AVALIAÇÃO DA IMDb
5,9/10
98 mil
SUA AVALIAÇÃO
Os nazistas criaram uma base secreta no lado escuro da Lua em 1945, onde se esconderam e planejam retornar ao poder em 2018.Os nazistas criaram uma base secreta no lado escuro da Lua em 1945, onde se esconderam e planejam retornar ao poder em 2018.Os nazistas criaram uma base secreta no lado escuro da Lua em 1945, onde se esconderam e planejam retornar ao poder em 2018.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 2 indicações no total
Tom Hoßbach
- Dieter
- (as Tom Hossbach)
Yu Fang
- Chinese Representative
- (as Fang You)
Claus Wilcke
- Russian Representative
- (as Claus Wilke)
Avaliações em destaque
US astronauts disturb a Nazi moonbase, and the Nazis launch an expedition to earth to pick up a computer tablet to power their final invasion using a super-fuel mined from the moon.
Hectic spoof sci-fi that's totally illogical, full of plot holes, and yet turns into a good satire. Effects are done really well, plenty of other movies referred to (including the music), and closest in spirit probably to Flash Gordon from 1980.
It does hurry itself along, so the pace is good but at the expense I think of decent character based gags. The acting was good, particularly the females - the lead was very charming, and the president and her sidekick were mean and brisk.
A final plus is that some US reviewers don't like fun being poked at their awful political system.
Overall not great, but it was refreshing.
Hectic spoof sci-fi that's totally illogical, full of plot holes, and yet turns into a good satire. Effects are done really well, plenty of other movies referred to (including the music), and closest in spirit probably to Flash Gordon from 1980.
It does hurry itself along, so the pace is good but at the expense I think of decent character based gags. The acting was good, particularly the females - the lead was very charming, and the president and her sidekick were mean and brisk.
A final plus is that some US reviewers don't like fun being poked at their awful political system.
Overall not great, but it was refreshing.
Saw this movie the 62nd Berlinale (Berlin Film Festival). Recommend its worth your time given a few caveats.
Lots of things to like about Timo's sophomore effort here. The movie is intentionally campy and plays to a number of eccentric stereotypes. Albeit, it feels very much a European view of some of the US eccentricities. The script was, by and large, well developed, the humor a little cheesy at times but generally spot on and large kudos should be paid to the FX, CGI teams for some outstanding segments in a sub $10M budgeted movie. The best parts include some great inside jokes specific to Americans and Germans, wonderful stereotyping of international ethnicities/prejudices, great attention to detail in costumes, sets, current culture trends and some above average acting by Julia Dietze, Goetze Otto and, of course, the wonderful Udo Kier. Oh, and the Laibach score for the movie was simply superb.
My caveats are that the cut I saw could have used slightly more surgical editing. Also, while I think Christopher Kirby has played well in other movies, I felt disappointed by this casting choice, as his role was central to the story line and the least "even" in terms of performance. Finally, it is intentional camp so expectations should be adjusted prior to entering the theater. I'm not sure the Mystery Science Theater guys could have come up with better lines than some that were already in the script of this movie.
In the end this felt much more thought out and a real "labor of love" than the traditional camp of Scary Movie, et al. This movie certainly has all the right elements of an instant cult classic. Putting it more simply, its about Nazis, living in a swastika shaped Moon base, trying to re-invade Earth!
My sincere thanks to the Iron Sky community for pulling the resources together to get this film made. For $7.5M I'd say, job very well done! This is probably, or usually, a ~7 IMDb score for this kind of a movie. I'm giving it 8 to balance out the previous reviewer.
Lots of things to like about Timo's sophomore effort here. The movie is intentionally campy and plays to a number of eccentric stereotypes. Albeit, it feels very much a European view of some of the US eccentricities. The script was, by and large, well developed, the humor a little cheesy at times but generally spot on and large kudos should be paid to the FX, CGI teams for some outstanding segments in a sub $10M budgeted movie. The best parts include some great inside jokes specific to Americans and Germans, wonderful stereotyping of international ethnicities/prejudices, great attention to detail in costumes, sets, current culture trends and some above average acting by Julia Dietze, Goetze Otto and, of course, the wonderful Udo Kier. Oh, and the Laibach score for the movie was simply superb.
My caveats are that the cut I saw could have used slightly more surgical editing. Also, while I think Christopher Kirby has played well in other movies, I felt disappointed by this casting choice, as his role was central to the story line and the least "even" in terms of performance. Finally, it is intentional camp so expectations should be adjusted prior to entering the theater. I'm not sure the Mystery Science Theater guys could have come up with better lines than some that were already in the script of this movie.
In the end this felt much more thought out and a real "labor of love" than the traditional camp of Scary Movie, et al. This movie certainly has all the right elements of an instant cult classic. Putting it more simply, its about Nazis, living in a swastika shaped Moon base, trying to re-invade Earth!
My sincere thanks to the Iron Sky community for pulling the resources together to get this film made. For $7.5M I'd say, job very well done! This is probably, or usually, a ~7 IMDb score for this kind of a movie. I'm giving it 8 to balance out the previous reviewer.
