AVALIAÇÃO DA IMDb
5,4/10
3,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA suburban town in Japan is the victim of what is supposedly just an urban legend, a woman's spirit with a horribly disfigured face who is intent on kidnapping children for unknown reasons.A suburban town in Japan is the victim of what is supposedly just an urban legend, a woman's spirit with a horribly disfigured face who is intent on kidnapping children for unknown reasons.A suburban town in Japan is the victim of what is supposedly just an urban legend, a woman's spirit with a horribly disfigured face who is intent on kidnapping children for unknown reasons.
- Direção
- Roteiristas
- Artistas
Saaya
- Shiho Nakajima
- (as Sâya Iri'e)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Thought this movie was alright in my opinion, the plot is very well coordinated and despite the films obviously low budget it does well with what it's has! I would love to see this film as a bigger more money invested in project it could really develop into something more.
Ending was a shocker by the way !
Kuchisake-onna is perhaps one of the most well known and "beloved" urban legend in Japan. It is essentially about a woman with a split mouth roaming around the streets kidnapping children on their way home. This perhaps was anticipated by many Japanese people since they finally got to see the classic monster in the silver screen, and it is still enjoyed and loved by many today. Though I enjoy this movie since there are quite a few scary moments, this is a movie that is very poorly made.
How the screenplay is lazily written is very evident from the way the characters are written. The two lead characters are the teachers of the school Kuchisake onna targets, and they are introduced as normal, flat characters. However, as the movie goes on, it feels like the screenwriters were finishing the script as they were shooting the movie and decided to cram in backstories for the teachers in the last minute. In addition, the screenwriters added Kuchisake onna herself a backstory. What they decided to do is make Kuchisake onna the mother of one of the lead teachers, and the way that is executed is literally like a your mama joke. Beyond that there are many unclear explanations on the rules of this Kuchisake Onna virus, which does not show any patterns and is just possesing random moms. If they could have just done a straight forward slasher movie without adding unnecessary back stories and depth to the characters and Kuchisake Onna herself, this could have been just a very enjoyable B grade horror movie. However by trying to be overly serious with a source material that works without seriousness, it backfired and just became plain silly.
But what absolutely kills this movie is the horrible acting. From the child actors to even the lead characters are played with underwhelming skills. It is clearly evident that the actors didn't take their roles seriously at all, and it feels like they were reading the script at the front of their face as they were shooting the movie. The only good performance was by Miki Mizuno who plays Kuchisake Onna. Overall, this is a movie that should have been better than it is, but is ruined by very poor acting and writing.
How the screenplay is lazily written is very evident from the way the characters are written. The two lead characters are the teachers of the school Kuchisake onna targets, and they are introduced as normal, flat characters. However, as the movie goes on, it feels like the screenwriters were finishing the script as they were shooting the movie and decided to cram in backstories for the teachers in the last minute. In addition, the screenwriters added Kuchisake onna herself a backstory. What they decided to do is make Kuchisake onna the mother of one of the lead teachers, and the way that is executed is literally like a your mama joke. Beyond that there are many unclear explanations on the rules of this Kuchisake Onna virus, which does not show any patterns and is just possesing random moms. If they could have just done a straight forward slasher movie without adding unnecessary back stories and depth to the characters and Kuchisake Onna herself, this could have been just a very enjoyable B grade horror movie. However by trying to be overly serious with a source material that works without seriousness, it backfired and just became plain silly.
But what absolutely kills this movie is the horrible acting. From the child actors to even the lead characters are played with underwhelming skills. It is clearly evident that the actors didn't take their roles seriously at all, and it feels like they were reading the script at the front of their face as they were shooting the movie. The only good performance was by Miki Mizuno who plays Kuchisake Onna. Overall, this is a movie that should have been better than it is, but is ruined by very poor acting and writing.
A town is haunted by the myth of a woman whose face has been mutilated in a very awesome looking fashion. She wears a mask over her mouth and shows up to people asking "Am I pretty?" Their answer almost always leads to their death.
I loved this movie. The story was different. I haven't seen anything too similar to it before. The story was interesting, even a bit touching at points. It never got laughable to me. The whole thing stayed pretty dark and serious. (I'm sure the horrific involvement of children in the story helped that...) The camera work was really slick. I loved the lighting and the atmosphere towards the end. It had a great pace. It moved fast, even by American standards. (This is surprising for an Asian flick.) The ghost was unique by Asian standards. (She didn't have the hair over her face, nor did her hair seem to be alive.) The woman with the sliced mouth was a very cool visual.
This has been one of my favorite Japanese horror films yet. Another big difference from most Asian films I've seen is that IT ACTUALLY MADE SENSE. Many Asian flicks like to have ambiguous endings that don't seem to have a definite meaning, so the audience can discuss their take on it. That, or the films are just made very bizarre, outlandish, and hard to follow. But this one actually made sense to me all the way through.
Most of what I've read say it's "average"... I'm sorry, but all of the really famous Asian horror flicks I've seen seemed to be very similar to each other... I'd call those "average". In my eyes, this shied away from Asian routines, (which are sadly becoming American ones now...).
