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Up to a certain point in The New Daughter, I was reminded of Dragonfly. Both are low budget Costner films about a man dealing with a family loss which has a haunting outcome. It has been a while since I saw Dragonfly. Nobody thought it was any good, but it is way better than this film. To start with the obvious, The New Daughter represents what may be Costner's most lazy performance. It seems he has no interest in the story whatsoever. After a while the Dragonfly connection starts to fade away, and the movie turns into something else, something worse unfortunately. The New Daughter is torpid, and is bogged down by too much content, and not enough suspense or intelligent dialogue.

If I am gonna give the film any credit, it would be for photography. This is a gorgeously shot film, where the nights are cold, eerie and evocative, and the safety of home is warm, glowing and golden. The best shot in the film is the last one, which barely makes up for the utter stupidity of the ending. There is much left to explain, but in the end, I don't really care.

The New Daughter, is a spooky story, which is occasionally interesting but is less so than it is sloppily executed, badly acted, and not worth your money.

After his wife leaves him for another man, struggling author John James (Kevin Costner) relocates to a new house in rural South Carolina with his young son Sam (Gattlin Griffith) and teenage daughter Louisa "Lou" (Ivana Baquero) the latter of whom harbors feelings of resentment towards John for his inability to keep their family together. As the three adjust to their new home which has a mysterious burial mound located on the property, Louisa soon begins to exhibit personality changes that although initially seeming like adolescent angst may in fact be of a far more sinister and supernatural nature.

The New Daughter is a 2009 horror film adapted from John Connolly's 2004 short story of the same name first published in the collection Nocturnes. The rights to Connolly's story were purchased by Gold Circle Films who previously scored two modestly budgeted horror hits with White Noise and The Haunting in Connecticut. Initially intended to be a release by New Line, the film ultimately ended up being released by Anchor Bay where it was given a token limited theatrical run before being released to video a few months later. Critical reception tended to run negative with some praise going to the cast and underlying themes while lamenting the plethora of cliches used in the film. In many ways The New Daughter is an improvement on Gold Circles prior horror films like White Noise and Haunting in Connecticut, but it's also weighed down by many of the mid 2000s conveyor belt horror tropes that keep it firmly in the realm of mediocre rental shelf fodder.

Despite the many issues surrounding The New Daughter, the cast is honestly really solid with Costner well positioned to play an in over his head father whose relationship suffers a schism with his daughter Louisa who is on the cusp of pubescence. This is where there is a rich emotional core at play in the material because many parents often do find themselves in a state of upheaval when they're children stop being "children" and their personalities almost change seemingly overnight with a lot of anger and resentment often coloring that relationship. Ivana Baquero does very well as Lou and despite her often butting heads with John even in the opening the movie does give her some moments particularly with her younger brother Sam where she confides in him that it's not John's fault their mother left them. Honestly the stuff with the James family is very rich and very interesting and I often wanted to focus more on it than the actual horror material.

Luiso Berdejo who previously worked as a screenwriter, notably on the hit Spanish horror film REC, makes his directorial debut with the new daughter and he shows himself as having a strong eye for mood and atmosphere with some good nighttime photography of the house as well as nice framing of shots in the daylight scenes that still create an uncomfortable mood. The actual incorporation of the horror elements however is where we see cracks begin to develop because the movie rather than being more psychological concocts this very elaborate mythology involving burial mounds along with foreshadowing of ants and a lot of this stuff feels like it does a disservice to the core upon which the movie had a pretty promising foundation. As the movie goes on it veers more towards becoming a monster movie with some pretty goofy looking monsters and when the ending comes around it leaves on a sour note that just sees the whole thing fall apart.

The New Daughter has some really good ideas and performances on display, but there's also a lot of missteps especially when it comes to the handling of broken family dynamics with more conventional horror tropes. I honestly liked it better than prior PG-13 Gold Circle horror films like White Noise or Haunting in Connecticut, but it still carries many of the same flaws as those movies only with some good underlying ideas trying to get out.

As this movie opens, it seems to be literally riddled with clichés. A recent divorced father (Kevin Costner) decides to move with his two children into a creepy old house in the country, where they find what appears to be an old Indian burial ground. That really didn't seem to require much thought, did it. I was disappointed; somehow I was expecting something just a little more imaginative; a bit more out of the ordinary. I do have to give credit to the writers , though. After that extremely cliché opening, they manage to introduce a pretty well crafted story that rises above those clichés and that creates some suspense in the viewer.

Costner was the movie's greatest strength. He brought a well known presence to this movie and he played the part of the increasingly confused and concerned father quite well. Happily (from my point of view) the movie avoided going for yet another cliché - although there was the opportunity, there was no romance introduced for Costner. For the most part, the focus of the story remained pretty much on his strained relationship with his daughter and his increasing concern for her well being. The kids in this movie (Ivana Baquero and Gattlin Griffith) weren't amazing, but they also didn't detract from the story the way some child actors can. They were believable enough.

Director Luiso Berdejo (who has very little experience as a director) did a decent job using the setting to good advantage, and he created a realistic atmosphere of suspense, slowly rising to fear. There were a couple of things I found awkward in the movie. The introduction of the university professor and his TA, for example. They served little purpose except to give an explanation of what might have been happening with the burial mound. Perhaps there could have been a better way of unravelling the mystery than the introduction of a couple of otherwise unimportant and unnecessary characters. Also, although I fully understand the use of the analogy, the ant farm really wasn't required. I would have understood the movie even without it, and somehow it cheapened this a bit; it's the sort of plot device you expect to see in a made for TV movie.

This isn't bad. It's not one of the great horror movies of all time, but it isn't bad. (6/10)

I came across this movie on YouTube free streaming movies. As most often is the case "free" movies aren't particularly good.

Kevin Costner is writer John James, after a recent divorce moves to a rural home in South Carolina with his young son and his pubescent daughter. There is a strange large mound behind the house near the edge of the woods.

Soon his daughter starts acting and dressing strangely, ultimately it is tied something going on in the mound that she visits at night, coming home muddy.

The movie is moderately interesting, Costner is in good form playing the type of character he has often played. The ending is pretty strange, I can't honestly say exactly what happened to his daughter.

It can be an interesting diversion if you don't have anything else to watch.

The New Daughter is an odd one, a creepy Kevin Costner vehicle that almost seems like an M. Night Shyamalan idea that didn't quite take flight from the drawing board. Nevertheless it's a good enough time at the movies, and there's genuinely skin crawling moments too. Costner, in solemn mode, plays a father who relocates to South Carolina with his kids. As if an obligatory adjustment period isn't bad enough, soon his teenage daughter (Pan's Labyrinth's Ivana Baquero, skillful but an odd choice to play all American white boy Kevin's daughter) starts acting strange, and I mean Stranger than your usual garden variety brand of pubescent restlessness. There's something out there in those rural woods, something that's drawing the girl's attention and slowly start possessing her. Father Costner is creeped out and desperate, seeking help from anyone he can, including a professor of far flung urban legend mythology (Noah Taylor), the creepy previous owner of his new home (screen legend James Gammon in his last living film role) and his kid's foxy local schoolteacher (Samantha Mathis). It's a spooky enough little flick, albeit cobbled together from several other better movies. There's creature effects later on that score some points, and atmospheric cinematography, but ultimately it's average, middle ground material.