Um grupo de amigos cujas férias tranquilas no México se tornam horríveis quando eles, junto com outro turista, embarcam em uma escavação arqueológica remota na selva, onde algo maligno vive ... Ler tudoUm grupo de amigos cujas férias tranquilas no México se tornam horríveis quando eles, junto com outro turista, embarcam em uma escavação arqueológica remota na selva, onde algo maligno vive entre as ruínas.Um grupo de amigos cujas férias tranquilas no México se tornam horríveis quando eles, junto com outro turista, embarcam em uma escavação arqueológica remota na selva, onde algo maligno vive entre as ruínas.
- Prêmios
- 7 indicações no total
Sergio Calderón
- Lead Mayan
- (as Sergio Calderon)
Luis Antonio Ramos
- Mayan Rifleman
- (as Luis Ramos)
Avaliações em destaque
A group of young friends travelling in Mexico, are convinced by a young German man named Mathias, to accompany them to an archaeological dig.
I honestly can't believe that this film dates all the way back to 2008, I watched it when it was first released, and have never forgotten a few of the scenes, one in particular.
If you're a fan of films along the same lines as Paradise lost and Green inferno, then I think you may well enjoy this, the horror comes more from gory sequences, rather than jump scares. Some of the visuals are pretty gross.
It's far from perfect, it takes an age to get going, and there are more cliches than you can even count, plus a set of characters that are a little difficult to like.
Despite its many flaws, I still enjoyed it, it's not without originality, and the horror moments still hold up.
Time to invest in some weedkiller.
7/10.
I honestly can't believe that this film dates all the way back to 2008, I watched it when it was first released, and have never forgotten a few of the scenes, one in particular.
If you're a fan of films along the same lines as Paradise lost and Green inferno, then I think you may well enjoy this, the horror comes more from gory sequences, rather than jump scares. Some of the visuals are pretty gross.
It's far from perfect, it takes an age to get going, and there are more cliches than you can even count, plus a set of characters that are a little difficult to like.
Despite its many flaws, I still enjoyed it, it's not without originality, and the horror moments still hold up.
Time to invest in some weedkiller.
7/10.
The Ruins is directed by Carter Smith and adapted to screenplay by Scott B. Smith from his own novel of the same name. It stars Jonathan Tucker, Jena Malone, Shawn Ashmore, Laura Ramsey and Joe Anderson. Music is by Graeme Revell and cinematography by Darius Khondji.
Two young couples on holiday in Mexico make friends with a German tourist, Mathias (Anderson), who tells them of his missing brother who had gone off to view a Mayan ruin deep in the jungle. Their interest piqued, they agree to go on the adventure the following day. Once arriving at the remote ruin, though, they all find more than they bargained for....
Hot young cast in horror film that follows a stagnated formula? Well no, actually. It has all the hallmarks of being yet another in a sad long line of horror movies that con the faithful into watching it, only to disappoint with an unadventurous plot, making a quick bit of cash before disappearing in the stale popcorn tinted wind. The Ruins has generic moments, certainly the first half hour is your standard meet and greet your young protagonists stuff, but once we get to the ruins of the title the film shifts into a different world. Our fears that this is going to be just another case of guessing what order the young holiday makers are going to be sliced and diced, are quickly vanquished, this is a tale of survival, of a youthful group dynamic under severe threat, and bonus here is that the antagonist is something very different to what normally stalks these genre movies.
This really could have been a cheese fest, an unintentionally funny film, using gore and nudity to hide shortcomings in the screenplay, but it's not, writer Scott Smith has provided director and cast with material that pulses with an unexpected bleakness, a facing up to mortality at a young age, and crucially the characters do viable things given their circumstance, and that's mighty refreshing in a era of horror bulging with stupidity. It helped me personally that I knew next to nothing about the film before viewing it, and unlike some film lovers I'm not overly familiar with the young cast, though Joe Anderson is always on my plus list after his turn as Peter Hook in Control. But while it clearly didn't revolutionise horror as a genre, it at least had the gumption to veer in a different direction, going deeper in basic thematics than similar big budgeted films have.
