Salt

When Angelina Jolie makes her appearance on screen, chances are most people are interested in seeing in nothing but her kicking some major ass. And for those who relished in a good time of shoving popcorn in their mouth while watching her go gun-blazing in the action thriller 'Wanted' back in 2008, this one makes a sound, if slightly lesser option. This spy action thriller, helmed from director Phillip Noyce who brought his work to the screen with two Jack Ryan adaptations 'Patriot Games' and 'Clear and Present Danger', is just another one of your average trips to the land of Angelina Jolie wielding her action skills against the baddies as she fights her way through the sporadic blemishes in the script written by Kurt Wimmer. Unlike 'Wanted', this flick proceeds with a slightly more political agenda at hand, primarily the corruption uprooted from Russia since the beginning of their fallout with the United States during the Cold War. This film focuses on Evelyn Salt (played by Angelina Jolie), a CIA operative who is a living a peaceful life with her German boyfriend Michael Krause (played by August Diehl) and being held as one of the most respectable agents at her job. Her life comes crashing down when she is accused by a captured Russian agent Orlov (played by Daniel Olbrychski) of being a Russian sleeper agent with a plan to assassinate the President of the United States. With the law enforcement along with Agent Peabody (played by Chiwetel Eijiofor) pursuing her and her boss Ted Winter (played by Liev Schieber) the only one who fully trusts her, Salt must set out on a mission to clear her name.

For a movie set on exhibiting Jolie in her frenetic ass-kicking mode, this one delivers for the most part. Watching the actress step into action with a frenetic gun-blazing, bone-crunching convulsion makes the tasty icing on the cake most action junkies crave for. But those who make the decision of taking the ride seriously fall victim to witnessing the flaws in the film's attempt at establishing a solid political complex. Adding substance to the plot is a political theme involving international corruption and relations between the U.S and Russia which ties knowledge the historical threats of the Soviet Union during the Cold War back in the 50s. It also makes the unfortunate feat of occasionally convoluting the plot, especially when throwing in a few twists and turns that will take audiences by surprise or leave them scratching their heads. Regardless, anyone willing to escape these blemishes are in for a nice treat, and that witnessing Angelina Jolie shoot, punch, and kick were way through the story in a sleek James Bond-style. Tension is kept high and the action falls nothing short of beauty, especially when adding explosions, car crashes, and vehicles slipping to the equation. For what the movie offers, it does enough to meet the appetite of cinema-goers hungry for a blend of sleek action thrills with brainy political subtext to go in the mix.

Salt is an entertaining ride, if somewhat forgettable in terms of cinematic action mayhem. For those craving a sweet kick of action, this makes a fresh choice, though it nothing that reaches the peak of its genre. All that can be said is that fun and thrills is the best thing this movie delivers if nothing more.

While I can't say that I was awaiting Angelina Jolie's latest outing with bated breath, I was intrigued by the fact that Salt was originally intended to be a Tom Cruise vehicle.

Tom's waning box office pulling-power aside, this sex-swap was a smart move by writer Kurt Wimmer (Equilibrium) as it gives Jolie the chance to prove that she can lay the smack-down on just as many henchmen as the boys can. Having her rather than him as the duplicitous CIA agent Evelyn Salt, Wimmer gives a fresh angle to a plot that could easily have been a boring instalment of the Bourne series. Salt also sees the welcome return of Russian villains to the cinema after a long period in which Middle Eastern terrorists were severely over-worked.

When a Soviet defector strolls into the CIA and announces that Salt is a sleeper agent who will kill the Russian president, she goes on the run. Fearing for the safety of her husband Michael, Salt sets out to find him before agents Winter (Liev Schreiber) and Peabody (Chiwetel Ejiofor) catch up with her. The question of where Salt's loyalties lie is the true source of tension and Jolie plays it cool, gaining and dismissing the audience's trust several times over.

Schreiber and Ejiofor draw the short straws in terms of dialogue and simply run after Jolie for the entire movie without doing anything of significance. Hopefully, if the proposed sequel goes ahead, Wimmer will be able to correct this glaring oversight.

