Duna: A Profecia

Dune: Prophecy brings us back to Frank Herbert's universe with a different approach. Instead of grand battles, the series explores the intrigues of the Bene Gesserit and their struggle for control. It's not necessary to have seen the movies to understand it, as it builds its own rhythm and atmosphere.

It stands out for its setting and for Emily Watson's performance, which brings depth and presence to her character. However, at times, the pacing is slow, and it may feel like it lacks intensity. Even so, it manages to create interest through its conflicts and the mystery surrounding the story.

It's not a series for everyone, but for those who enjoy more political and dense science fiction, Dune: Prophecy offers an intriguing premise with great potential.

All of my knowledge of Dune comes from the two recent movies, both of which are amazing. With that out of the way, one thing that is missing from the TV show, which both films have, is a good score or at least good use of a good score. I feel like the score or music of the films was used in such a way to emphasize the larger-than-life characterization of the Dune world or universe, so to speak. We are talking about a species that spans the universe in space after all. On the other hand, the score is barely perceptible in the TV show. This does ensure we able to hear the dialogue clearly, but also makes the TV show feel claustrophobic in spite of some of its sets or settings in comparison and therefore out-of-character. Without this, the TV show feels much less epic and engaging than the movies, unfortuantely. I am hoping they will fix this in upcoming seasons.

The first episode of Dune Prophecy, HBO Max's new foray into the world of Frank Herbert's universe, unfortunately feels drab and uninspired. Despite its ambitious source material, the episode struggles to capture the charm and depth that make Dune so beloved.

The most glaring issue is the editing. The pacing is wildly off, with scenes feeling rushed and lacking the breathing room necessary for tension or atmosphere to develop. In their effort to cram too much story into a single hour, the episode becomes a chaotic barrage of nonstop dialogue, sacrificing narrative flow and engagement. Moments that should have felt significant are undercut by hurried jump cuts, leaving little room for emotional or thematic resonance.

Visually, Dune Prophecy suffers from a continuation of the grey, industrial aesthetic seen in recent Dune adaptations. The set and costume design feel sterile and monotonous, failing to evoke the intricate, lived-in feel of Herbert's universe. This lack of visual and atmospheric variety diminishes the sense of wonder and alien grandeur that Dune demands.

Perhaps the most disappointing aspect is the lack of effective world-building. While the episode focuses heavily on expositional dialogue to set up the plot, it neglects to establish the world itself. The intricate political and cultural dynamics that define Dune feel shallow, and the absence of atmospheric "vibes" leaves the setting hollow and unengaging.

In the end, Dune Prophecy struggles to strike a balance between exposition and immersion, resulting in an episode that feels more like a rushed summary than a compelling introduction to the series. Without significant adjustments to pacing, editing, and world-building, it risks losing the essence of what makes Dune such a rich and enduring story.

First of all, when talking about this series, you have to know that it is not for everyone.

If Villeneuve's films seemed boring to you, this series is not for you; if they seemed slow to you, this series is not for you; if you expect to see a lot of action and effects in battles, in short, this series is not for you.

However, if the lore of Dune makes you curious and/or fascinates you, if you like the palace intrigues of GOT set in a distant future and if you like Travis Fimmel playing Ragnar (again like in Raised by Wolves), this series is definitely for you.

Perhaps a series that nobody asked for but that greatly enriches this universe and makes us think that perhaps there is more future after Dennis Villeneuve.

Dune: Prophecy introduces us to a prequel set 10 thousand years before Paul Atreides and everything we saw in the cinema.

We are 30 years after the Butlerian Jihad and the events of Dune, the Machine Crusade. It is a point where the Bene Gesserit have just begun their large-scale genetic plan and program in search of creating that super-being that would be the Kwisatz Haderach through hybridization and connections of couples with potential.

We have several points of view that are interesting, the Bene Gesserit referred to, the intrigues of Emperor Corrino, the plan of the rebels led by Keiran Atreides.

Although, as I said, the series is slow, it takes its time to develop characters: we understand the motivation of Mother Valya and Tula Harkkonen, we understand Emperor Corrino and how he was manipulated. We are even able to understand Desmond Hart and how he manages to survive the Shai-Hulud.

We have the right and necessary dose of flashbacks, the fights, although few, are well choreographed and credible in the style of the movies.

Clearly, some questions have been answered and many more remain, which I hope will be addressed in the next season.

Great bet by HBO, let's hope they continue down this path and become even more massive in later seasons. I don't think they will become the new television phenomenon like GOT was, but it does have a lot of potential to be a period series.

The universe of this saga was unknown to me. Last year, I tried watching the movie that came out. Honestly, I wanted to get into this world, but the movie failed to captivate me. I attempted to watch it twice and gave up both times because I found it boring and felt like I was missing an introduction.

So, when I saw the series was released, I decided to give it another chance-especially because of Ragnar, Travis Fimmel. I can't be objective when he's involved since he's my favorite actor. And honestly, I found the series very good. It drew me into the universe, and I think it has a lot of potential to keep growing.

If I had to be completely objective with my score, it might be a 6 or 7. But since I see so much potential and factor in Ragnar's presence, I'm giving it an 8. I look forward to continuing and finally diving into this world.

I believe the series format and the way it was approached make it much more accessible for viewers unfamiliar with the saga. This allows for a more enjoyable experience while watching.