Tension is deftly mounted, what blood and body horror there is (and a couple of scenes are genuinely wince inducing and well staged) is not cheap and exploitive, while the finale doesn't cop out. True, there are some unanswered questions that leap out when the end credits roll, and anyone expecting a fast paced thrill ride are right out of luck. Yet for those who lean towards a good psychological horror then this is very much recommended. 7.5/10
Two young couples on holiday in Mexico make friends with a German tourist, Mathias (Anderson), who tells them of his missing brother who had gone off to view a Mayan ruin deep in the jungle. Their interest piqued, they agree to go on the adventure the following day. Once arriving at the remote ruin, though, they all find more than they bargained for....
Hot young cast in horror film that follows a stagnated formula? Well no, actually. It has all the hallmarks of being yet another in a sad long line of horror movies that con the faithful into watching it, only to disappoint with an unadventurous plot, making a quick bit of cash before disappearing in the stale popcorn tinted wind. The Ruins has generic moments, certainly the first half hour is your standard meet and greet your young protagonists stuff, but once we get to the ruins of the title the film shifts into a different world. Our fears that this is going to be just another case of guessing what order the young holiday makers are going to be sliced and diced, are quickly vanquished, this is a tale of survival, of a youthful group dynamic under severe threat, and bonus here is that the antagonist is something very different to what normally stalks these genre movies.
This really could have been a cheese fest, an unintentionally funny film, using gore and nudity to hide shortcomings in the screenplay, but it's not, writer Scott Smith has provided director and cast with material that pulses with an unexpected bleakness, a facing up to mortality at a young age, and crucially the characters do viable things given their circumstance, and that's mighty refreshing in a era of horror bulging with stupidity. It helped me personally that I knew next to nothing about the film before viewing it, and unlike some film lovers I'm not overly familiar with the young cast, though Joe Anderson is always on my plus list after his turn as Peter Hook in Control. But while it clearly didn't revolutionise horror as a genre, it at least had the gumption to veer in a different direction, going deeper in basic thematics than similar big budgeted films have.
Tension is deftly mounted, what blood and body horror there is (and a couple of scenes are genuinely wince inducing and well staged) is not cheap and exploitive, while the finale doesn't cop out. True, there are some unanswered questions that leap out when the end credits roll, and anyone expecting a fast paced thrill ride are right out of luck. Yet for those who lean towards a good psychological horror then this is very much recommended. 7.5/10
This is one of those films where IMDB rating is well below than what it should have been. Yes, it is not the best horror film out there but it was certainly good. The story was not boring, there were some very clever scenes and the acting was not bad for a horror film. I actually enjoyed it throughout.
Four American tourists agree to a trip into a South American jungle with a German tourist, to look at an ancient Aztec temple. Once they get there, they find themselves trapped on the temple by some locals. However, they begin to realize however, that they are keeping them there for a horrifying reason....
On the surface, this is yet another movie about American tourists getting into trouble in another country. However, unlike for example Paradise Lost, the Hostel movies, Wolf Creek, and such, the threat here is not from a human source, but something else. It's a refreshing change, but that is only one of the plus points in this good horror movie. There are many more.
The script, written by Scott B. Smith based on his own novel, is pretty good. The characters are well written, and the plot as it unfolds takes it's time to play out, which again is refreshing. Most American horror movies seem to want to rush through the opening scenes, to get to the so-called scare moments, but Smith takes time with his plot, as he did with his other script, the brilliant A Simple Plan. This movie isn't as good as that but it is still good. One of the key things is he never explains how or why the temple is doing what it is doing, yet you never really question it. He allows some intelligence in not only the characters but also in the audience watching. Again, a refreshing change.
