Cass

As a true story it's never going to feel like a Hollywood blockbuster, but compared to something like The Krays I think it stacks up superbly. This film feels real and as a side point the story should be respected, racism was rife in football at that time so the 'achievement' of Cass is even more remarkable.

I guess I'm a bit biased as I've met the man, met his wife and met his son (who had an extra role in Green Street).

Summary is this; a good film on a really interesting life and even though the narrative is grim, enough in the film to entertain, definitely recommend.

This is the film adaptation of how one Carol "Cass" Pennant rose from being an orphaned black boy, adopted by a white middle aged couple, to being a leader of the notorious football hooligan firm, The ICF.

You know what's funny? That one of the most well known names in the world of British Football Hooliganism is the last in the line of football violence related medium's. Had this film, and Cass' book been ten years ago, it surely would have had a greater impact. Going back to when the Brimson Brothers decided to write about a topic nobody but those involved understood in the mid 90s {source Everywhere We Go}, there has been books galore from what seems almost every footie hoolie mob going. Throw in all the film's and documentaries that have found a distributor since Gary Oldman starrer, The Firm 1988 {ID, Football Factory, Green Street and The Rise Of A Footsoldier etc}, well it's a pretty exhausted subject. So much so, that it's only really those of a certain age, and of an inclination to the topic, that can get much out of what essentially feels like a belated cash in.

In Cass' favour is that Pennant does have an interesting back story from which to launch from. His upbringing, and early struggles with racism is nicely dealt with. It put me in mind with Caroline Gall's book about hooligan outfit Zulu Warriors, where the black and white mix of races became united at football matches {see what I mean about this film trailing in others wake's}. So it be with Cass, it does have a bit of heart to go with its obvious shouty muscle. But here in lies another problem with the film, where does it want to go? What is it asking or telling us? Is Cass conflicted emotionally? Or is he merely using his troubled youth as an excuse for pounding some poor Newcastle fans head in? Pertinent questions that aren't properly answered I feel. There's a nice sequence with Cass in prison, as his racial standing is called into question by a patois spouting convict, but outside of that the film flits between being about a troubled man to an all punching thug. Something that, as I mentioned earlier, is pretty much old hat now guv.

Nonso Anozie does good work as Pennant, and Natalie Press continues to be effective in these type of roles {see Fifty Dead Men Walking}, while the underused Tamer Hassan asserts his scenes in another typecast role. I personally enjoyed the film because I can see that those involved thought a good film could be made about the matters at hand, but I'm afraid that anyone hoping for something fresh are in for one big let down. 6/10

There's many British gangster movies / football hooligan movies. Cass i certainly a candidate for being one of the better ones out there. I never go into story lines etc and try to keep my reviews brief and to the point here on IMDb. Basically if your a fan of the better UK movies like Football Factory, Green Street, Rise Of The FootSoldier, Clubbed etc then there's no way you will not enjoy this. Being based on a true story makes it even more engrossing for me and it's one i would recommend hence me giving it 8 stars.

One downside is that it gives off a bit of a budget look... almost older then it is look with the visuals but its a solid British flick. Deffo check it out.

As a contemporary of Pennant, and veteran of the 1970's and 1980's terrace culture,I was keen for this film to succeed. Sadly, with some good intentions, it fails, and joins the other flawed attempts to recreate the halcyon days of the hooligan. The authenticity of the background to the film is often well observed. But Director Jon Baird fails to have the expertise, or I suspect the budget, to faithfully realise the period..

Pennant's biography is well written, and a good read. It also covers over 40 years. A 108 minute screen running time, was always likely to be crippled by compromise, vignette and crude symbolism, and so it turns out. His story does have dramatic potential and sociological significance but neither Baird nor Pennant have the discipline or know- how to deliver it.

For lovers of football violence, there is not a lot of it. Three 20 a side rucks with Wolves, Leeds and Newcastle are the set pieces. For an 18 Certificate the grizzly reality of these confrontations is pretty sanitised giving succour to the dreamy, romantic retrospection that it was just like minded boys fighting, and finding a sense of family in hooligan gangs.

The key scene when one of Pennants lieutenants gets jumped by three Arsenal thugs and is slashed to ribbons needing 1000 stitches is strangely understated .Its setting is grimly authentic, three against one, the assailants armed, no chance of defence or escape for the victim. Yet we see only the healed welts on the victims face some time later, not the grim reality of a cowardly, bloody attack.

As a child the casual racism and bullying which "Carol" suffers, alongside a complete lack of personal identity, is well observed. Bravely, time is also found for racism he suffers at the hands of a black Rasta in jail. When his mother dies unexpectedly, his remorse at not having told her how much he loved her is genuinely poignant. Sadly though, these promising scenes are sketched in the same shorthand as the violent ones , which is very frustrating.

The "rucks" themselves are fleshed out with some ageing faces from the past, Bill Gardener,Mark Chester from Stoke, and Gilly from Wolves amongst them. It does not help the realism of the scenes to have time worn middle aged men in amongst what was a pretty exclusively young crowd at the time. This sop to some old boys to enable them to relive their youth is pretty risible. Equally Pennant himself appears uncredited as a bouncer alongside Frank Bruno, also uncredited.West Ham's North Bank and Chicken Run are not mentioned once, the South Bank gets two unreferenced name checks.

One of the best moments in the book is when Pennant steps in to save a random black kid from getting a beating from some racist skinheads – only to discover that he has saved Frank Bruno! Pennants close subsequent links with the boxing fraternity are only dealt with in short hand in the film and his chance meeting with a similarly incarcerated Ambrose Mendy left out all together, as is, inexplicably, his "saving" of Bruno.

Virtual unknown Nonso Anozeo, successfully carries off the role of the adult Pennant.Tamer Hassan plays a convincing cameo as boxer Ray.. Otherwise the ensemble provides background only to the main events. However the fundamental rush of football hooliganism, the massed clashes of sometimes several thousand protagonists is missing. As others have found ,it is very difficult to recreate with so many of the old grounds gone. What grounds and stands do remain are out of bounds to "hoolie" film makers from clubs eager to protect their sanitised reputation.

The hackneyed use of Thatcherite film clips as she pronounces on a subject she knows nothing about is cheap and adds nothing. Amusingly, shots of the infamous Millwall riot at Luton are shown twice, but Millwall, the ICF's great rivals are not mentioned once.

As a stand alone bio pic this is poor. Pennant is no Mandela. If you were there, there is enough to keep your interest but not enough to win your praise. In aiming to be more than a "hoolie film", this bio pic tries to achieve much, but ultimately falls victim to its own over ambition and vanity.

Excellent biopic and and great acting. The usual familiar British faces with your typical violence and swearing. Cass is played well and is a good portrayal of 1980s Britain. If you like football hooligan films you will like this.