Penny Chenery Tweedy e seus colegas preparam seu precoce puro sangue, sem muitas chances de vitória, para estabelecer, em 1973, o imbatível recorde na conquista da Tríplice Coroa.Penny Chenery Tweedy e seus colegas preparam seu precoce puro sangue, sem muitas chances de vitória, para estabelecer, em 1973, o imbatível recorde na conquista da Tríplice Coroa.Penny Chenery Tweedy e seus colegas preparam seu precoce puro sangue, sem muitas chances de vitória, para estabelecer, em 1973, o imbatível recorde na conquista da Tríplice Coroa.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 6 indicações no total
- Bull Hancock
- (as Fred Dalton Thompson)
- E.V. Benjamin
- (as Mike Harding)
- Sarah Tweedy
- (as Carissa Capobianco)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Secretariat is one of those rare sports movies that manages to hook your attention and maintain the suspense despite knowing how it will turn out at the end. It's impossible not to fall in love with this horse and his story. Disney was the right choice for the production of this film considering their success with other family friendly sport films like Remember the Titans. Secretariat was voted as one of the best athletes of the century (number one on the list if we don't count human performances), and several of his records still stand to this very day nearly 40 years later. His story had to be told in film as Secretariat is considered to be the best racehorse of all time. The story involving his owner, Penny Chenery, and how she saved her ailing father's stable risking everything (including her marriage) and betting it on the horse just adds to the overall dramatic effect of the plot. Secretariat reminded me a lot of another good racehorse film: Seabiscuit. I wouldn't say this is a better movie, it's different, but I can say that Secretariat was a better racehorse that won the most important races, including the Triple Crown in 1973 (a feat that hadn't been accomplished in 25 years). Randall Wallace (writer of Braveheart and director of We Were Soldiers) did a good job with the direction of this film, despite being better known as a screenplay writer. The screenplay for Secretariat was written by Mike Rick, which was adapted from William Nack's book about the large chestnut colt nicknamed ¨Big Red.¨
Diane Lane is Penny Chenery, a mother of four and housewife who's life changes after her mother's death and a visit to their stable based in Virginia. Penny's father used to be the brains of the entire operation in Meadow Stables, but with the death of his wife and his illness things are going downhill at the stable. Penny decides to change things around in order to save the stable and begins by firing their trainer who seems to be making some unfavorable deals with other owners by trying to sell their horses at a much lower value. Penny with the help of the family's trustworthy secretary, Miss Ham (played humorously by Margo Martindale) begins managing the place. The first smart move she makes is breeding one of her horses: Somethingroyal with a famous Thoroughbred racehorse named Bold Ruler. The result was the birth of the large chestnut colt nicknamed ¨Big Red¨, but better known in the horse-racing world as Secretariat. Penny hires Lucien Laurin (John Malkovich) as the trainer and Ron Turcotte (Otto Thorwarth) as the jockey, and along with the groom, Eddie Sweet (Nelsan Ellis) together they form a great team and foster the first Triple Crown winner in 25 years. Of course the movie can't be successful if it doesn't have some drama in it, and so some problems surface back home with Penny's husband, Jack Tweedy (Dylan Walsh), because running a stable back in Virginia has affected Penny with her housewife duties. Somehow Penny has to manage saving the stable in a macho dominated society and maintain her family together, while risking everything on one horse: Secretariat.
Secretariat succeeds as a film because the story is just so powerful and uplifting. The movie deals with overcoming difficult odds and following one's dream. Penny had a good life as a housewife, but all this had led her far away from her early goal of following her father's footsteps and managing the Meadow Stables. Once the opportunity presents itself to her she quickly takes on the difficult task and decides to follow her long life dream. Secretariat teaches us that it's never too late to follow one's dreams and overcome difficult situations. Disney has always been good at reminding us how important it is to fight for our dreams. Life is a race and if we don't wake up in time our dreams and goals might just end in that: only dreams and we will never achieve anything if we don't take risks in order to live out our dreams. Penny took the risk and bet it all on Secretariat who didn't fail her. The story of this colt is just amazing and inspiring. The final scene where he is racing at the Belmont Stakes is just mesmerizing and left me full of goose bumps. Secretariat was such an amazing horse, and his story is done justice in this family friendly film. It is a strong, memorable movie that teaches us some important lessons while at the same time never ceases to entertain it's audience. The performances in this movie are also great. Diane Lane as Penny and John Malkovich as Lucien give memorable and fun performances. Secretariat is a movie for the entire family to enjoy.
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Secretariat is no exception. It's the story of the fastest horse in history, first known as Big Red, who went on to win horse racing's triple crown on 1973, a feat not accomplished in 25 years. After that he sired 600 foals, much to the delight of his investors, the first to invest solely in a stud future.
But then I love Seabiscuit (2003) for it depression-era cheerleading. This is what American filmmakers do well--a rouser with messages, big–screen chases, and sentimentality for the little guy. Seabiscuit is Rocky for horses, a suspenseful crowd pleaser with characters such as the whisperer played by Chris Cooper, who said, "You don't throw a whole life away just because it's banged up a little." The thought resonates for almost everyone in the film, a tribute to unity of theme and expression of actor.
Similarly there's more than just a racing film in Secretariat; after all National Velvet has a more interesting story and a younger heroine in Elizabeth Taylor, but that was decades ago. This true story is about the grit of Penny Chenery, who took over Virginia's Meadow Stables from her father and beat the male-dominated odds.
