A Redenção de Sarah Cain

I've been an extra on over a dozen movies and this is the one I'm most proud to have participated in. Although it is a bit predictable, that doesn't lessen its emotional impact and touching story.

Lisa Pepper gives a subtle and effective performance. This is the first Michael Landon, Jr. film I've seen and he's an even better director than his father.

Elliot Gould gives a fresh spin to what could have been a cliché -- the hard-bitten news editor. His gentle humor makes the role more than it would have been in lesser hands.

The kids manage to be cute, while avoiding diabetes inducing sweetness.

If you are looking for a family film with unusual depth and feeling -- this one of the best.

I also highly recommend the DVD for it's interesting and insightful features.

Michael Landon Jr. is great at writing for his core audience. My wife and I loved the movie and even my 8-year-old came in and started watching it. It has solid acting (*except* for Elliot Gould, IMO), especially for children in difficult roles.

I can't believe that a movie of this quality was originally made on a cable network budget! The soundtrack is among the top 5 that I have ever heard. It really captures the emotion and drama and features some great modern but sensitive tracks by Mark Mckenzie featuring a couple outstanding tracks by Sixpence None The Richer and Barlowgirl. I rarely say "Wow, that was a great soundtrack," (last time was The Mission, I think) so it really stood out, especially since TV movies usually have lousy soundtracks.

If you like Michael Landon Jr.'s other movies (or the typical "Hallmark" movie), you will love this one.

This comment is an attempt to balance out a "review" that broad brushed the acting in "Saving Sarah Cain" as wooden, the situations unrealistic, and the movie nothing more than sappy and clichéd. There was no sense of giving the reader the pros and cons to this film. As such, the author's "take" on the film had more to say about his or her film preferences than it did about the merits of the film itself.

While the premise of "Saving Sarah Cain" is somewhat of a stretch — relocating orphaned Amish children to a big city in order to live with an "English outsider" — the film is nevertheless intriguing and heartwarming.

To read such harsh criticism, however, one has to wonder if there some "rule" that says a good movie must be dark, depraved, brash, violent, sardonic or just plain jaded? If these harsh criticisms had been applied to yet another romantic comedy, I would say that the man-meets-woman premise has been milked to death and probably does deserve some of those criticisms. However, "Saving Sarah Cain" is not at all shallow, shows no disrespect or flippancy toward Amish culture, and the subject matter itself is not at all overdone. The acting on the part of the Amish children's characters was sensitive and convincing to the point of wondering if they somehow WERE drawn from among the Amish (or had lived among them in order to become true to their mannerisms). In addition, the situations and the psychological reactions to them were portrayed well enough to make the characters believable, though it is, in fact, based upon a work of fiction.

It would seem that the review presently leading the pack for this film advanced the idea that a "real movie" cannot be touching. However, I would say that sentimentality is not the problem. To the contrary, it is much harder to portray that which is innocent, earnest, restrained, modest or pure than it is to portray the hardened, jaded, disturbed, dysfunctional or brash characters that many dramas either call for. Of course, we're not living in the Silver Screen era, so it should be no surprise that this sort of movie — the director, script and its actors — would draw criticism from those who think there's only one way to make a decent movie: the way everyone else is doing it. I cannot name one film or work of fiction that does not follow a protagonist/antagonist formula, so the "cliché" criticism in the prior review is nothing more than a Red Herring.

In conclusion, if films that focus on an uplifting ending and steer clear of violence and stereotypical subjects and characters do not appeal, don't blame the director. Blame it on the fact that NO such movie is one's cup of tea. You'll never see me write a horror movie review because I would not do the subtleties of the horror genre justice. Likewise, I do not wish to read another review written by someone who obviously doesn't "get" the audience to whom "Saving Sarah Cain" is directed. There are some people who like to post reviews simply because they are contrarians and are under the impression that intellectual and artistic prowess must be demonstrated via criticism. The art is never good enough. The wine is never good enough. The films are never good enough. You get the idea…

Ignore them.

"Saving Sarah Cain" gets my vote for a movie well worth watching.

It's not a bad movie, and is rather touching. Definitely sends the 'right' message for young people and families.

I live in Lancaster, PA. This movie is so full of inaccuracies about the Amish that I can't give it a full recommendation. Please don't watch this and assume you've learned about the Amish and their way of life.

We laughed when we heard the Amish 'elder' speaking--Amish don't have German accents! And Amish bonnets don't look like that. I could go on.

Suffice to say, the Amish aren't at all as innocent of our way of life as we'd like to believe them to be.

This wasn't particularly exceptional, in my view, but was very well done for what it is, as a light comic drama. Yes, it is a feel good type of film, and even commits the sin of having a happy ending. If you would prefer to see a tale of violent vengeance, of some sort or another, this isn't your film. And, if you are a fan of car chases...you may have to settle for a horse and buggy.

And while this has one or two moments which are a bit contrived, or even slightly preachy, or maybe even after-school-specialish, on the whole it isn't too heavy handed. And a genuinely interesting story, as well as some solid performances (especially by Lisa Pepper as Sarah), make this a worthwhile effort.

On the downside, the available material as far as culture clash, individual and group identities, and the relationship with the outside world isn't too deeply mined, and we instead get a surface treatment with a few symbolic moments which seem to be treated as needed plot devices, rather than moments for a deeper exploration of character or human behavior. The story and characters could have benefited from a more thoughtfully developed script in some of these moments.

But the writing is stronger on the subject of family relationships, which is more the focus here than the relationship with the outside world. And the film does well here, exploring Sarah's relationships with her departed sister, with the man who wants to marry her, and with the family she had for too long lost contact with. The least engaging performance there may have been Tom Tate, as Bryan. But while he does come across as a bit wooden, and dull, that is pretty much what the character required. It is obviously part of the message of the film, that Sarah at times hasn't been as appreciative of the plain, but reliable and virtuous Bryan as she maybe ought to have been.

And, ultimately, the film itself takes on some of the same characteristics it seems to admire in Bryan and in the Amish. It is a bit simple, and at times dull, and at others a bit too preachy, but overall solid, reliable, and well intentioned, and able to find joy in the simpler pleasures of life.

Perhaps I shouldn't be surprised then that this was directed by Michael Landon, Jr. The overall approach is similar to that of the "Little House on the Prairie" series in which his father starred. You might add or subtract a star or two according to whether that appeals to you.

Whatever the limitations of the genre however, this type of family entertainment can be done poorly, or it can be done well, and this example is at least above average.