Musta jää

I don't know and I kinda guess the characters don't know either. It's more like not willing to lose something, than to actually love it/him/her. You could also say, Love is in the air ... but somehow no one can touch it.

While it has it's comedic moments too, it's more a (black) drama. At first you might guess where this is going, it seems to go the usual path that any movie with a plot like this goes (look for the plot summary, if you will, I won't spoil anything), but it does turn out to change it's path. Sometime the changes are very ridiculous, so you might have to stay with it. If you click out at some of the outrageous plot changes, you won't like the movie. The end is complete out-there (i.e. crazy), but the movie builds up to that point, so it's not a complete surprise. Still some might be shocked/appalled by it ...

"Black Ice" is a movie that deserves the name. A complex and multi-layered drama that investigates modern society and human relations in this society. Choosing a suitable metaphorical title and creating a good atmosphere of the movie is one of the key features of the movie. The weakness of the film, which reduces the impact and visual value of the film, is the inappropriate role of the soundtrack. The music of the film is added in most of the sequences and plays the role of negative filler. The characters are well-characterized and have a suitable job for the drama situation. I loved the movie and the only regret I have is the soundtrack.

Musta Jaa's dark triangle thriller definitely got my attention with its suspense and twists, but for a country that views women as powerful, this film did a wonderful job of showing them as weak. Perhaps I hold the Scandinavian countries to a higher standard when it comes to social liberalism, but for a movie made in 2007, I do not like its messages. Why are these women victims? Sara should have left her husband immediately, and Tuuli set herself up for a lifestyle of insecurity and unhappiness. Kotwica claims that he wanted two powerful female leads, well Petri, these ladies were pathetic. This movie makes me NOT want to go to Finland, that's for sure.

It seems that Kotwica is trying to get us close to both Saara and Tuuli. His portrayal of Tuuli encourages the viewer to be sympathetic towards her. Long takes, using a close up shot show her crying and miserable. EVEN THOUGH SHE WAS DATING A MARRIED MAN! This girl is young and beautiful, and she goes after some pock faced homely professor who is "so intelligent" and truly "appreciates her art." Barf! Physical appearance is obviously not the issue here; I just felt like being descriptive. The fact is Tuuli is stupid, ignorant, and epitomizes everything a female should not be. No matter how well you do in school or how great of a citizen you are, sleeping with someone's husband makes you dumb. At the end of the movie, I was crying! I was so happy that Saara helped Tuuli. I wanted her to live, and I felt sorry for her. Then, I thought about it, and realized that she is dating/dated a married man. Duh. I believe in second chances, I do, but Kotwica made me forget everything immoral about Tuuli's character. There were even times when I thought Sara was the annoying one.

Let's look at a more positive aspect of Finland. Gender equality! Both Saara and Tuuli are women with good economic standing. Saara is a doctor, showing that she has had many years of education, while Tuuli is currently studying art at the university. Their roles in society seem to portray gender egalitarianism. This portrayal is quite accurate, as Finnish women tend to have full time jobs and have equal rights in the labor market (Arber and Lahelma, 125). In fact, women have historically participated in the labor force. For example, in 1950, 41% of women were employed (Arber and Lahelma, 123). This was possibly the one good thing these women had going for them, but what good is gender equality in the schools and work place when your significant other is a cheating, shallow a. hole?

Maybe the consumption of alcohol is a contributor in the poor behavior of these females. We saw Tuuli and pretend Saara go out on two occasions and drink heavily. Sara banged a German exchange student half her age, and Tuuli often cried over her gross married boyfriend. In Substance Abuse (2001), Bloomfield, Gmel, Neve and Mustonen found a large increase in alcohol consumption among Finnish women since 1970. They believe that the egalitarian society causes women to adopt behaviors, such as drinking, from males because they are "increasingly moving into professions and/or lifestyles similar to those of men" (39).

Perhaps these are issues that Kotwica wants to address, because it sounds like drinking and infidelity is a prevalent issue in Finland. If his intentions were to prove that this type of lifestyle is unjust and immoral, then yes, I agree with him. My one question I still must continue to ask is: why make Tuuli so innocent? She is a woman who should be able to recognize that her choices are bad for her well being. Is this how Finland views infidelity? I'm not a religious person, so I do not believe adultery is sin, but I think marriage requires commitment between two individuals. Two people in a marriage should have enough respect for each other not to cheat! How about a divorce???? Legally, they're fairly easy to get in Finland.

Honestly, I did not hate Musta Jää. It was exciting and had exquisite cinematography, and I always enjoy a film with an unpredictable plot line. And for the record, I am not opposed to traveling to Finland. I know better than to judge a country by one representation. However, the two women angered me, a lot.

Bibliography

Arber, Sara and Eero Lahelma. (1993). "Women, Paid Employment and Ill-Health in Britain and Finland". Acta Sociologica. Vol. 36, No. 2, pp. 121-138. Sage Publications.

Bloomfield, Kim, Gerhard Gmel, Rudie Neve and Heli Mustonen. (2001). "Investigating Gender Convergence in Alcohol Consumption in Finland, Germany, The Netherlands, and Switzerland: A Repeated Survey Analysis". Substance Abuse. Vol. 22, No. 1.

Both the concepts of cheating and of blaming the lover instead of the cheater are things I simply can't understand. Needless therefore to say that stories about cheating aren't my thing. This one though, it has something. Another user called it a 'twisted revenge', and that's pretty much what it is. It's weird, cold, manipulative and even disurbing at times. But the several layers of quiproquos and masquerades are clever, and the characters are very well portrayed and full of charisma, which makes the film entertaining.

Black ice is a strong film, with excellent characterisation, plot development, and filming; in fact it won seven Finnish Jussi (film industry) awards in 2008 including Best Film, Best Director, Best Script, Best Editing, Best Music, and Best Actress. The wife who is misled by her husband decides to play a complex game, but as the plot unfolds she develops dual feelings of both friendship and revenge towards her husband's mistress. Our feelings towards the mistress are bounced around too because she is quite happy to be a participant in the plot of deception she and the husband are engaged in, but then we find she herself becomes an unknowing target in the wife's plan of deception. The wife seems to have a fondness for knives (kitchen, gym props, and scalpels) and this gives the film a further degree of bite. Which of the 'friend or foe' feelings held by the wife will be triumphant by the end of this very fine film?