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IMDbPro

Quem Quer Ser um Milionário?

Título original: Slumdog Millionaire
  • 2008
  • 16
  • 2 h
AVALIAÇÃO DA IMDb
8,0/10
897 mil
SUA AVALIAÇÃO
POPULARIDADE
773
402
Dev Patel and Freida Pinto in Quem Quer Ser um Milionário? (2008)
The story of how impoverished Indian teen Jamal Malik became a contestant on the Hindi version of "Who Wants to be A Millionaire?" -- an endeavor made in  an effort to prove his love for his friend Latika, who is an ardent fan of the show.
Reproduzir trailer2:06
14 vídeos
99+ fotos
Coming-of-AgeTeen DramaCrimeDramaRomance

Um adolescente de Mumbai reflete sobre sua vida depois de ser acusado de enganar a versão indiana de "Quem quer ser um milionário?"Um adolescente de Mumbai reflete sobre sua vida depois de ser acusado de enganar a versão indiana de "Quem quer ser um milionário?"Um adolescente de Mumbai reflete sobre sua vida depois de ser acusado de enganar a versão indiana de "Quem quer ser um milionário?"

  • Direção
    • Danny Boyle
    • Loveleen Tandan
  • Roteiristas
    • Simon Beaufoy
    • Vikas Swarup
  • Artistas
    • Dev Patel
    • Freida Pinto
    • Saurabh Shukla
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    897 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    773
    402
    • Direção
      • Danny Boyle
      • Loveleen Tandan
    • Roteiristas
      • Simon Beaufoy
      • Vikas Swarup
    • Artistas
      • Dev Patel
      • Freida Pinto
      • Saurabh Shukla
    • 1.2KAvaliações de usuários
    • 246Avaliações da crítica
    • 84Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 8 Oscars
      • 153 vitórias e 133 indicações no total

    Vídeos14

    Slumdog Millionaire
    Trailer 2:06
    Slumdog Millionaire
    Dev Patel on the Roles That Changed His Life
    Clip 1:44
    Dev Patel on the Roles That Changed His Life
    Dev Patel on the Roles That Changed His Life
    Clip 1:44
    Dev Patel on the Roles That Changed His Life
    The Rise of Irrfan Khan
    Clip 4:18
    The Rise of Irrfan Khan
    Slumdog Millionaire
    Clip 0:58
    Slumdog Millionaire
    Slumdog Millionaire
    Clip 1:21
    Slumdog Millionaire
    Slumdog Millionaire
    Clip 1:22
    Slumdog Millionaire

    Fotos142

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    + 136
    Ver pôster

    Elenco principal92

    Editar
    Dev Patel
    Dev Patel
    • Older Jamal
    Freida Pinto
    Freida Pinto
    • Older Latika
    Saurabh Shukla
    Saurabh Shukla
    • Sergeant Srinivas
    Anil Kapoor
    Anil Kapoor
    • Prem
    Raj Zutshi
    Raj Zutshi
    • Director
    Jeneva Talwar
    • Vision Mixer
    Irrfan Khan
    Irrfan Khan
    • Police Inspector
    Azharuddin Mohammed Ismail
    Azharuddin Mohammed Ismail
    • Youngest Salim
    Ayush Mahesh Khedekar
    Ayush Mahesh Khedekar
    • Youngest Jamal
    Jira Banjara
    • Airport Security Guard
    • (as Hira Banjara)
    Sheikh Wali
    • Airport Security Guard
    Mahesh Manjrekar
    Mahesh Manjrekar
    • Javed
    Sanchita Choudhary
    • Jamal's Mother
    Himanshu Tyagi
    • Mr Nanda
    Sharib Hashmi
    Sharib Hashmi
    • Prakash
    Virendra Chatterjee
    • Slum Man
    Feroze Khan
    • Amitabh Bachchan
    Sunil Kumar Agrawal
    • Mr. Chi
    • (as Sunil Aggarwal)
    • Direção
      • Danny Boyle
      • Loveleen Tandan
    • Roteiristas
      • Simon Beaufoy
      • Vikas Swarup
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1.2K

    8,0897.1K
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    Avaliações em destaque

    8ccthemovieman-1

    Deserved The Oscar For Cinematography

    I thought the best part of this movie was the photography. Check this film out on Blu-Ray, if you have the opportunity: it's magnificent-looking. They even make slums look beautiful! I'm glad it won the Oscar for cinematography. Scene after scene is gorgeous.

