.391
- 3 de mar. de 2024
- Faturamento bruto mundial
- US$ 714.844.358
- Tempo de duração
- 2 h 46 min(166 min)
- Cor
- Mixagem de som





