Leões e Cordeiros

Overall, it's a decent movie. Could have stood more action, more texture. It becomes a little boring after the endless cuts between three different settings where each new shot is quite similar to the last one in the respective setting. But, the dialouge between Redford and the student is interesting. Lots of people are saying its "patronizing"...I didn't really feel that. Apparently that would make me stupid according to some that have commented on this film. But, I didn't really feel that was the intent, feel of it. It's more of a "set back and look at YOUR life and ask yourself if you're really doing all you could be" type of film. I only give it six stars because of the ending and because I feel the film lacks enough texture and becomes a little dry throughout.

Thumbs are of no use in talking about Robert Redford's "Lions for Lambs." Sticking them up or down makes little sense. It's not that kind of movie. What kind is it? Pretty much without a category.

The time is the present, Bush II is president, there is an unending war in the Middle East, the setting is present-day D.C., everything looks documentary-realistic. It could be a Sunday-morning panel discussion, but the cast consists of a bevy of stars, performing magnificently, with a script that seems to be formed by headlines from today's newspapers.

At the center of the film is a lengthy, unlikely, but brilliant duet of a an interview between a veteran, nobody's-fool political reporter (Meryl Streep) and a young hotshot NeoCon senator (Tom Cruise), both utterly believable, notwithstanding the challenge of some lame lines by screenwriter Matthew Michael Carnahan for Cruise. Still, overall, the business between the two is the "people's business," about the lethal foreign-policy bungling of a war of choice, now running longer than World War II. (These are not editorial comments, but rather a report on what the film says.)

While dissecting the Iraqi disaster, and hearing some surprising and obviously manipulating admissions of errors from Cruise's hawkish senator, the issue at hand is the senator - a key military adviser to the President - trying to steer Streep's skeptical journalist into "selling" a new plan of attack in Afghanistan, something she instantly recognizes as a throwback to failed strategy in Vietnam.

Alternating with the interview segments are battle scenes in Afghanistan where two Army rangers (Derek Luke and Michael Peña) are risking their lives in implementing that new plan. Then, by a stretch and rather awkwardly, there sits Redford's professor in his West Coast college office, pulling the story together between the two lion-like Rangers, who were his students, and a bright, troubled student (Andrew Garfield) who lost his way, baa, baa, baa.

Significant and entertaining, thought-provoking and reality-based sad, mostly well-written, and exceptionally well-acted, "Lions for Lambs" is likely to leave the audience with the feeling of having participated in an important happening, but perhaps not quite knowing what it was.

Gushing about Streep is almost embarrassing, but... Once again, she transcends text, expectations, whatever you may anticipate, and gives a performance to remember and treasure. Her expressions, body language, silences create a character with a life of her own, a "real person" we, the audience, feel as if we have known always, intimately.

Not true! Robert Redford didn't take to the pulpit to give us a pet talk. He's far too subtle, honest and compassionate to pull a stunt like that. The film is about questions not about answers and we're all grateful for that. I left the theater with a weight on my chest because I believe in the validity of the questions and the individual responsibility of finding the fair way to the answers. Important to remember, at least it was for me, that this is a film delivered to us by three icons. Robert Redford, a symbol of consistency and independence, Meryl Streep, an actress who defined the last two decades of film acting with characters that went straight to the center of something and Tom Cruise, the box office champion who's become a controversial figure despite of his undeniable humanity. I will take a stand here and advise you to go and see this film. You will come up with new questions and a potential road map for the answers.

It's easy to imagine the 2007 drama Lions for Lambs performed on the stage, since the story is so dialogue-driven and only three simple sets-or merely four chairs, if a modern take was adopted-would be necessary. Three stories are all related, each including a dialogue between two characters, in a time-sensitive story during the current (depending on when you rent this movie) war in the Middle East. In one, a powerful Republican senator, Tom Cruise, tries to persuade a liberal journalist, Meryl Streep, to write a favorable piece on his efforts for the war. In another, a California university professor, Robert Redford, tries to get an apathetic student, Andrew Garfield, to care about current events. In the third, two soldiers and friends, Michael Pena and Derek Luke, find themselves isolated and fighting for their lives during a mission gone wrong.

If you're hooked already, like I was, you're going to want to rent this one. Plus, it's Robert Redford's baby (meaning, he directed it) so you know it's going to be well-made and full of top-notch acting. If this ever does get turned into a stage play, I think it'll be a great success. Many theatergoers will enjoy the witty dialogue and agree with the message. A word of warning, though: if you find yourself agreeing with Tom Cruise as the movie starts, you might not enjoy the rest of it. I wouldn't exactly classify this film as a "message movie," but it definitely has a theme. If you're a Republican, there's a chance you might not like it.

A great movie. this is the decent start point for define it. first, for performances. second, for the perspective about politic and war. not the last, for the admirable job of Robert Redford. sure, after many films about similar subject, it is easy to criticize it or see it as anti-war propaganda, political manifesto - and it is realy is one -. but it is more than a story of idealism and fall of noble intentions. it is a film about rolling history. about its trues and about the need of desire to change everything. not as expression of naivety . but as duty. short, a real great film.