IRON SKY is the perfect example of a modern-day B-movie, an international collaboration boasting plenty of excellent special effects to back up an involved and engaging storyline. It's not often I watch a film and think "there's something I haven't seen before", but it happened with IRON SKY.
The opening sequence is elaborately staged and quite captivating, offering a much better menace than that of APOLLO 18 (which I also watched recently). From there on then the film builds in complexity, introducing multiple shades-of-grey characters who embark on a story filled with twists and surprises.
At the end of the day, IRON SKY is a film all about the visual effects, and they're excellent throughout. Whether you're looking for interstellar warfare, colonised cities in space or more earthly destruction, this movie has it. The CGI is faultless, adding to the impression that this is far more than your routine B-movie.
There's plenty of satire in the film, aimed not just at the obvious targets but at America too - the benefits of a Finnish/German/Australian production. Quite a few of the central performances are decent and the quirkiness never lets up for a moment. For once, IRON SKY is a concept movie with a real story to go with it.
The opening sequence is elaborately staged and quite captivating, offering a much better menace than that of APOLLO 18 (which I also watched recently). From there on then the film builds in complexity, introducing multiple shades-of-grey characters who embark on a story filled with twists and surprises.
At the end of the day, IRON SKY is a film all about the visual effects, and they're excellent throughout. Whether you're looking for interstellar warfare, colonised cities in space or more earthly destruction, this movie has it. The CGI is faultless, adding to the impression that this is far more than your routine B-movie.
There's plenty of satire in the film, aimed not just at the obvious targets but at America too - the benefits of a Finnish/German/Australian production. Quite a few of the central performances are decent and the quirkiness never lets up for a moment. For once, IRON SKY is a concept movie with a real story to go with it.
As we have always feared, the Nazis have been hiding on the dark side of the moon since the end of WWII. Plotting their triumphant return to power, they have waited these many decades. When an American lunar mission happens upon the enormous, hidden Nazi fortress, it causes problems both on the moon and back on Earth.
In IRON SKY, much has changed since the Reich was booming on our planet, including an African American astronaut, a female President of the United States, and the UN transformed into a World Confederacy! The Fuhrer would be appalled! When a Nazi mission to Earth takes them to New York City, the real fun starts.
The best way to describe this movie would be to liken it to what Mel Brooks might have created in his prime. It lampoons racism, sexism, fascism, political idiocy, high fashion, etc., by being an utterly over the top satire thereof. Plus, it's very well made, in addition to being hysterically funny! The main characters are perfectly ridiculous, yet not annoyingly so. The acting / dialogue is mostly dead pan, making it far more effective than a more slapstick approach. The result is a crackpot sci-fi parody wrapped around a mega-spoof. Highly inventive and entertaining...
In IRON SKY, much has changed since the Reich was booming on our planet, including an African American astronaut, a female President of the United States, and the UN transformed into a World Confederacy! The Fuhrer would be appalled! When a Nazi mission to Earth takes them to New York City, the real fun starts.
The best way to describe this movie would be to liken it to what Mel Brooks might have created in his prime. It lampoons racism, sexism, fascism, political idiocy, high fashion, etc., by being an utterly over the top satire thereof. Plus, it's very well made, in addition to being hysterically funny! The main characters are perfectly ridiculous, yet not annoyingly so. The acting / dialogue is mostly dead pan, making it far more effective than a more slapstick approach. The result is a crackpot sci-fi parody wrapped around a mega-spoof. Highly inventive and entertaining...
I loved all the cgi in this movie. See it on a big screen, it will be worth it. I guess you could compare it to movies such as Starship Troupers (1997) or Mars Attacks (1996). Iron Sky is a great example of what can be achieved with cgi. You may even laugh out loud. You will certainly smile for an hour and a half.
Você sabia?
- CuriosidadesAdler says Moon Nazi invasion on Earth begins at 5:45 a.m., exactly like the German invasion on Poland that triggered World War Two.
- Erros de gravaçãoThe Germans have lived all their lives on the Moon at 1/6th of Earth's gravity. When they come to Earth, they would experience the equivalent of 6G and would barely be able to stand let alone walk normally. Conversely, Washington ought to be clumsy in the Moonbase, particularly when running.
- Citações
James Washington: Remember me? The moon spook you turned into a snowflake?
- Cenas durante ou pós-créditosThere is a post-credits scene.
- Versões alternativasThe Director's Cut adds 20 minutes of scenes not seen in the theatrical version.
- Trilhas sonorasTake Me to Heaven
Written by I Dovzan and Laibach
Performed by Laibach with Miha Dovzan (zither), Severa Gjurin (vox), Niko Zlobko (guitar), Robi Pikl (slide guitar) and Iron Sky Choir
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Iron Sky
- Locações de filme
- Warner Roadshow Studios, Gold Coast, Queensland, Austrália(as Village Roadshow Studios)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 7.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 122.082
- Faturamento bruto mundial
- US$ 10.109.659
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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Principal brecha
What is the Japanese language plot outline for Deu a Louca nos Nazis (2012)?
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