    Story-wise, it's okay; good, but nothing super. For the first half of the film, it reminded me of "City Of God," about the homeless kids in Brazil, but that film had far more violent kids. This one mainly had kids as pranksters and then victims of some sicko adult who wants to use them to make money.

    The story will be fun for those who used to be hooked on the "Who Wants To Be A Millionaire" quiz show, but the host here in this Indian version is no lovable Regis Philbin. You won't like him.

    Almost all of the story is told in flashback, so be prepared for that. It's one of those stories where all the little pieces fit together in the end to explain why things happened in the start of the film.

    I wouldn't have voted for this as the Best Picture Of The Year but it is entertaining and a feast for the eyes.
    bob the moo

    An energetic, stylish and engaging fairytale that has enough about it to cover the main weaknesses it has while you are watching

    This film came to the UK on a wave of Oscar hype and critical praise and I was looking forward to see it even though the reasons "why" it was good seemed a bit vague to me. On one hand it seems to be set in the gritty poverty of India, with descriptions of some very unpleasant scenes but then, on the other hand it was described as being uplifting and the feel-good movie of the year. I was curious how this conflicting information resolves itself within one film without off-balancing it.

    The overall sweep of the film is very much a rag-to-riches story with love being the real heart of the film even if "money" (or a game-show for money) is the narrative driver and essentially it is modern day fairytale. In this regard it is an excellent film because you are engaged throughout, are totally on the side of the main characters and ultimately the viewer would give anything if they could only end the film happily. In this way it is uplifting and (ultimately) a really cheering film that is worth seeing with an audience because it is one of those things that unites an audience with a common feeling of cheer and goodwill. The method of delivery really helps the plot work because it is colourful, frantic and stylish.

    I really enjoyed the fragmented time structure that uses the re-watching of the Millionaire questions in the police station as a trigger for flashbacks. This means we are gripped by several threads/times rather than it being a straight flow. It is not an amazingly unique device but the manner of it being put together prevents it ever being clumsy or obvious by how it transitions from one time to the other. Speaking of delivery and style, the film is understandably an Oscar contender generally thanks to its upbeat nature (after darker material last year and the current downturn in the world, Oscar probably will look for some feel-good stuff) but the areas I think it stands a great chance are those of cinematography, editing and direction. I say this because visually the film is a treat. It captures the colour of India with great camera work that puts us right in the scene. An example is the early chase through the slum, with a frantic camera, plenty of colour (in terms of palate, places and people) and a great visual style with the sun hitting the camera from above as it moves and other effective devices. With this much movement in the camera throughout the film, the editing is key in making these scenes work and it is excellent throughout – even putting the subtitles in a stylish and arresting fashion which helped sell the use of Hindi but does also match the style of the film more than standard text would have. As director Boyle delivers on all this and his use of music is great as well. It does feel like we have the grit and style of City of God but yet also the warm uplifting story of the very best the "underdog" genre can provide.

    That it achieves this is a testament to how well the film is delivered because it does have to overcome the fact that the majority of the film presents us with a terrible world of poverty and suffering and then gradually pulls the main characters out of it. This is a problem that the delivery covers but ultimately the viewer is left with some fairly harrowing realities that haven't gone away by the end of the film. I totally understand those who love the film unquestioningly but I do agree with those that take pause on this issue and note that it is an aspect of the film that really doesn't stand up in the cold light of day. You see, it is gritty and it is unpleasant and, although not based on a true story, this is a reality in our world and to see so much of it in a film that ultimately leaves you feeling good about life and happy that everything worked out alright is not a mix that sat particularly well with me. It isn't helped by the dance number over the end credits, which involved lots of people and pushed the "isn't everything great" idea more than the proper conclusion of the story did. I didn't like this part of the credits for this reason and also it would have been nice to see a film based in India that didn't feel it had to "do" Bollywood.

    The cast mostly play to the "fairytale" side of the film more than the grit, although the young children are very impressive in the first sections of the story. Patel took a minute to grow on me but, although not the most charismatic of performers, he is really steady as the underdog who is driven. Kapoor is a great villain, driven by a hate that says a lot about the class system in place. Pinto is stunning and has a much stronger presence than Patel. Khan works the investigation scenes well, which was important as these are where the story is told from. There are no real weak links in the performances – the fairy-tale nature of the tale means everyone has to focus on that side of it but they are still good.