The performances from the cast are good. The script allows time for the cast to make their characters believable (for a horror movie)and as the horror and terror mounts, they react in different ways.
The direction by Carter Smith is good. He creates a sense of dread as the the events play out. While the movie is not particularly scary, he creates a sense a good sense of dread, right up to the end, and also doesn't try and cop-out at the end, or allow for some awful twist. Again a welcome change.
The movie does have some scenes that are bloody, or graphic and gory, it's not over the top. There is a reason for the violence in the movie, and also the blood and gore. It's not simply there to gross-out the audience (though the scene with the makeshift amputation will have that effect, no doubt!!).
At a time when most of the American horror movies are either remakes or sequels, it's nice to see a horror movie that while not original at least is different. And for that reason alone, it's worth watching.
On the surface, this is yet another movie about American tourists getting into trouble in another country. However, unlike for example Paradise Lost, the Hostel movies, Wolf Creek, and such, the threat here is not from a human source, but something else. It's a refreshing change, but that is only one of the plus points in this good horror movie. There are many more.
The script, written by Scott B. Smith based on his own novel, is pretty good. The characters are well written, and the plot as it unfolds takes it's time to play out, which again is refreshing. Most American horror movies seem to want to rush through the opening scenes, to get to the so-called scare moments, but Smith takes time with his plot, as he did with his other script, the brilliant A Simple Plan. This movie isn't as good as that but it is still good. One of the key things is he never explains how or why the temple is doing what it is doing, yet you never really question it. He allows some intelligence in not only the characters but also in the audience watching. Again, a refreshing change.
The performances from the cast are good. The script allows time for the cast to make their characters believable (for a horror movie)and as the horror and terror mounts, they react in different ways.
The direction by Carter Smith is good. He creates a sense of dread as the the events play out. While the movie is not particularly scary, he creates a sense a good sense of dread, right up to the end, and also doesn't try and cop-out at the end, or allow for some awful twist. Again a welcome change.
The movie does have some scenes that are bloody, or graphic and gory, it's not over the top. There is a reason for the violence in the movie, and also the blood and gore. It's not simply there to gross-out the audience (though the scene with the makeshift amputation will have that effect, no doubt!!).
At a time when most of the American horror movies are either remakes or sequels, it's nice to see a horror movie that while not original at least is different. And for that reason alone, it's worth watching.
I wasn't expecting too much going to see this, but knowing that it was an adaptation from a novel I figured it had to be a decent story at least. I was pleasantly surprised. It definitely wasn't your average 'horror' film, if you want recycled bullshit go see the travesty that is Prom Night. This is different. It literally got under my skin at a few parts and made me squirm, and that pretty tough to do to me. The story resembled a Stephen King-esquire short story. It was grim, unpleasant, and gory. It didn't use conventional scare tactics (which are so overdone these days) but used a tone of dread and hopelessness to get to the viewer. Check it out if your looking for that type of film, cheers
Você sabia?
- CuriosidadesThough the film takes place in Mexico during the summer, it was shot primarily in Australia during the winter. Heavy coats were provided for the actors in between takes, and water and olive oil had to be sprayed onto their bodies to simulate sweat.
- Erros de gravação(at around 55 mins) Before amputating Mathias' legs, Jeff states that he is at risk of septicemia, which is, "an infection, usually of the bone." Septicaemia is, by definition, the invasion of bacteria into the bloodstream and has nothing to do with bones.
- ConexõesEdited into The Ruins: Deleted Scenes (2008)
- Trilhas sonorasSolta O Frango
Written by Pedro D'Eyrot, Rodrigo Gorky (as Rodrigo Gorky), Diplo (as Thomas Pentz) and Marina Vello
Performed by Bonde do Rolê
Courtesy of Domino Recording Co., Ltd.
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Las ruinas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.432.844
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.003.421
- 6 de abr. de 2008
- Faturamento bruto mundial
- US$ 22.818.256
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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