Nick & Norah: Uma Noite de Amor e Música

All right. Listen up out there. You could say this is Juno without the baby...or almost as useless and watered down as a straight to DVD movie...but you would be missing the point--not that every movie has to have a point.

N&N is not trying to sell something or be something--it's not even trying to be great...because most love stories that try to be great fail. When you see N&N (and if you're in the mood for a lighthearted enjoyable movie, you should), don't go with an expectation of grandeur or even for the entire thing to be great. Alexis Diziena is as useless in this film as she is anorexic and whorish--her part is almost explicitly sexual. And there are so many subplots that their lives appear at times to be exaggerated. What matters almost seems to be camouflaged by what should be secondary.

The movie succeeds in a number of understated ways, though. Ari Graynor's part is by far the funniest character of the bunch and Ari plays the part extremely well. The gay band Michael Cera is a member of adds a quirky afterthought to his character's back story. And what's most important--the characters Nick and Norah act like slightly more interesting versions of normal people. They have their flaws and their disagreements but they're capable of finding the beauty in each other and their story along the way.

Movies should be about the creation and expansion of a spark of magic--not about giving you exactly what you expect or want. The perfection of the movie lives in its imperfections. The love is in the relationships that are real and what is fake gets left behind in a sketchy area near 10th street (that's not a spoiler). It amplifies grace with its soundtrack and hope with its random culmination of peculiar events over a single-night.

So just let the infinite playlist play and enjoy it already.

On one particular night in New York City, an elusive band by the name of Where's Fluffy? have announced a secret concert. The word spreads through the city's underground punk scene faster than it can go out of style and before long, it reaches Nick and Norah. Nick and Norah don't know each other when this news reaches their ears but before the end of the night, they will each find something infinitely more important than Fluffy. NICK AND NORAH'S INFINITE PLAYLIST is a contemporary romantic comedy that sets itself in an entirely unconventional place and time (can you think of another way to describe a straight romance in the queer punk underground?), but presents itself in a sometimes far too conventional fashion. While it can at times be too cool for school, it is the roughness around its edges that give it an unexpected and genuine warmth. Like any finely balanced playlist, it works its way into your head and your soul.

Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn – not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.

Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.

NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential – a potential that is just as infinite as the playlist they are about to create together.

For years, teenagers have connected with one another through music and the discovery of new and different bands. Even though technology has allowed music to be more widespread and portable, there is still the thrill of late-night adventures seeking live performances from favourite bands. In Peter Sollett's Nick and Norah's Infinite Playlist, he brings this out on screen in a fun manner that shows you do not necessarily need crude humour or death-defying encounters to make a night out with friends an interesting and worth telling story. Throughout the film, the audience becomes more enriched by the characters and their ideas. Nick and Norah could have easily become a smug "teenagers rule over all" tale like this year's Charlie Bartlett, but is instead is a sweet romance between two individuals that most people can easily relate to.

Nick (Michael Cera) is the guitarist for a queercore band with his two friends Dev and Thom (Rafi Gavron and Aaron Yoo). He is currently grieving over the separation between his former girlfriend Tris (Alexis Dziena), but decides to join his friends for a performance out in New York City. In an act of desperation, he encounters Norah (Kat Dennings), who asks Nick to be his boyfriend for five minutes. After her drunken friend Caroline (Ari Graynor) runs off into the city, Nick and Norah along with his friends scour the city in search of her. Meanwhile, Tris is decides to go after Nick to find out if it truly is over between them.

One of the key successes of this film lies with the ensemble cast of talented young actors. Adults are barely featured in this film, as the teenage characters are given the overall spotlight here and Peter Sollett has hired some very good actors to play these parts. Michael Cera is still playing the awkward individual he has been doing since Arrested Development, but he still grows into the part well, as his character is not quite as nervous as previous roles. He proves to be likable and relatable in the part and his chemistry with the other actors comes off very well. Kat Dennings surpasses him, though, giving Norah a sarcastic wit and coming off as very easy to relate to. The way Nick and Norah progress throughout the film is handled very well by Cera and Dennings. Ari Graynor deserves some acclaim for her wacky, but still nuanced performance as Caroline. She is given the bulk of "stunts" in this film, particularly when sharing the screen with a piece of gum that ends up becoming a separate character by itself. Aaron Yoo, Rafi Gavron and Jonathan B Wright allow their best friend roles to become more than just simple stereotypes as they prove just as likable as the leads. Jay Baruchel also does a fine job in a small role that is definitely very far from the meek actor he played in last summer's Tropic Thunder.

Credit should also go to first-time screenwriter Lorene Scafaria, adapting the original source material by Rachel Cohn and David Levithan. She writes a funny and intelligent script with well-developed characters who evolve effectively and realistically as the film goes on. She also does not go the Adventures in Babysitting route by showing New York after hours as a grungy underworld, instead opting for a more light-weight approach to the material. She understands the independent musical scene of the Big Apple and she portrays it effectively throughout the course of the film. Director Peter Sollett and Cinematographer Tom Richmond also do well in lighting the city and allowing it to breathe. Even though the large majority of Nick and Norah takes place at night, there is still plenty of light that shines through, particularly in showing the vast culture. Legendary locations like the New Jersey Turnpike, Times Square and Pennsylvania Station also make appearances to give the film an even more New York feel.

Nick and Norah's Infinite Playlist simply wants to be a fun, breezy ride through New York's music scene and the audience is happy to go along with it. The characters are easy to relate to, the writing is intelligent and the direction is solid. Though there have been plenty of "one night in the city" films, Nick and Norah's Infinite Playlist manages to stay fresh and original and unique through its running time. Overall, this is definitely one to watch at the evening showing with the buddies.

'Nick and Norah's Infinite Playlist' turned out to be a sweet and cool surprise. I was just expecting another usual teen flick and while the main storyline does follow the formula, its the treatment that appealed. The director really shows that even though there is a physical attraction between the two leads, they also have characteristics that repel each other. But, what really brings these two people closer is their passionate liking for music. Both have the same taste and the best parts of the films are the sequences where the two talk about their favourite songs and singers.

The movie pretty much takes place during an entire night and Sollett's portrayal of night in the city is amusing and exciting. Lighting is cleverly used and the yellow tinted colour adds more excitement into the night. With the exception of that Spice Girls track, I like the soundtrack.

Michael Cera and Kat Dennings suit their parts wonderfully. They maintain a good chemistry (even though their love scene looks a little awkward). Aaron Yu, Rafi Gavron and Jonathan Wright provide some fun comic relief as Nick's friends/bandmembers. Ari Graynor is hilarious.

I like the title of this movie and how the movie stays true to it. It's a charming little film that is perhaps best enjoyed at night.

When I was in Maryland to see my sister's firstborn get baptized, we both decided to see this movie when I was there. This was a nicely cutting edge teenage romantic comedy about two strangers played by Michael Cera and Kat Dennings who find out about their similarities only after their friends accidentally put them together. Cera still is pining for an ex he puts a mixed CD for while Dennings is friends with that ex. Michael's character is also a member of a band whose other members are gay while Kat's character has a girlfriend who likes to drink. And all this happens while Cera and Dennings and their friends ride around New York City all night looking for their favorite indie band. Plenty of sweet and funny (and a little gross) moments abound and while my sister and I might have a little problem with a sex scene with the leads, the romance was good enough to overcome that. So on that note, I recommend Nick and Norah's Infinite Playlist. P.S. There are cameos of a couple of current SNLers I pleasantly noticed right away...