AVALIAÇÃO DA IMDb
6,2/10
16 mil
SUA AVALIAÇÃO
Quatro moradores de Los Angeles, um agente funerário, um ex-presidiário, um ex-padre suicida e uma stripper, são reunidos na véspera de Natal por uma mistura de circunstâncias.Quatro moradores de Los Angeles, um agente funerário, um ex-presidiário, um ex-padre suicida e uma stripper, são reunidos na véspera de Natal por uma mistura de circunstâncias.Quatro moradores de Los Angeles, um agente funerário, um ex-presidiário, um ex-padre suicida e uma stripper, são reunidos na véspera de Natal por uma mistura de circunstâncias.
- Direção
- Roteiristas
- Artistas
Jeffery A. Baker
- Slim
- (as Jeffrey Adam Baker)
Ben Hernandez Bray
- Security
- (as Ben Bray)
Avaliações em destaque
It's the Christmas season in L.A. Rose Johnny (Jessica Biel) is a drug-addicted stripper at Velvet Larry (Patrick Swayze)'s sleazy strip club with a coma kid in the hospital. Her dog escapes from her motel room and gets run over by shy mortician Qwerty Doolittle (Eddie Redmayne). Jack Doheny (Ray Liotta) is just released after 25 years in prison. His former boss Randall (Kris Kristofferson) gives him a suitcase full of money and directions to Rose Johnny. Charlie (Forest Whitaker) is a suicidally depressed ex-priest. He picks up transsexual prostitute Lexus (Alejandro Romero) and offers her his life savings of $50k to kill him with his gun. Doolittle is struggling for money and Charlie shows up offering the same deal. Waitress Sally (Lisa Kudrow) tries to show Charlie some kindness.
These characters are all lost. There is an emptiness in these characters and quite frankly in this movie. The actors try their best but filmmaker Timothy Linh Bui can't really pull it all together. The scattered nature of the narrative diffuses any tension. It just fails to maintain my interest in these people. Somewhere in the first half, it needs to reveal the connections and the backstories.
These characters are all lost. There is an emptiness in these characters and quite frankly in this movie. The actors try their best but filmmaker Timothy Linh Bui can't really pull it all together. The scattered nature of the narrative diffuses any tension. It just fails to maintain my interest in these people. Somewhere in the first half, it needs to reveal the connections and the backstories.
Allow me to get one thing out of the way right now: if you are a straight male (or gay woman) between the ages of 18-50 you might as well consider this movie required viewing simply because of Jessica Biel's topless scenes. To be honest it's not the greatest thing since sliced bread and it's not really in a sexualized context, but just to say you saw it should be enough. A little juvenile? Sure...but there it is. I'm kidding of course (kind of) but really...not bad.
Basically what you have here feels kind of like a lame rip off of Crash. A lot of stories happening in the same time line that feel like they should intersect a lot more than they do. Without that intersection it feels like a lot of little pieces rather than a whole. I can't help but feel like some of these actors were slumming it, particularly Ray Liotta. Has there been a movie since Field Of Dreams where he didn't play either a dirt bag or a stand up guy with a shady past? Talk about typecasting. There also seems to be a waste of perfectly good Lisa Kudrow in the film. I guess I don't understand casting her in the movie at all for such a small part when I'm sure they could've found someone just as good for a lot less money.
One small technical annoyance...the film has a pronounced grain to it that I assume is supposed to give it a gritty feel. The problem is that the subject matter isn't as gritty as the production values, so it feels a bit over done. Aside from that it's not a bad movie, but not a good movie either. I would have liked it a lot more if the writers had tried to tie the stories together more. As I said before, the way it is feels more like a collection of pieces more than a whole film. I wouldn't pass it by, but I certainly wouldn't tell everyone I know to check it out. It is what it is...pretty mediocre.
Basically what you have here feels kind of like a lame rip off of Crash. A lot of stories happening in the same time line that feel like they should intersect a lot more than they do. Without that intersection it feels like a lot of little pieces rather than a whole. I can't help but feel like some of these actors were slumming it, particularly Ray Liotta. Has there been a movie since Field Of Dreams where he didn't play either a dirt bag or a stand up guy with a shady past? Talk about typecasting. There also seems to be a waste of perfectly good Lisa Kudrow in the film. I guess I don't understand casting her in the movie at all for such a small part when I'm sure they could've found someone just as good for a lot less money.
One small technical annoyance...the film has a pronounced grain to it that I assume is supposed to give it a gritty feel. The problem is that the subject matter isn't as gritty as the production values, so it feels a bit over done. Aside from that it's not a bad movie, but not a good movie either. I would have liked it a lot more if the writers had tried to tie the stories together more. As I said before, the way it is feels more like a collection of pieces more than a whole film. I wouldn't pass it by, but I certainly wouldn't tell everyone I know to check it out. It is what it is...pretty mediocre.
I rented this movie although many people crucified this movie as being a Crash sequel or just a blurred copy of The Air I Breathe.. Being a great fan of the existential dramas, where destinies cross each other only to emphasize the true value of life and most important the heart mending result of doing something right, (even it is too late) i decided to watch this movie in hope of seeing something equally thrilling to Crash. In fact, Powder Blue has some similarities to Crash or The Air I Breathe, but director Tim Bui manages to underline the most important idea of human destiny: the miracle. Here we see the miracle of destiny that incorporates the miracle of love (Rose and Qwerty), the miracle of divine intervention and hope (Charlie and the trans gender prostitute) and the miracle of sacrifice. (Jack for his daughter Rose)
In conclusion this movie is not to be compared to Crash, even it is based on the same destinies-cross-each other-structure. And of course the soundtrack which is surprisingly good, with featured artists like Bliss or Imogen Heap.
