4 Meses, 3 Semanas e 2 Dias

Romania, 1987. Two years before the fall of the Ceauşescu regime, a student helps her friend to obtain an illegal abortion. "4 luni, 3 Saptamani Si 2 Zile" details the events of a single day in which both girls will face circumstances of growing despair and horror. A question is asked and answered: What would you do for a friend?

I don't think I can praise "4 luni, 3 Saptamani Si 2 Zile" highly enough. I thought that "4 luni, 3 Saptamani Si 2 Zile" was a great film, perfectly executed.

There are some particular words I would use to describe this film. Compelling, downbeat, tense, shocking, harrowing and graphic. The country of Romania itself is a character in this movie. A cold and unfriendly place. Practically everything appearing to be worn down, old and shabby. The people are tired, irritated and impatient. I think it is a snapshot of a kind of hell on Earth.

There are stunning performances by Anamaria Marinca (some people might remember how good she was a couple of years ago in "Sex Traffic" on Channel 4) and Laura Vasiliu as the two girls. (Check out the scene of Anamaria Marinca at a family birthday party. A masterclass of internalised acting and suppressed emotion. She is doing practically nothing, but her mind is elsewhere. You can see it in her eyes.) Also, a couple of words of praise for Vlad Ivanov as Mr. Bebe, the abortionist. His performance as Mr. Bebe is a calculated study of bland and indifferent evil. Quietly spoken, balding, middle aged in his comfortable jumper and comfortable shoes. Manipulative, advantage taking, awful and chilling. Really chilling.

However you line up on the subject of abortion, pro-choice or pro-life, you should see this film. One of the best of the year.

What would you do for a friend?

The story is a very simple one. It's 1987 in Romania and abortion is illegal. Pregnant student Gabita and her roommate Otilia check into a cheap hotel where a backstreet abortionist called Bebe is going to deal with Gabita's problem. Under Romanian law, the degree of illegality depends on how long Gabita has been pregnant: on this subject, as on most others, she is worryingly vague. Very cleverly, the writer makes Otilia, the more resourceful of the girls, the protagonist. Otilia needs all her courage to deal with the suspicious hotel staff, to meet Bebe's demands, to evade the police and jail. The obvious words to use are spare, direct, realistic. The suspense generated is astonishing. The question of whether abortion is right or wrong is irrelevant to the psychology of the film - all that matters is that it is dangerous. I have great sympathy for all those Romanians who have written comments on this site, complaining about the portrayal of their beloved country. However, I believe that this film reflects well on Romania today. It's certainly a much more sophisticated and honest film than Vera Drake, which was hideously sentimental.

It's 1987 Romania under the brutal Ceausescu communist dictatorship. Gabita (Laura Vasliu) is more than 4 Months pregnant and she's desperate for a highly illegal abortion. Her friend Otilia Mihartescu (Anamaria Marinca) searches all day setting up the abortion with Mr. Bebe. He starts complaining about them not following his instructions and demands more money which the girls don't have. Then he wants sex from both women as payment. After the abortion, Otilia has to go to her boyfriend's family dinner while Gabita waits in the hotel for the abortion to take hold.

This Romanian indie is done in long extended shots. Some of them are slow but mostly, they are very engaging. Some of them are harrowing. It takes its time to get to the point of the movie. The world in this film is a cold hard place. The style of the film only adds to its harshness. There is no pretty camera tricks or beautiful shots. It's a bleak film of a bleak world. The acting is natural and stark. The movie follows Anamaria Marinca. She is mostly unemotionally as she quietly suffers the indignity of Bebe. She shows that she has a good range and she's compelling as the lead. Laura Vasliu's role is a minor one where she can be more emotional. The movie is unrelentingly in its casual bleakness.

A visceral and emotionally draining experience. Those are not typical superlatives one usually conjures while commenting on a movie, yet in this case I dare use such a characterization as a positive rendering of what I felt when watching this film.

The spartan and minimalist style of the movie only adds to its potency. Though many might find it jarring to sit through, I can only hope that people will have the patience and resolve to watch this brilliant example of movie making. If you invest your time and emotions in this one, you will not be disappointed.

The acting, camera work, cinematography are of the highest quality, especially given the budgetary restrictions and scarcity of available resources.This movie is yet more ample proof that one does not necessarily need a 200 million dollar budget to make a great film. Creativity and originality can add untold dimensions to any physical limitations and barriers.

All in all a great "little" movie about a forgotten slice of history, a little known place and, a time of horrifying brutality and oppression i.e. the so-called Golden Age (epoca de aur), Romania and Nicolae Ceausescu. This movie, "4 luni, 3 saptamani si 2 zile/4 Months, 3 Weeks and 2 Days" is the first installment in a proposed trilogy entitled "Amintiri din epoca de aur/Tales From The Golden Age".

I'm looking forward to the next chapters...

Excellent, engrossing movie. Shot, as far as I could tell, with one skillfully deployed camera, every composition had to have that camera perfectly placed. It's no mean achievement to have risen to this challenge so well. There's one scene in particular, set at a birthday dinner, which is breathtakingly well done with the camera static and the actors brilliantly positioned around it, managing in spite of this limitation to not only give all the necessary information, but also to do so with the maximum emotional intensity.

The subject matter doesn't make for comfortable viewing. But it is essential to engage with it. This film tackles it head on. Don't miss it.