Mirageman

This movie would've been bad in the 70's where it belongs. It is exponentially bad for 2007. It was so obviously bad that I just went with it, like clearly this movie is going for ludicrous. The fight choreography was amateurish, the cinematography was high school level, and the plot was paltry.

"Mirageman" is "Kick-Ass" minus the novelty. "Meteor Man" minus the superpowers. "Blankman" minus the laughs. "Batman" minus everything. It was a 70's, low-budget, American-made, kung-fu movie in Spanish.

A masked man named Maco Guttierez (Marko Zaror), who barely speaks the entire movie, decides to fight crime in Chile in a cartoonish fashion. He even runs like a Japanese anime character. He fights crime in a place where people in groups attack him one at a time, and he has a thing for a pretty news reporter named Carol Valdivieso (Maria Elena Swett). If he was younger with a shell he could be a teenage mutant ninja turtle.

Maybe in Chile this movie was a hit, and even still they'd had to have been devoid of U. S. cinematic entertainment for years. This movie was neither creative, entertaining, or good.

So, you fancy a film which contains a lot of butt-kicking, off-beat humour and a gritty underlining theme? Whoa, wait, there also has to be plenty of satire.

Not after much, are you? Well fear not, because Mirageman delivers!!!

Ripped into by some, unknown to most, and establishing himself a solid fanbase with a select few, Marco Zaror was kick-arse long before the comic ever existed; he had the e-mails, the dodgy outfit, the bad haircut... But about the film:

Obsessed with being in a prime condition to defend himself after BLAH (generic vigilante background psychology), one night our soon-to-be hero jogs into the scene of a crime in progress and then it's all a blur: his training takes over, he KICKS BUTT! Yes, this is what he was training himself for all this time. Yet it's not clear to him until one of the women he rescued turns out to be a wannabe TV reporter who thanks him on the news at 11.

Okay, so now what's a boy to do if he wants to become the next Batman?

Going through a range of ridiculous kits and taking the bus to places where trouble may lurk, "Chile's national hero", as the HOT - now bona fide - TV reporter dubs him, finds his exploits methodically covered as she cashes in on her looks (I mentioned that she's HOT, right?) and his antics for a winning combination.

But for how long can a dude in a mask stay in the public eye? How much of an impact can one man beating up bag-snatchers make on society? It's at this point that the film takes it up a notch and we see that it has a whole other level of depth, as it effortlessly pivots from light-heartedness-to-something dark; from the downright hilarious-to-sheer brutality for a grand finalé.

So if you're looking for something a bit different, do yourself a massive favour and check out Mirageman; you may be disappointed but there's an 8/10 chance that you'll like it!

Full review on my blog max4movies: Mirageman is a low-budget action movie that focuses on a more or less realistic story of a bouncer turned vigilante. The independent production lacks in cinematography and the plot and the comedic undertones may not always work as effectively as they should. However, this doesn't mean that Mirageman is simply a cheap copy of similarly themed movies like Kick-Ass with a considerably higher budget and well-known actors. The stunt work and choreography are impressive and the gritty performances make the movie feel realistic and compelling. The movie also never takes itself too seriously, which makes for some light-hearted and funny bits - that are also accompanied by some more serious discussions about the morality of vigilante actions in general. In total, Mirageman is a convincing and entertaining action movie package.

Excellent film, very good storyline and awesome action sequences. All the fights in this movie are in real time (no slow-motion then speed-up technique) and are done by the main actor Marko Zaror (Maco). All this makes it very realistic, honest and really fun to watch. I'm glad that this kind of films are made in Chile. I think the movie is great, it keeps you entertained all the time with vivacious action and a solid plot. I'm from Chile and I happen to know Marko from school (I was friends with his brother) and he always was influenced by the martial arts so I'm happy that he is doing what he most likes. I highly recommend this movie, you are in for a great treat!!

Here comes a new superhero movie from… Chile? Why not? This is not a typical superhero story. In fact 'super' is downright inaccurate while 'hero' just barely applies – at first.

Marko Zaror, a stuntman and reputed martial artist, stars as Maco, a quiet and respectful bouncer working at a local strip club. When not working, Maco is a fitness and workout nut. The seemingly gratuitous scenes showing Maco working out, charting calories, and taking amino acids seem like filler at first, but what the film is doing is introducing the character and showing his solitary life that contains little meaning outside of fitness and his institutionalized brother.

Maco's family was brutally attacked three years earlier. In the attack, the father and mother were murdered, the youngest brother beaten and sodomized, and Maco was beaten to near death. Since that time Maco has been training, working out, fanatically practicing martial arts for… something. Maco's brother is in a mental hospital due to the severe trauma of the murder and rape.

One night while jogging Maco stumbles across a robbery in progress outside of a suburban house. After instinctively disabling one bad guy, Maco hears screams coming from inside the house. Maco grabs the bad guy's mask and enters, surprising the bad guys and saving the day. One of the rescued victims is ambitions tabloid television reporter Carol V (María Elena Swett).

Carol V broadcasts a commentary piece the next night on her television show in which she calls the man that rescued her a "hero" without a Batmobile or cape. Maco is stunned by the reaction and the gears in his head start clicking. The gears become unstoppable when Maco visits his brother at the institution. For the first time since the attack, Maco's brother is responsive. It seems he was inspired by the report of the regular guy superhero. Maco then becomes convinced that he can stop the type of evil that happened to his parents, inspire his brother to get better, and perhaps earn the adoration of such public as Carol V.

"Mirageman" is a difficult and ultimately rewarding movie. In it's short 87 minute running time, "Mirageman" changes tone three different times. By far the most amusing scenes come early in Maco's career as Mirageman. Mirageman has to fight what would be the first real life challenge of any superhero: Practicality. Mirageman has to overcome cumbersome costume difficulties which include time required to change into the costume and where to stash his non-hero clothes. And of course transportation. Although Maco's "origin story" is similar to Bruce Wayne, Maco is no billionaire. His costume is pieced together from a sporting goods store and he owns no car. At first he takes the bus when battling villainy.

"Mirageman" also revels in the belly-bouncing glee of how a superhero must hold himself while walking around. "The Dark Knight" and "Spider-Man" never shows the viewer what it's like when the Caped Crusader or the Web-Slinger has to, say, simply walk up stairs or down a hallway. How would they act while doing the mundane? Marco deals with that as Mirageman. The extended sequences showing the costumed Mirageman 'creeping' in bright sunlight with his arms held to ready like an arcade game are both funny and uncomfortably awkward.

The second tone of "Mirageman" deals with the life of a hero after he's sorta figured it out. This includes the surprising public reaction to their very own superhero and the ways that a simple masked man trying to do good can be exploited and become something of which he never wished. Maco also has to deal with what fans he has and hopefully deal with that embarrassing transportation issue. Maybe a sidekick would be just the thing?

Maco goes through many transformations during the movie. I honestly can't remember more than one or two lines that Zaror has as Maco. Most of the character building is deftly conveyed using what the viewer already knows about 'superheros' and situational drama. Although he never says it, we feel Maco's pain, inadequacies, and sense of justice.

The third tone is set as Maco has to deal with these issues and the very real likelihood that, in order the make a real difference, he may have to risk it all.

The last act is brutal and realistic – a sharp contrast when compared to the relative camp of the opening act. One gets the feeling that this is what it would be like to take that mantel of responsibility.

Mirageman is left exploring a final question. Does he truly want to be a Hero?

from www.PopBunker.net @popbunker