The action scenes are sharply directed and Jolie finally gets her hands dirty, particularly in the opening exchanges where she's being tortured in a Korean prison. If that wasn't enough, she also flies down an elevator shaft by leaping from wall to wall – it was a silly effect but added a cheesy, fanciful element to what would have been an entirely too serious movie.

Consequently the first 40 minutes are fast and furious as Salt evades her fellow agents by any means necessary but not to be outdone, the rest of the film takes a left turn and continues to surprise with some serious fisticuffs, gun-play and high-speed car chases. Admittedly, for all its skill and enthusiasm, Salt's finale is a little over-the-top and it wanders into well-worn ground without knowing when to stop. Aside from this minor gripe, Salt is a well-directed action movie that delivers us a potential new franchise, an intriguing lead character and an exciting close to a lacklustre summer.

When Bruce Willis makes crash landings in the original "Die Hard" movie, at least he winces in pain and it takes him a few moments to regain composure. In "Salt", when Angelina Jolie jumps consecutively onto six moving trucks on the freeway, she's flying right up and instantly running at Olympic record pace, sort of like the original Terminator except sporting lipstick. Throughout the movie, she decks secret service agents faster than they can graduate out of combat training if she's not pushing out of moving vehicles going 70 mph while wearing handcuffs, although the officers forgot to put the cuffs on behind her. They put them on in front of her leaving her with a slight chance to get away. I guess the point of this movie: don't try this at home.

The essential plot I think is quite compelling, and I don't want to give too much away but only to say that nothing is at it seems until the very end. But I think I would have liked more of the mystery behind the story than all the long action sequences which I felt undermined a potentially complex idea. These days in filmmaking, it seems that the longer action sequences displace story development. There are flashbacks to a greater story but a lot of it was more confusing than insightful.

After a brief prelude in which Jolie is interrogated and tortured by North Korean military agents, the movie begins, presumably about a year later, with a Russian requesting asylum with the United States via the CIA. Agent Evelyn Salt (Jolie) interrogates the defector who tells a strange story about how the Russians infiltrate the United States with moles programmed and brainwashed during childhood. Only seconds after the interview is over, the defector is killing CIA agents and escaping the headquarters. And so is Salt. In fact, the agency is more determined to get Salt than the defector, which is one of the many little glaring plot problems that occur during this movie. The non-stop action begins here, fueled by several plots and subplots.

I think Salt is a decent film but not a great one. At least what it does successfully is keep you guessing. You're not sure what Salt is doing, where she's going, or even whose side she's on which keeps you at the edge of your seat. By movies end, I still had a lot of unanswered questions that were not explained through the action sequences. I also realized at one point, Jolie doesn't say much after the initial interview until the very end. It's hard not to like Jolie but I think she should have requested a bit of a better script with a little bit less chasing, gunning and blowing things up. Jolie can also act, not just chase.

Ready set get the popcorn! Non-stop action for those that want to veg out and popcorn up and for those reasons it delivers. Jolie pulls it off although if you take the film too seriously it has many flaws so resist the temptation to do so. I don't mind someone being really good at what they do but impossibly good stretches it too thin. Just keep eating your popcorn as the plot unravels and we like to follow it when it does. Great countdown to nuclear war sequence and depending on which version you watch (there are three), it ends satisfyingly, ends with a potential sequel or ends period. This is a movie where you don't mind having your senses ...

The people who wrote this film apparently don't think the audience is very smart. They want us to believe that Angelina Jolie who is about five foot four in her bare feet and 100 pounds wringing wet is capable of beating up and shooting about sixty people, crawling around a ten story building on a narrow ledge, jumping from tractor trailer to tractor trailer and climbing down a ten story elevator shaft! Boy she is one tough, ass kicking mama! Some people have said this movie is merely a clone of the Jason Bourne movies (one reviewer waggishly called Salt Jason Bourne with a vagina). However, Jolie makes her role distinctly unique. She holds this movie together with cool intensity that would rival any actor. The plot is convoluted and hard to follow but there is enough action for five movies, so just sit back and enjoy the ride. By the way, for you history lovers, there really was a theory that Lee Harvey Oswald had a Soviet lookalike who was the real killer of JFK and there really is an underground bunker below the White House.