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"Swing Vote" is a good movie. It could have been great, but it isn't, but it is still good. At its best, it invokes Frank Capra's classic films on politics, including "Meet John Doe" and "Mr. Smith Goes to Washington." It never reaches their level, though, and that failure to hit the top is a bit frustrating.

An older, dumpier, and shabbier Kevin Costner is the best part of the film. Costner is a star and that shows here. Even the grunge that is his costume in almost every scene can't disguise his charisma. Costner's voice has not aged and he uses it to great effect, especially in a final speech.

The film draws laughs by parodying our two major political parties, with a Democratic presidential candidate starring in the funniest anti-abortion TV commercial ever made (no doubt its competition was slim, but it is very funny) and a Republican presidential candidate touting his party's tender concern for the environment.

These excellent scenes make you wish that the movie had gone deeper. It doesn't, though. It veers off into dead-end soap opera subplots about Costner's daughter's boyfriend from school and her attempt to live with her estranged mother (Mare Winningham, in a role that should have ended up on the editing room floor, as it contributes nothing to the film.) The casting wasn't great. The two presidential candidates and their aids end up being cardboard cut-out stereotypes of Machiavellian evil (Stanley Tucci) and compromise (Nathan Lane). Kelsey Grammar and Dennis Hopper, as the candidates, never transcend their "Frasier" and "Easy Rider" personas. Other actors, perhaps unknowns, should have been cast in these two key roles.

Paula Patton, the woman who played what would have been the Barbara Stanwyck role in the Frank Capra movie, was pretty as a little doll and a complete bore. This is part of a pattern in today's Hollywood; female leads must have the perfectly perky looks of a plastic doll; there's no need for them to be talented. Male leads, like Costner, can be beat-up, and slovenly, but must be talented. Patton's role, that of the desperate, sharp, female reporter who gains inside knowledge of a national story, is underwritten, and she does nothing with it. It's a dead-end, and that's a shame. It makes me want to rewatch "Meet John Doe" in which Stanwyck worked so well as the female reporter.

Overall, though, this movie is better than much else at the multiplex, and it at least ventures into the world of ideas.

I can understand fully why this Kevin Costner movie fell so far under the radar, if the man has any sense he put it there!

It's not that it's a bad film, it's just a mediocre one with one of the most offensively ridiculous concepts of all time.

So we have Bud, a redneck and all round failure at life (Especially to his daughter). His daughter registers him to vote but then due to a fault with the voting booth he becomes the "Swing" voter. Namely this hick has the single handed decision who becomes the President of the United States.

Yep, THAT dumb.

Despite a great cast including Costner, Patton, Tucci, Hopper & Grammer this is a foolish movie.

Yes it is highly accurate in it's presentation of politics but lacks in the comedy and simply isn't as dramatic as it aims to be.

One for hardcore Costner fans only.

The Good:

Bill Maher

Solid cast

The Bad:

Laughable representation of the Republican party

Concept is ridiculous

Too much FOX "News"

Things I Learnt From This Movie:

The writers were high on weed when writing the script and somewhere along the way someone was high on crack for giving it the green light!

It sounds implausible and impossible—that a man's accidental flub-up in the voting booth causes his vote to stall the election and coincidentally determine the next U.S. President. But Swing Vote has a great time using that as a platform to tell a really cool tale.

Besides, the movie wants to move past that impossibility anyway (suspension of disbelief, right?), and into the fun stuff. Swing Vote isn't necessarily about the likelihood of the above-mentioned phenomenon occurring; it's about bigger things, things like the nature of freedom in America, the right to vote, politicians and their campaigns, and various issues that unite and divide America as a nation.

Ernest "Bud" Johnson (Kevin Costner) is a beer-drinking, blue-collar simpleton whose wife left both him and his daughter, Molly, for a Nashville singing career. Molly (Madeline Carroll), a precocious little girl who is passionate about politics and the preservation of her country, and unfortunately for her, Bud couldn't care less, even if her were sober. Molly seems to be the parent in the relationship, taking care of Bud's daily hangovers and prodding him to get up for work.