I recommend this movie 8,5/10
In conclusion this movie is not to be compared to Crash, even it is based on the same destinies-cross-each other-structure. And of course the soundtrack which is surprisingly good, with featured artists like Bliss or Imogen Heap.
I recommend this movie 8,5/10
No doubt this movie had potential. The cast offers a handful of well-known actors, several of which are more than capable of good acting (Whitaker in particular is usually superb). Unfortunately, most of the well-known stars in this film only had bit parts. Kristofferson, Swayze and Kudrow each maybe have five lines of dialogue in the entire thing. There were several scenes in the movie, one in particular near the end, which simply had no business being in the film at all. Even worse, NONE of the characters' back stories were developed whatsoever, something which may have actually prevented the story from falling completely flat.
This film will obviously be compared to Crash and The Air I Breathe, as I've seen already in several other reviews. Just because a story is "gritty" and emotionally charged does not make it good or even entertaining. This film was plagued by the same issues as The Air I Breathe: mediocre writing, unnatural dialogue and virtually no character development. Crash was successful because it had character development, the story was poignant and somewhat believable, the film itself was artfully edited and the dialogue was well written and very well acted. As the audience, we need to be able to suspend our disbelief in order to accept a "strangers' lives intersecting" type of plot. I had no problem suspending disbelief in Crash. Not the case with Powder Blue.
Putting comparisons aside, was it the worst film I've ever seen? No. In fact, it was still considerably better than The Air I Breathe. The music and cinematography was actually above average. Liotta's character was disappointingly wooden (no surprise there). Whitaker probably did the best he could. Biel definitely offered a brave performance and appeared to really pour herself into her role, although seemed to lose momentum in the end. Bottom line: don't go into Powder Blue with too high expectations.
This film will obviously be compared to Crash and The Air I Breathe, as I've seen already in several other reviews. Just because a story is "gritty" and emotionally charged does not make it good or even entertaining. This film was plagued by the same issues as The Air I Breathe: mediocre writing, unnatural dialogue and virtually no character development. Crash was successful because it had character development, the story was poignant and somewhat believable, the film itself was artfully edited and the dialogue was well written and very well acted. As the audience, we need to be able to suspend our disbelief in order to accept a "strangers' lives intersecting" type of plot. I had no problem suspending disbelief in Crash. Not the case with Powder Blue.
Putting comparisons aside, was it the worst film I've ever seen? No. In fact, it was still considerably better than The Air I Breathe. The music and cinematography was actually above average. Liotta's character was disappointingly wooden (no surprise there). Whitaker probably did the best he could. Biel definitely offered a brave performance and appeared to really pour herself into her role, although seemed to lose momentum in the end. Bottom line: don't go into Powder Blue with too high expectations.
"Powder Blue" wasn't one of those big cinema releases, yet it was a film with a gripping powerful story of the intersecting of complex paths in the city of L.A.. And the all star cast made the film watchable. Set in modern day L.A. on the tough and rumble streets the films main focus is on four characters and it involves the showing of their everyday hardships and problems only all will collide by luck, destiny, and happens chance. Jessica Biel who's always beautiful and such a pleasure to view really shines as a young desperate single mom with a dying kid who's only hope is to earn money to support her cocaine habit by doing nude dancing as a stripper. Enter Ray Liotta as an ex con just released yet he has terminal cancer only he will discover thru Biel's character that life finally does have some touching emotional moments. And Forrest Whitaker is a character you feel desperate for as he is a man with no will to live after losing his wife as he will go to any lengths to be killed. And to round out you have a young mortician played by Eddie Redmayne who's lonely only in the end destiny will have it he will find love with the Biel character. This film is pretty powerful for it's message it sends that no matter how desperate life is for some unexpected hope can be found and everyone has a destiny. Plus no matter how different and complex people are they are all the same as their paths were meant to cross to help one another as in the end that leads to a heavenly and peaceful ending. Overall great film with an all star cast that proves life is a harsh struggle yet with help and connecting their is hope.
Você sabia?
- CuriosidadesFilmed in August 2007, five months before Patrick Swayze was diagnosed with pancreatic cancer.
- Erros de gravaçãoAt the movie's beginning, Jack is standing nude facing the ocean. A moment later, after entering the water, bathing trunks can be seen below the water line.
- Citações
Qwerty Doolittle: In my profession, I see death every day. Some by accident, some by sickness, but some through despair. These are the ones I wish I could have helped.
- Versões alternativasTwo versions are available. Runtimes are "1h 46m (106 min)" and "1h 55m (115 min) (European Film Market) (Germany)".
- ConexõesFeatured in Shooting Blue (2009)
- Trilhas sonorasHeartbreak Hotel
Written by Mae Boren Axton (as Boren Axton), Tommy Durden, Elvis Presley
Performed by Studio Musicians
Courtesy of Priddis Music
Under license from Sony/ATV Tree Publishing (BMI)
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- How long is Powder Blue?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Powder Blue
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 17.835
- Tempo de duração1 hora 46 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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