Quebrando Regras

Perhaps my descriptive summary is unkind to this film. I enjoyed it so much because it depicts a young man learning to deal with his emotions, rather than being ruled by his fear of them. It is quite remarkable, the strength of character he ultimately develops, and his interactions with his instructor are gratifyingly free of the childish morality one dreads in such a film, or the typical oriental platitudes that often hallmark them because of the origins of martial arts. At the root of this, I think, is the film's willingness to observe and comment on the 'problem' emotion of anger. Rather than leave it festering, or simply transform it 'as if by magic', the audience can almost see the transformation in the main character, through his physical exertion, which eventually leaves him free of its destructive role in his life. For most, if not all, these reasons, I enjoyed the film because it resonated with me quite closely, but it may not be everyone's cup of tea.

If nothing else, I for one will be researching the possibilities of training in mixed martial arts!

It's interesting how this movie seems to be a watershed for mma. Mixed martial arts really are making the transition from underground, extreme bleeding-edge expressions of combat sport to a mainstream and accepted pastime, and that shows in the commentary about this film. Those who have a clue about mma aren't saying the same things as those who don't.

I have no patience for critics, anyway. They're worse than academics, really, and nothing they say can be trusted. You want to know if a movie sucked? Listen to the people.

This movie didn't suck. Okay, it wasn't Cool Hand Luke, but is that really what you were expecting when you saw the advance poster? It went to great lengths to make a Classical reference from the Iliad significant thematically, and how often does a "teensploitation" flick do that? It even employed a little finesse in some of the on-screen relationships, and in ways that seemed to hold a little verisimilitude, even. If the filmmakers had made Jake Tyler a gay youth fighting for free speech in the school newspapers, the critics would have loved it. All they saw was scary teen violence, so they…well, less than loved it.

Truth is that the movie isn't really glorifying violence; it's glorifying the quotidian, although it does seem to consider violence an acceptable means to an end. If you like mixed martial arts and you're not too delicate to watch stylized violence, rent it when it comes out. If you'd really rather watch 27 Dresses (you know who you are) tell your boyfriend it's chick flick time.

Yes, it's just a revamped Karate Kid.

But with MMA, not just Karate, although I did have the occasional urge to shout "Cobra Kai!" when the bad guy came on screen.

Some cool action, basically just MMA (like in the UFC) that's been "hollywoodized" to be showy, "underground", and performed by supposed teenagers.

Djimon Hounsou is wasted on this film, but does fairly well at being the token real actor, giving it some tenuous legitimacy. On the upside, probably a more believable martial arts instructor than Pat Morita... physically, at least.

It's a great movie to just turn off your brain to, and watch lots of girls in bikinis and guys beating each other up. Pleasant, mindless T&A/Action.

The advertisements for this movie do it serious injustice. I was standing in the lobby of a movie theater at a free showing, and almost didn't walk in, because the trailers and ads had me convinced it was a complete waste of time. The advertisements portray the film as being merely a vehicle for shirtless boys to beat on each other and hot girls to wear bikinis. While there is no shortage of either, the movie has a strong underlying theme and a decent plot.

At the thematic level, the movie is about accepting responsibility for your actions, controlling your emotions, and making good choices. It's as much about motivations as macho.

Yes, it is a teen-targeted movie. You've got rich kids running around in massive mansions driving expensive cars, but that's just the setting. You've got people beating the crap out of each other, but that's just a plot device. The heart of the movie is about personal growth and making choices. It's not an empty action flick or a taped brawl.

It's not the best film of the year, and it may well wind up as a late night cable movie in a few months, but it's nowhere near as bad as people expect. It's definitely worth the price of a rental, and worth the $10 to see it in theaters, if you've got no other plans. I blame the negativity largely on the advertising, which tries to sell it as "just another fight movie".

Don't tap-out yet!

From reading the title "Never Back Down," you get the impression that what you're about to watch will be something pretty macho and also pretty lame - a bad combination. The claims of this being a remake of "The Karate Kid" plus "Fight Club" and mixed martial arts is not undeserved or inappropriate. What it does aim to be, is a "Karate Kid" for the MTV generation and a generation of kids who may think that MMA is the future of the martial arts.

As a casual fan of mixed martial arts, the gladiator-style spectacle of this sport goes all the way back to the Greeks, with their sport Pankration (which pretty much resembles today's MMA). The idea of cross-training and mixing techniques of different fighting styles gained popularity in the 20th century with Bruce Lee and his theories on Jeet Kune Do (which when translated from Cantonese, means "the way of the intercepting fist"). However, mixed martial arts, as we know it today in the Ultimate Fighting Championships (UFC), PRIDE and other MMA organizations, gained widespread recognition when Brazilian Jiu-Jitsu grappler Royce Gracie won UFC 1 in 1993. Since then, a revolution has been sparked in the world of full-contact fighting. (On a side, UFC president Dana White considers Bruce Lee the "father of modern mixed martial arts.")

In "Never Back Down," which seeks to promote MMA for the mainstream, Jake Tyler (Sean Faris, who looks remarkably like a young Tom Cruise) is a promising football player who is relocated with his widowed mother and younger brother from their home in Iowa to the posh surroundings of upper-class Orlando, Florida; they opt for a cramped apartment in suburbia away from the surf and bikini-clad babes. Right away, it's established that Jake's a born brawler and has a chip on his shoulder, so right away the filmmakers are attempting to remove themselves from the "Karate Kid" legacy.

Right away, he locks eyes on the pretty blonde Baja Miller (Amber Heard, uh-huh), and she invites new-kid Jake to a party later that night. At this same party, he locks heads with rich-boy Ryan McCarthy (Cam Gigandet), a champion MMA fighter who gets the upper hand on Jake and beats him to a pulp in a no-holds-barred brawl.

All hope is not lost. On his first day of school, Jake had witnessed a fight happening under the bleachers, where an outcast kid named Max (Evan Peters) was getting his butt kicked by Ryan and his goons. It just so happens that Max is being trained by the legendary MMA champ Jean Roqua (Djimon Hounsou) and takes him under his wing. So cue the MTV soundtrack and training montage.

In terms of being a simple martial arts movie, "Never Back Down" is nothing new. Plenty of martial arts movies have been made about the bullied good guy who gets his butt kicked, learns to fight from a master, and tests out his newfound skills by getting revenge on his tormentors in the ring. The by-the-numbers script by Chris Hauty pays attention to a few of the details of modern mixed martial arts training, but doesn't really go into any real depth about it, even if some of the harsher stuff is only glossed over for the sake of trying to mainstream it. But I also guess that this Jeff Wadlow-directed vehicle has seen way too many better movies, and it's inherently self-referential toward them.

"Never Back Down," I guess, is a fun way to spend $7.75 (what I spent); at the very least, even if the plot is formulaic, it's still entertaining. The acting, writing and plot are decent, but still, the performances, acting and writing, like everything else, are by-the-numbers. Although we don't really wade grimly through worthless dialogue scenes, we do perk up for the fighting and training sequences. The best thing about these scenes is that they're authentic: what the actors are doing is so "real" you "believe" it. As brutal as they are (even for a "PG-13"-rated movie), they're fairly exciting and there isn't a whole bunch of flashy camera cutting that takes away from the intensity of the full-contact punching and kicking. The camera stays put for the most part and isn't moving all over the place. It looks like the actors are really going at it, and it looks like it hurts. So you "believe" it in a way you don't really do for a lot of martial arts movies made in America these days.

And that's what no-holds-barred is all about, right?

6/10