I highly recommend this to any supernatural horror fan. I thought it was a great little ghost flick with a good story and some awesome eye-candy.
I loved this movie. The story was different. I haven't seen anything too similar to it before. The story was interesting, even a bit touching at points. It never got laughable to me. The whole thing stayed pretty dark and serious. (I'm sure the horrific involvement of children in the story helped that...) The camera work was really slick. I loved the lighting and the atmosphere towards the end. It had a great pace. It moved fast, even by American standards. (This is surprising for an Asian flick.) The ghost was unique by Asian standards. (She didn't have the hair over her face, nor did her hair seem to be alive.) The woman with the sliced mouth was a very cool visual.
This has been one of my favorite Japanese horror films yet. Another big difference from most Asian films I've seen is that IT ACTUALLY MADE SENSE. Many Asian flicks like to have ambiguous endings that don't seem to have a definite meaning, so the audience can discuss their take on it. That, or the films are just made very bizarre, outlandish, and hard to follow. But this one actually made sense to me all the way through.
Most of what I've read say it's "average"... I'm sorry, but all of the really famous Asian horror flicks I've seen seemed to be very similar to each other... I'd call those "average". In my eyes, this shied away from Asian routines, (which are sadly becoming American ones now...).
I highly recommend this to any supernatural horror fan. I thought it was a great little ghost flick with a good story and some awesome eye-candy.
Children tell the story of the slit-mouthed woman, a killer with a deformed face, surgical mask and very long scissors ready to slice up the kids while asking "Am I pretty?". As rumors of the woman spread, the panic in town grows and the rumors become true -- remarkably so, as they seem to come from nowhere. What is the origin of this killer?
Something about Asian horror is both appealing and distressing. I can't pinpoint it. The films are different enough from American films to give a special feel to the viewer for when we've had enough of the classic slasher. Yet, no matter how different one Asian film is from another, they seem to all co-exist in the same universe. This film is no exception: while not relying on the same techniques as "Pulse" or "The Grudge" or even "The Ring", there's a sense that we haven't left those worlds too far behind.
Like many Asian horror films, there is a sense of the supernatural here. American horror often tries to explain its stories in a reasonable way (even when the villains are of an other-worldly nature). Asian horror is less likely to do so. Here is another example of that. As the film progresses, we learn more about the slit-mouthed woman, but we never really understand how or why she does what she does.
I enjoyed the rumors element. I think this was very clever and if the film were longer, I wish they'd have gone into this more and made the plot and background deeper. At one point, a child is asked where the slit-mouthed woman lives and she responds in a house with a red roof on the hill. Despite having no reason to know this (she never saw the house or even the woman), the rumor invariably turn out to be true. I found this very interesting.
I also liked the makeup. Having recently seen "Pan's Labyrinth" I saw how cool it was to have a person with a mouth slit open to their ear (and, by the way, if you haven't seen this film you really must). This film makes it the selling point of the movie, not just a brief scene -- the way the woman is shown with the mouth and dead eyes is pretty cool. I didn't find her particularly scary or creepy, but an interesting villain just the same.
Perhaps some of the film is lost in translation. A key aspect of the film is that the kids think the woman says "Am I pretty?" and later we are told she says "Aim my neck." I am under the impression that whatever the original wording was, these two phrases are even more similar to create a parallel. Here, the words "pretty" and "neck" are a bit of a stretch. But it slid.
If you like Asian horror, I suggest checking this one out. The copy I watched was pre-release, so the picture wasn't fully touched up and there were numbers counting across the top. Once the official DVD is out, I suspect this will be a bit crisper and the sounds even creepier (maybe like the comb noise from "The Grudge"). Either way, I liked it, and it was a good vacation from the same old teenagers in the woods movie.
Something about Asian horror is both appealing and distressing. I can't pinpoint it. The films are different enough from American films to give a special feel to the viewer for when we've had enough of the classic slasher. Yet, no matter how different one Asian film is from another, they seem to all co-exist in the same universe. This film is no exception: while not relying on the same techniques as "Pulse" or "The Grudge" or even "The Ring", there's a sense that we haven't left those worlds too far behind.
Like many Asian horror films, there is a sense of the supernatural here. American horror often tries to explain its stories in a reasonable way (even when the villains are of an other-worldly nature). Asian horror is less likely to do so. Here is another example of that. As the film progresses, we learn more about the slit-mouthed woman, but we never really understand how or why she does what she does.
I enjoyed the rumors element. I think this was very clever and if the film were longer, I wish they'd have gone into this more and made the plot and background deeper. At one point, a child is asked where the slit-mouthed woman lives and she responds in a house with a red roof on the hill. Despite having no reason to know this (she never saw the house or even the woman), the rumor invariably turn out to be true. I found this very interesting.
