Loft

What you can expect from this movie is a lot. First of all it's a thriller whodonit which last 2 hours. At the end of the movie you feel like is this over already??? That's a bloody good sign.

And then there's a lot more... five men share a loft where they meet their fancy women (read mistresses), they all have different personalities and that's a lot to take in a movie, but they are so well pictured and so well drawn in the script(Bart De Pauw) that they all become our friends sooner or later. Then include the wives and the mistresses, it's a real challenge to think who DID it.

Apart from that and without giving out any clues, it's so well acted, and the LOFT where most of the scenes are shot feels like a tremendous dangerous being. The LOFT has an extra role in this movie, believe me.

This movie, as a good friend told me, is not "The Usual Suspects" but it's close... very close. I thought about this a lot and then I think of course it is not the Usual Suspects, nobody wants a remake of that movie.

Loft is different but you will like the characters, not one second bores you except maybe the knife combat which takes a bit too long.

I especially enjoyed the Düsseldorf bar and the Casino scene. Great cinematography.

For people who enjoyed this I recommend the movie "Shades" with Mickey Rourke, I preferred this one a lot more than The Alzheimer Affair. But then, that's me...

My friend from Belgium recommended this movie back in November 2008. And now one year later, I have finally seen this Belgian movie entitled "Loft." I do not know any of the cast, but she mentioned that these are some of Belgium's greatest actors, and that was enough for me.

"Loft" tells the story of five male friends who each have a key to plush penthouse loft in a snazzy apartment complex. They use this loft to consummate illicit romantic affairs away from the prying eyes of their wives. But one day, their neat little arrangement gets a wrench thrown into it. A dead girl was found handcuffed to the bed one night. So the movie delves into the cover-ups, lurid secrets and double-crossing that are revealed as the friends try to extricate themselves from their tight situation.

The look of the movie is very stylish, very Hollywood-like. This is the same loft we see in American movies like "Sliver" or "Basic Instinct". Same is true with the editing, music and cinematography. However, I felt that the scriptwriter tended to over-reach towards the ending. The plot could have already ended neatly, but still he decided to push for another one, making matters too convoluted.

Overall, this movie is good to watch, exciting and tense as it went along. But do not try to analyze too much watching it, as this would cause you to discover a lot of questions about the plot and its various holes, especially when it comes to the sequence of events.

The movie takes a while to pick up steam but soon enough the director takes us on exactly the kind of roller-coaster ride we want out of a whodunit thriller. The story's very sly and just when you think you've figured it all out, it slips away from you, it's like trying to hold on to a wet bar of soap. Van Looy's greatest accomplishment is avoiding the sin most of the movies in this genre make: neglect the characters. Without losing pace, we manage to really get to know the pawns in our chess game, and as each one's motivations start to sink in, even the most unlikely become suspect.

We see here assembled a who's who of Belgian stars, the dream team cast, even the smaller roles are given to top class actors (Jan Decleir). The film's lighter on it's feet than Van Looy's previous, we (on first sight) get to deal with far less tortured souls, which makes some room for humorous intervals, I fear a lot of these will get lost in translation.

As in all stories, but even more so in plot-driven thrillers, the end's the most important part. It delights me that they didn't choose a ridiculous, nonsensical ending as so much postmodern thrillers shamelessly do these days. I can't give anything away of course, but I for one didn't see it coming at all and yet it adds up when you replay previous scenes in your head.

Go see it, it merits national and international attention.

In Flanders, there has been such a huge hype about this movie that it's almost impossible for director Erik Van Looy to live up to the expectations. If we are to believe everything that has been told about it, this is supposed to be the best movie ever made in Flanders, and a Hollywood remake would only be a matter of time.

Let's face it: Loft is a run-of-the-mill thriller. Not bad, but not excellent. It looks very stylish, and that is perhaps also the problem: apart from style, there is not much else. The whodunit-story is OK, but twists and turns just a little bit too much for my taste. The acting is all right, but not world-class. The cinematography is good, but not imaginative. The characters are flat - we don't know why they do what they do.

The movie lacks a little bit extra that could have made it really good. There is no theme, no emotion, no message. There are no scenes that stand out. Not one single scene makes you cry, shiver or laugh. That's OK - you can't expect every movie to do that. Loft is good, but not great.

because this movie would be world wide hit. I guess it's only a matter of months before Hollywood will start a remake of this movie, which -if properly filmed- WILL be world wide hit.

There's been a lot comparing with "The Usual Suspects", and I can get the point: the interrogation filled with flashbacks, the witty and clever plot and the unexpected end, when you believe all was solved. Still, these two movies are completely different. Someone who goes to "Loft" expecting to see "The Usual Suspects" will be disappointed, and that is not meant as a criticism. Simply, Loft stands on its own and apart from what I wrote above, has little to do with "The Usual Suspects". But someone who enjoyed Suspects (and Memento for that matter) will certainly like Loft.