This quintessential Disney movie depicts her as tough and loving, a mother and a businesswoman, who can serve as a model for young women aspiring to reach great goals even in this liberated 21st century, which still has a ways to go before it expunges fully the sexism scourge.
The photography is bracing, often putting the camera right by the prancing hoofs or mid-level close to the steed's haunches. Although nothing new here, it is still exciting fare. Because we all know going in that our horse will win the crown, director Randall Wallace is especially successful in keeping us interested and worried for Secretariat.
Disclosure: I like most Hollywood horse-racing stories.
Get it? Track, because horses run on tracks, and Secretariat is a horse and I am horse.
Do you get it? Do you get my joke about the track? Because Secretariat is a horse just like me and horses run on tracks? Do you get the joke?
Anyway how do you not be sad?
What makes this even more amazing is that Secretariat is actually the second most interesting story ... his owner, Penny Chenery Tweedy (played here by Diane Lane), was his match in competitive spirit. This Disney movie actually spends as much time on Ms. Tweedy as it does the fabulous horse.
Disney does what Disney does best. This is an all out feel-good, rah-rah movie in the vein of "Seabiscuit", "The Rookie", "Rudy" and even "Hoosiers". Don't expect in-depth analysis of the racing world or horse training or even horse farm operations. This movie is made to deliver a warm fuzzy via the perseverance of a strong-willed lady and an incredibly majestic animal.
Expect some over-the-top touches such as John Malkovich's portrayal of trainer Lucen Laurin, horse-whispering by Ms. Lane, and plenty of heart-string tugging as is customary from the fine folks at Disney. Expect historical facts to be treated a bit lax in some scenes (no mention of 1972 Derby winner Riva Ridge, also from the Chenery stables). Expect none of that to matter as this is a crowd-pleaser, not a documentary.
In addition to Mr. Malkovich and Ms. Lane, there is some fine support work from Fred Thompson, James Cromwell and Nelsan Ellis (so great as Lafayette in True Blood). Directed by Randall Wallace, whose most recent directorial effort was 2002's "We Were Soldiers", this is entertainment for all ages and an easy introduction to the champion that was Secretariat.
With the success and quality of production that came with 2003's Seabiscuit, it was perhaps inevitable that someone would turn their hand to making a film about a horse that many agree is the greatest American horse of all time. With Disney funding the cash flow and an "A" list cast assembled, Secretariat the movie is every inch the professional production you would expect. However, thematically it's surprising that the horse is very much secondary to the story of his owner, Penny Chenery (Lane).
Chenery's story as written on the film version page, is a worthy one to tell, for sure. After suffering family bereavements, she stood firm after winning the horse on a coin toss to guide the horse to the greatest of American horse racing triumphs. This in a male dominated sport dominated by chauvinists. Further more, Chenery had to hold her own family together whilst running the Chenery ranch. Inspirational woman for sure, and Lane is naturally steely in the role, but there just isn't great human interest drama crafted by director Wallace to warrant the film being primarily about the good lady.
Naturally, when the horse racing takes centre stage it's gripping and exciting, the race segments very well filmed, but we already knew that Secretariat was an awesome horse, how he got to be that way isn't known to us. Malkovich plays trainer Lucien Laurin with moody flamboyance, but we see next to nothing of his training of the horse! It's one of the many oversights that stop the film competing with Seabiscuit. It may seem unfair to compare the two, but the makers of Seabiscuit got the blend right whilst cleaving close to the facts to tell their story.
There's also the controversy factor, the fudging of the facts to suit the makers ends, where some characterisations have been pointedly argued to be incorrect and a deviation from truths to the point we don't have the real story of what made Secretariat so great. Whilst it spins a rags to riches story when in reality it wasn't, Riva Ridge anyone? Where's the Preakness clocking controversy? These facts would have boosted the film no end, but I guess this is the price we pay for having Disney funding the film supposedly about the magnificent beast in the title.
Come the home straight the music does swirl and the cheers go loud, and undeniably the uplift factor takes a hand, but there's too much wrong all told to make this a great picture. I have to say it, go watch Seabiscuit instead. 6.5/10
Você sabia?
- CuriosidadesIn the Belmont Stakes, Secretariat's winning margin (31 lengths) and winning time (2:24) still stand after 37 years.
- Erros de gravaçãoIn the film the announcer for the Belmont Stakes mentions the margin of victory being 31 lengths which was true, but in real life announcer Chic Anderson announced it as 25 lengths because he was unable to correctly estimate the distance between the horses due to the incredible lead Secretariat had.
- Citações
Penny Chenery: More than three thousand years ago a man named Job complained to God about all his troubles and the Bible tells us that God answered. Do you give the horse its strength or clothe its neck with a flowing mane? Do you make him leap like a locust, striking terror with his proud snorting? He paws fiercely, rejoicing in his strength, and charges into the fray. He laughs at fear, afraid of nothing, He does not shy away from the sword. The quiver rattles against his side, along with the flashing spear and lance. In frenzied excitement he eats up the ground. He cannot stand still when the trumpet sounds.
- Cenas durante ou pós-créditosThere are no opening credits past the title.
- ConexõesFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
Principais escolhas
- How long is Secretariat?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Secretariat
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 59.713.955
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.694.770
- 10 de out. de 2010
- Faturamento bruto mundial
- US$ 60.321.861
- Tempo de duração2 horas 3 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1