Imortal

To put it mildly, most of the Horror genre owes a huge debt to the works of Edgar Allan Poe. So many of the genre's finest works of literature and cinema wouldn't even exist without writings like "The Conqueror Worm", "Masque of the Red Death" and "The Black Cat" just to name a few. Hell, there have been some stellar films based on his works, especially Roger Corman's absolutely essential 60's adaptations. Sadly, the adaptation of "Ligeia" from 2009 named "The Tomb" is not one of the great adaptations.

Jonathan (Wes Bentley) has a lot to look forward to. He's a respected professor, has a gorgeous girlfriend in Rowena (Kaitlin Doubleday) and so much more. Then Ligeia (Sofya Skya) enters his life. She's beautiful, tempting, and she has him under her spell, and they move to her castle by the Black Sea. That is, until he finds out that she's been stealing souls to defeat a disease she has and gain immortality. And if she can't have Jonathan, nobody can.

There are a few things "The Tomb" gets right. Some (not all mind you) of the performances are good, especially Skya as Ligeia, who plays the character as an Gothic beauty with the right balance between erotic desire and deadly siren. Eric Roberts aka "Mr. Straight to Video" is also fine in his role, though one wishes you had gotten to learn more about his character. Also worthy of note is the fact that for a low budget horror film, the CGI isn't too bad. Finally, the score by Patrick Cassidy is a lot of fun, and reminded me of the best work from Richard Band.

And that's where all the goodwill vanishes. While first time director Michael Staininger certainly has an eye for visuals, none of the movie captures the kind of dread and madness that makes the writings of Poe so great. Instead, many of the scenes that are supposed to be creepy instead come of as goofy. Some of the other performances in the movie are rather weak as well, particularly Bentley and Michael Madsen. Bentley is more wooden than a 2X4 here (the less said about his rendition of "The Conqueror Worm" in the end credits the better-though I guess it's more dignified than being in "Jonah Hex") and Madsen can't deliver any of his lines properly to save his life, not to mention that it feels too much like he showed up on the set a few days and then left.

The biggest problem with the movie is the script. There are too many lapses in logic (okay, so your boyfriend leaves you for a hot Russian girl, and he comes back, and you just let him back?) and plot holes to count, and it feels more like a rough draft. The really disappointing thing about this though, is that it was written by John Shirley. While he's mostly known for writing the original script for "The Crow", he's also written some fine Science Fiction ("City Come a Walkin'") and horror novels ("Wetbones", "Cellars" and "Demons" to name a few.) For an author I enjoy so much to write such a bad script really sucks.

"The Tomb" really has no reason to be watched. Sure, it occasionally resembles the kind of enjoyable Gothic yarns Full Moon Studios used to make, but more often than not it feels like a Lifetime Channel horror movie than an Edgar Allan Poe Adaptation. The movie should have just been called "The Bore of Ligeia."

OK ... So it tried not to be a typical worthless neu-horror failure ... But it fell for all the usual things ... Drained colour flashbacks ... Naff unnecessary quick cut editing ( at times ) ... Acting that would make the local drama group blush ... And a storyline that could ( possibly ) have been interesting if it hadn't been written like a bad soft porn movie I have a feeling the budget on this was actually bigger than it looked ... Some of the settings were quite grand for a low budget film ... Unfortunately the director didn't know what to do with any of them How on earth do these awful directors and script writers get to make these films ... They are just a waste of time and money ... Everyone involved with the production I presume got paid ... Because that is the only thing this sort of junk does ... Pay workers As long as the financiers don't expect people to pay money to watch this dross ... THAT WOULD BE GOING TO FAR

I don't know what the heck that was, or why people need to rip off Edgar Allen Poe for ideas, other than he's in the Public Domain and won't ask for a royalty! The plot, which kind of echoes Poe, is that an English professor is enticed from his engagement to a singer to a sultry Goth babe from Russia, and is convinced to use his immense wealth to rebuy her Russian estate while she looks for ways to extend her mortality through magic and science. What we get is a confused mess of body swaps and the kings of Direct to DVD, Michael Madsen and Eric Roberts, playing largely unnecessary supporting characters.

Other than that, some parts of the film look quite good for a low-budget made in Eastern Europe mess...

Liked the cast. Too many credits as usual. OK beginning but lacked a sense of urgency. It just didn't move along like a good horror movie should. Interesting plot line but fell short. The ending seemed jumbled and disjointed. I wanted more. I would not go out of your way to rent this one, but if you are a alone and nothing else to watch then why not.Poe is one of my favorites but this is NOT one of my favorite stories of his. They tried to make it interesting but for true gore horror fans I would skip this one...I would say it was well cast. I would say the locations are lovely but as a great horror movie..I would have to say um "No". Once again this is NOT one of my favorite Poe short stories and did not make a great horror movie.

...but that's about it. I kept asking myself, "did they actually watch the movie before releasing it?" The thin plot line was all over the place and offered little explanation. Corny acting and dialog that could be barely spoken with a straight face. Confusing locations in the movie--tough to put your finger on where it was taking place. One minute they're in the USA, the next, they're in Russia. The electricity works fine, the suddenly it's not working and no one says anything. The movie is filled with tons of gaffes. Soundtrack consisted of a much too loud orchestra playing throughout every scene, (much like a Looney Toons cartoon.)

I'm sure the writers, producers etc, thought they were creating a masterpiece. Trust me,they didn't come close.