Molly is in constant frustration with her father's apathy toward life and her interests, and is perturbed when Bud seemingly sets in motion an ironic, history-making turn of events where his vote actually ends up being the deciding factor in the election. This forces the Presidential candidates to campaign only to win Bud's vote. Along the way we are treated to a satirical look at the lengths campaign managers and the candidates will go simply to get a vote.

How this plays out is both hilarious and sobering, as well as inspiring and totally enjoyable—thanks to some good storytelling and direction, as well as an excellent cast of talented actors who make this movie shine. The brightest stars on the screen, however, are Kevin Costner and Madeline Carroll as Bud and Molly. Costner has found a perfect role in the dimwitted Bud, and Carroll as Molly is a brilliant young actor whose performance almost brought me to tears at one point.

Like I mentioned before, though, Swing Vote is not a simple "voting is your civic duty" story. While the importance of voting is emphasized as both a privilege and a blessing in a great country, Swing Vote goes over the issues that affect daily life in America, and through the story reminds us how we can take some sort of action to better that life.

However, Swing Vote is careful not to play too much on the emotional arguments regarding various issues like abortion, immigration and gay marriage, making the movie all the more charming. There are a few emotionally charged scenes in the movie that give weight to the hilarity throughout, but within the context of the film, the story never speaks in self-righteousness.

At one point, Molly makes a simple yet convicting commentary about how much she appreciates her father at a "Bring Your Father to School" Day. Without giving too much away, Molly's emotional message about her father is a hopeful and heart-wrenching commentary about the beauty and freedom of America, along with the tragic complacency and apathy of its people.

And rather than going down the typical Hollywood route and picking a more liberal stance, Swing Vote instead manages to poke fun at everyone on both "sides" of various issues. It carefully gives respect to all Americans, while pointing out absurdities in America's political process. Although the mockery is at times absolutely hilarious, the film's humor never ventures into the vile and mean-spirited. There is purpose behind all the fun, and it is carefully crafted into the story, with the goal of giving a message of hope and focusing on the (hopefully) common goal of compassion, care, peace, and freedom to all people (to all Americans, anyway).

In that sense, Swing Vote could almost be seen as patriotic (even the movie's production design seems to have red, white, and blue hues throughout). There are many inspiring moments that make you think, "Wow, America is a great country," and "Shame on me for taking my freedom for granted." Okay, well, that's a little simplistic; but you'll understand what I mean: Swing Vote is an American story with a clear and powerful message.

It may be convicting in its truthful satire and simple wit, but it is also encouraging in that it promotes the hope that we can make a better country by actively changing (ourselves and our country) and refusing to passively observe our nation's future unfold... not only for us, but for generations to come.

I'm going to go ahead and assume that it's not an easy task to make a crowd-pleasing movie centered on politics that goes to such strenuous efforts to be non-partisan and maybe chalk up my dissatisfaction with the movie to that. Then again, it might also have something to do with a critical decision that they made in how to end the movie, which is sure to make every single solitary person who watches it throw up their arms in disgust.

But the movie is not about who wins the presidency, it's about the pure chaos of the American political system and its millions of weaknesses and faults. Sure, the premise of a presidential election coming down to a single vote is as preposterous as they come, but man if this movie doesn't get you thinking critically about the electoral process then it's safe to assume that probably nothing ever will.

Kevin Costner plays Bud, an American nobody from New Mexico who has never done anything with his life except have a daughter with a delusional drug addict who thinks she has a big singing career in her near future. He works as an egg inspector at an egg packaging plant, and he and his co-workers mourn the loss of their friends' (and soon, their own) jobs to "insourcing," the process of bringing Mexicans in to take their jobs rather than ship the factory and all those egg-laying chickens to Mexico.