I also liked the makeup. Having recently seen "Pan's Labyrinth" I saw how cool it was to have a person with a mouth slit open to their ear (and, by the way, if you haven't seen this film you really must). This film makes it the selling point of the movie, not just a brief scene -- the way the woman is shown with the mouth and dead eyes is pretty cool. I didn't find her particularly scary or creepy, but an interesting villain just the same.
Perhaps some of the film is lost in translation. A key aspect of the film is that the kids think the woman says "Am I pretty?" and later we are told she says "Aim my neck." I am under the impression that whatever the original wording was, these two phrases are even more similar to create a parallel. Here, the words "pretty" and "neck" are a bit of a stretch. But it slid.
If you like Asian horror, I suggest checking this one out. The copy I watched was pre-release, so the picture wasn't fully touched up and there were numbers counting across the top. Once the official DVD is out, I suspect this will be a bit crisper and the sounds even creepier (maybe like the comb noise from "The Grudge"). Either way, I liked it, and it was a good vacation from the same old teenagers in the woods movie.
This is the first relevant "Kuchisake-Onna" movie. It's a dark slasher vaguely inspired by true events that hit Japan back in the seventies. Several pupils are kidnapped on their way home. Soon rumours are spread about a possessed woman with a long trench coat that wears a mask to cover its mutilated face that kidnaps the children to cut their mouths up to the ears as that evil woman has lived the same torture in the past. The police doesn't find any relevant trace but several pupils seem to know more about that mysterious woman. A young and sometimes unstable female teacher who has been through a difficult divorce and who has a troubled relationship with her daughter joins a shy and young male teacher who seems to have telepathic powers and who hears the voice of that mysterious woman but always arrives a little bit too late at the scene of the crime. Together, they try to find the hideout of that evil woman. They soon realize that the evil woman is more some sort of a spirit that can easily possess anybody if her head isn't definitely cut off. As more and more innocent people die or get kidnapped, the young male teacher understands that he has a very special connection to the killer and that the final showdown will lead to unnameable sacrifices for both teachers.
I really found this first movie very intriguing. It convinces with a very dark atmosphere and a good balance between gripping slasher scenes and a surprisingly well done character development. The two young teachers incarnated by Eriko Sato and Haruhiko Kato play quite convincing roles and both characters have to face their own inner demons before they confront that evil woman. The movie doesn't only belong to the horror genre but has also a few dramatic and emotional moments. I really liked the unconventional attitude of this movie. One could think that a soft love story would develop between the two young teachers but this isn't the case and one doesn't get distracted from the solid main story line. The film also includes some minor twists and some tension filled and unexpected moments. I also like the polarizing ending of the movie that really send shivers down my spine. I guess that this ending wants to make sure that you won't forget this movie all too soon.
All in all, this is a very atmospheric and well played dark slasher movie that also focuses on some dramatic scenes and a very well done character development. This mixture of two distinctive genres is very well done and makes this flick more accessible to a larger crowd in my opinion. It's nothing revolutionary after all but surely a quite gripping and entertaining movie. Fans of Asian horror cinema should surely grab this solid movie and will have quite some fun.
I really found this first movie very intriguing. It convinces with a very dark atmosphere and a good balance between gripping slasher scenes and a surprisingly well done character development. The two young teachers incarnated by Eriko Sato and Haruhiko Kato play quite convincing roles and both characters have to face their own inner demons before they confront that evil woman. The movie doesn't only belong to the horror genre but has also a few dramatic and emotional moments. I really liked the unconventional attitude of this movie. One could think that a soft love story would develop between the two young teachers but this isn't the case and one doesn't get distracted from the solid main story line. The film also includes some minor twists and some tension filled and unexpected moments. I also like the polarizing ending of the movie that really send shivers down my spine. I guess that this ending wants to make sure that you won't forget this movie all too soon.
All in all, this is a very atmospheric and well played dark slasher movie that also focuses on some dramatic scenes and a very well done character development. This mixture of two distinctive genres is very well done and makes this flick more accessible to a larger crowd in my opinion. It's nothing revolutionary after all but surely a quite gripping and entertaining movie. Fans of Asian horror cinema should surely grab this solid movie and will have quite some fun.
Você sabia?
- CuriosidadesThe film is based on a Japanese legend in which a samurai's wife was caught cheating on him, and he slit her mouth open. The same woman roams foggy streets, with a surgical mask on, and asks people she encounters, "Am I beautiful?". If they say, "Yes" she removes her mask and says, "Even like this?", and then slits their mouth. If they say "No" she cuts them in half. If they say "Average", she will allow them to escape.
- Erros de gravaçãoIn one scene there is a dead woman on the floor, the woman is shown breathing when she is dead in the movie for a few seconds.
- ConexõesFeatured in WatchMojo: Top 10 J Horror Films (2016)
- Trilhas sonorasGarasu no hitomi
Music by Yoshimi Katayama
Lyrics by Kana Mizushima
Performed by I-lulu
Courtesy of For-Side Records
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- How long is Carved: The Slit-Mouthed Woman?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 189.229
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Kuchisake-onna (2007) officially released in Canada in English?
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