    The film is not as perfect as you will hear but it is still very good at what it does. It is a wonderfully stylish and slick romantic fairytale that is cheering and uplifting but of course this does give the slight problem that it is a stylish, slick and uplifting film that features horribly real images of cruelty and poverty. It doesn't manage to reconcile this but it is strong enough to make you ignore this for the vast majority of the time, leaving you tense, hopeful and weepy.
    9R4J4P

    The little movie that will wow audiences this year

    There has already been some talk coming from Telluride that this film is set to be this year's 'Juno.' It does have the same distributor and it is set for the same release period, and for anyone who hears this buzz, they will definitely not be disappointed.

    During the premiere of the final cut (in the words of director Danny Boyle) at the Toronto International Film Festival, the audience gave the film an incredibly enthusiastic response, and it went on to win the People's Choice Award. Boyle, who is somewhat like a British Richard Linklater for yet again surprising the audience with such diverse subject matter, worked his magic. He transcended genres and created a truly unique and energetic picture.

    Just about every aspect of this film deserves merit, and above all it belongs to Boyle, who managed to assemble such a massive achievement. The score by A. R. Rahman, with contributions from M. I. A., perfectly accompanies the action on screen. Still, it is great enough to be listened to on its own. With India as a backdrop, Boyle and his cinematographer have composed some remarkable images. The acting is roundly impressive, especially coming from the younger cast, almost all of which has never acted before.

    The film begins as Jamal (Skins' Dev Patel) is under interrogation by Mumbai police for cheating on India's version of Who Wants To Be a Millionaire, being only one question away from winning it all. As the inspector says, even doctors and lawyers cannot come close to the 20m rupee prize, and so Jamal, having grown up on the streets of Mumbai, cannot possibly know these things. As Jamal tries to avoid further torture, he begins to explain to the police how he knew each of the answers. Flashbacks present Jamal's boyhood and explain how he got to the show.

    At the centre of his journey is his brother, Salim, and a girl, Latika, who is left a homeless orphan after an attack that took Jamal's mother as well. After running from a man who exploits the trio for labour, Jamal replays the incident when Latika left his life when she was unable to catch a moving train. His uncertainty of her fate on the streets of Mumbai and his intense desire to see his first and only love again lead him to the interrogation room where the film began.

    Like 'Juno,' Slumdog Millionaire is by genre a comedic drama, but it becomes much more. The film asks questions about fate, righteousness, greed, and even urban sprawl. Above all, however, it asks about love in the face of the most dire obstacles, and if it can truly prosper. Jamal's story is a tragic and unfortunate one, but as seen through his eyes, it is still beautiful. The vast colour palate of India overwhelm any negative feelings, and Jamal's hope of finding and being with Latika overwhelm despair. For Jamal, 20m rupees isn't his prize. It would be nearly impossible for there to be a better picture this year.
    8SpelingError

    This is a very violent film which is guaranteed to move you

    This is a somewhat predictable but lovely film which combines an honest look at poverty in India with one of the best love stories in recent years.

    Jamal who wants to find his long lost love Latika, goes on a game show called "Who Wants to Be a Millionaire". After he's suspected of cheating, he's interrogated and he starts to explain how he knew all the answers.

    To say that this is expertly shot would be an understatement. It would be nearly impossible for another movie to win "Best Picture" over it. Every shot is amazing and not a single one seems worse than the last.

    The clever structure of the film uses the backstory to explain how he knew each of the answers to show what life is like for much of India's population. Even some of the more disturbing things that go on are detailed very well in the movie.

    The actors all did a great job. Especially the younger cast which is rather surprising considering that this is their first time acting for many of them. They acted well and I was sold in the first 20 minutes.

    Unfortunately, the film's strength falters near the end. Blaming plot contrivances on "fate" seemed lazy and the happy ending felt a bit hollow to me. But besides this, this is still a powerful and moving film which will entertain you all throughout it.

    This is a great movie. It has great acting and it was expertly shot. The movie details violence well and it's handled greatly too. This is Danny Boyle's best movie since Sunshine and Trainspotting.
    9Movie_Muse_Reviews

    "Slumdog" beautifully bridges life in India and Western film

    It doesn't seem like a stretch to suggest that America might now be ready to embrace films in the style of India's Bollywood films. While "Slumdog Millionaire" is far from a Bollywood tragic love story filled with singing and dancing, the way director Danny Boyle will rivet audiences with his film that is authentic to Indian culture while using a distinctly Western style of film-making might be enough proof that there is a profit to be made here.