Bud staggers through life in a drunken daze most of the time, routinely letting down his daughter Molly (Madeline Carroll), who raises him like a child. She gets him out of bed in the morning, criticizes his laziness and irresponsibility, reminds him to vote because it's part of a school project that she has to do, and through sighs of exasperation attempts to keep him at least a little bit in line. And of course it's the only thing in life that she fails at. When Bud gets drunk rather than show up to vote, she manages to almost cast his vote herself due to the sleepy voting booth security of beautiful Texico, New Mexico, which Google Earth has just informed me is a real place. Population 1,065.

In a clever plot development, it turns out that Bud's vote didn't go completely through but it appeared that he was there, so he is given another opportunity to cast his vote. Not right away, mind you, even though he evidently already tried to vote and thus probably had his mind made up. No, he is given ten days before he has to vote, thus providing plenty of time for a movie to happen.

Young Madeline Carroll steals most of the scenes that she's in as Bud's daughter, so it's interesting that her character is one of the biggest weak points in the movie, the other one being her dad. Bud is supposed to be a typical American, but I just saw a drifting drunk who never did anything with his life and never would have had he not been forced to. It's true that the vast majority of Americans live lives that are closer to Bud's than President Boone's (Kelsey Grammar), but does he have to be a TOTAL loser? How about just making him be a likable, regular guy? Like the guy he played in Field of Dreams? When I imagine the average American, I imagine something like Ray Kinsella. Although maybe with a slightly smaller house and less whispering from the sky.

The other problem is that the screenwriters overshot the character of Molly by about 160 IQ points. So much for the average American, right? This girl writes a school essay that doesn't merit a special award from the principal to show her dad, it grants her NATIONAL TELEVISED RECOGNITION. But to be honest, I had more of a problem with the fact that not only does she wake her deadbeat dad up in the morning so he could take her to school, she also treks to the bar and, finding him passed out in his truck when he should have been voting, she pushes him over and then drives him home herself. She's about 11 years old.

But where the movie succeeds is as a scathing revelation about certain realities of the American electoral process, such as the electoral college, which simplifies the vote-counting process even while massively distorting the actual numbers of who voted for who. The whole movie is about how one man's vote really does matter, but it leaves you with the feeling that you are supposed to forget that once he votes, every single vote in his state for the other candidate WON'T matter anymore, because they'll be switched to the other candidate. Isn't it interesting how that works? Can't we just count every single vote and award each candidate one huge number of individual votes? Seems a little more accurate to me.

Anyway, I do appreciate the way the movie highlights the fact that both sides, Republican and Democrat, are equally willing to stoop to any level and do absolutely whatever it takes to win, and that no one is above hitting below the belt and making hugely unethical decisions. There is a lot that needs to be changed in American politics, and even while clearly being based on the Election of 2000, one of the most controversial in American history, it calls those things to attention without ever even hinting that either side is right or wrong. The movie insists that America is the greatest country in the world but that in some ways, we're doing it all wrong, but the fact that a movie like this has the freedom to get made proves that even though we haven't reached a level of pure cohesive harmony, underneath all of our imperfections is a clear desire to get there.

My son tells me that I don't understand what young people think is funny. And he's right. I'm not into cringe comedies like Borat or teen sex comedies like Superbad. So when I give Swing Vote 9 out of 10, I guess I have to limit my recommendation to those over 50. If you're too young to remember Kevin Costner's last great movie, I'm not so sure you'll like this one. You see, no one gets humiliated and you don't hear any jokes about sex or bodily functions. It's an old-fashioned comedy that my wife, my cousin and I, all near 60, loved. If you are in that age range, ignore the critics and the IMDb rating. We laughed all the way through. The editing is fast paced so that you never get bored. Some critics have criticized Swing Vote for being lightweight, but it is really more dramedy than straight comedy. There are several serious themes including divorce and civic responsibility. This is Costner's best performance in many years. And Madeline Carroll, who plays his daughter, is amazing. Watch out, Dakota Fanning and Abigail Breslin. This girl can play comedy and drama with equal aplomb. The scene where she cries in front of her class brought many to tears in our audience.