    "Slumdog Millionaire" is a drama exposing the tragic effects of poverty in gigantic Indian cities like Mumbai that is also fused with a modern day Indian fairytale. Jamal Malik is a young man on India's "Who Wants to Be A Millionaire" and is a question away from one million dollars when he's arrested on suspicion of cheating. Because Jamal is from the slums of India and has no educational background, it seems entirely improbable if not impossible that Jamal could make it this far, but each question is connected with distinct and sometimes painful memories for Jamal. It's as if he is destined to win, even though he only went on the show to impress a girl he has loved his whole life, Latika.

    Danny Boyle ("28 Days Later," "Sunshine") takes us from memory to memory as Jamal advances question by question toward the million dollars. These memories offer vivid insight into poverty in India as well as the lives of Jamal, Latika and Jamal's older brother Salim. As children they are left parentless and taught how to swindle tourists, leading to lives of little fulfillment or even corruption. Despite being separated, Jamal and Latika are reunited several times and in fact Jamal's only motivation in life is his love for her.

    While the young, unknown, Indian actors are absolutely amazing in this film, the biggest kudos go to director Boyle, who creates an astonishing film. For Boyle to go from science fiction and zombie thrillers to taking on a project as daring and unusual as "Slumdog Millionaire" proves that he's not only a brave director, but a versatile one. His great success with making this film intense, eye-opening and full of heart all at the same time prove that he's also an incredible one. "Slumdog" is just the beginning for Boyle who might be one of the most progressive and talented directors working today.

    It's hard to be completely blown away by a film whose core message is about destiny and leans on the fact that Jamal is simply fated to do this well in explaining what has unfolded, but like any good film ought to, Boyle makes you a fan of the characters and not care as much about the logistics as you might normally do. The fact that this film starts out so dramatic and real makes it hard to embrace the fairytale it blossoms into, but it's the great visual storytelling along the way that makes it so enjoyable.

    ~Steven C

    Visit my site at http://moviemusereviews.com/

    Oscars Best Picture Winners, Ranked

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Director Danny Boyle placed the money to be paid to the 3 lead child actors in a trust that is to be released to them upon their completion of grade school at 16 years of age. The production company has set up for an auto-rikshaw driver to take the kids to school every day until they are 16 years old.
    • Erros de gravação
      In one scene, when teenage Salim and Jamal are at the Taj Mahal, there is an external shot where a passing guard looks at the camera and says, "Stop filming. Stop filming." This was included purposely by director Danny Boyle for the sake of realism.
    • Citações

      Police Inspector: [whispering] Doctors... Lawyers... never get past 60 thousand rupees. He's won 10 million.

      [pause]

      Police Inspector: What the hell can a slumdog possibly know?

      Jamal Malik: [quietly] The answers.

      [spits out blood]

      Jamal Malik: [quietly and gently] I knew the answers.

    • Cenas durante ou pós-créditos
      Several of the cast perform a traditional Bollywood song and dance number set in a train station over the end credits.
    • Conexões
      Edited from Kaun Banega Crorepati? (2000)
    • Trilhas sonoras
      O... Saya
      Written and performed by A.R. Rahman and M.I.A.

      Produced by A.R. Rahman

      Published by K.M. Musiq Ltd./Imagen Music

      Guitars by Sanjay Joseph

      Additional Music Produced by P.A.Deepak

      Recorded at A M Studios Chennai

      Music Engineers : P.A.Deepak , Viviane & H. Sridhar

      Song Mixed by P.A.Deepak

      Mixed at Panchathan Rec Inn Chennai

    Principais escolhas

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    Perguntas frequentes41

    • How long is Slumdog Millionaire?Fornecido pela Alexa
    • What is "Slumdog Millionaire" about?
    • Is "Slumdog Millionaire" based on a book?
    • Is the movie in English?

    Detalhes

    Editar
    • Data de lançamento
      • 6 de março de 2009 (Brasil)
    • Países de origem
      • Reino Unido
      • França
      • Estados Unidos da América
      • Índia
    • Central de atendimento oficial
      • Official site
    • Idiomas
      • Inglês
      • Hindi
    • Também conhecido como
      • Quisiera ser millonario
    • Locações de filme
      • ND Studios, Karjat, Mumbai, Maharashtra, Índia(Studio)
    • Empresas de produção
      • Searchlight Pictures
      • Warner Bros.
      • Film4
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 15.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 141.319.928
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 360.018
      • 16 de nov. de 2008
    • Faturamento bruto mundial
      • US$ 378.411.362
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas
    • Cor
      • Color
    • Mixagem de som
      • SDDS
      • Dolby Digital
      • DTS
    • Proporção
      • 2.35 : 1
      • 2.39 : 1

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