AVALIAÇÃO DA IMDb
4,8/10
7,6 mil
SUA AVALIAÇÃO
Della vai ao shopping para fazer compras na Véspera de Natal. Mas ela será obrigada a lutar por sua vida após se envolver com um grupo de criminosos no estacionamento do lugar.Della vai ao shopping para fazer compras na Véspera de Natal. Mas ela será obrigada a lutar por sua vida após se envolver com um grupo de criminosos no estacionamento do lugar.Della vai ao shopping para fazer compras na Véspera de Natal. Mas ela será obrigada a lutar por sua vida após se envolver com um grupo de criminosos no estacionamento do lugar.
- Direção
- Roteiristas
- Artistas
Luis Chávez
- Tomas
- (as Luis Chavez)
Melissa Sue Anderson
- Cassie
- (narração)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The genre of suspense films really takes a dive in this one. The big problem is IMPLAUSABILITY. I realize that you need to create difficult situations which would cause suspense and the tense feeling of whats going to happen next, but this movie was so predictable, and is just not believable. I find that the more I watch this kind of movie, the more I am continually saying things to actors to direct them away from danger. Continually making bad decisions just borders on being plain stupid. If they took the time to make it more realistic, I might have enjoyed it a little. Having said that, you might be better off staying away from this one.
This is what you need to know about this movie, besides the fact that I recommend it as solid thriller: Kim Basinger, suburban mother of 2, lives with abusive husband. On Xmas she decides to go buy some stuff at the mall and while she's out, a series of bad things happen - getting her into serious trouble.
I wouldn't read more before watching the movie. Not because there are any great twists, but because it's worth watching without any, even minor, spoilers. It's also filled with irony - sometimes it reminded me of Predator and Home Alone - being a horror movie only in the sense of the cat-and-mouse game hunt.
In a role that's surprisingly physical, Kim Basinger does a good job as the protagonist. I can't help but remember what Kim went through with her marriage problems and all, and somehow connect this movie as a catharsis of sorts for her.
"While She Was Out" might not be very well-known, but it should, in my opinion. It's a refreshing take on a genre that's been tirelessly explored, and most important of all, fun.
6/10
I wouldn't read more before watching the movie. Not because there are any great twists, but because it's worth watching without any, even minor, spoilers. It's also filled with irony - sometimes it reminded me of Predator and Home Alone - being a horror movie only in the sense of the cat-and-mouse game hunt.
In a role that's surprisingly physical, Kim Basinger does a good job as the protagonist. I can't help but remember what Kim went through with her marriage problems and all, and somehow connect this movie as a catharsis of sorts for her.
"While She Was Out" might not be very well-known, but it should, in my opinion. It's a refreshing take on a genre that's been tirelessly explored, and most important of all, fun.
6/10
Despite the first act being trope after trope for the setup, I really enjoy this one. Personally I think going to a mall on Christmas Eve is horror enough on its own, but this is one of those situations that could happen to anyone. And make no mistake, guys like the antagonists in this movie, bored punks trying to prove how hard they can be or just getting off on harassing women, are literally everywhere, so the situation is highly believable and frankly, terrifying. But what I really like about this one, without blatant spoilers/details, is Della's (Basinger) character growth throughout. She goes from terrified victim of spousal abuse, just trying to put on a brave face for her children and fake it in front of friends, to this horrible situation where she is once again put into the role of victim, now fighting for her life and to get back to her children. As the film goes on we see her go from victim on the run to being forced to defend herself, unwilling to be a victim any longer. It cathartic. As for the details of the events throughout, yes, it sometimes feels a bit over the top and full of tropes and clichés, but guess what, it's a horror thriller, not a documentary.
So this is what actress Kim Basinger has succumbed to? Mmm
to tell the truth the film's title is something quite eye grabbing to getting your interest and plot outline reads so basic, but simplicity can have its strengths. Anyhow by the end of 'While She Was Out' I was left feeling rather indifferent. Not the worse (despite being engulfed by negatives), but there's easily way better in what is an causally lukewarm, but compact and unbalanced late-night survival fable of a feeble suburban housewife stranded in the woods trying to fight for her life after she witnessed the death of a rent a cop that came to her aid, when she provoked an ugly exchange with some punks in a shopping car park.
The problem here falls on the misguidedly erratic and foreseeable material (taken from a short story), along with the very variable performances. The flimsy script was poorly thought-out (which isn't so good when your plot has a slight structure to hang off), so many wretched inclusions and dubious actions just go on to find its way in this endless chain of events. As for the bunch of stereotypical goons (led by an unconvincing Lukas Hass as a loose canon) terrorizing Basinger, well they were less than threatening, but hopelessly clueless. Watching Basinger scrounging around in the dank wilderness with a red tool box in her hand (don't ask me why?) knocking off these wannabe punks one by one became ridiculous because it didn't elicit tension or emotion but instead clumsy jolts that were absurdly daft because of the stupidity of the lead up. Basinger's performance is stout-like, but doesn't craft much empathy. Craig Sheffer shows up as her hot-headed husband. Strangely I couldn't keep my eyes off the screen thinking to myself that red toolbox is hypnotic (why would she be constantly carrying it) and what tool was she going to use to dispatch the next thug her choices were quite disappointing. Watching her transformation through the traumatic situation when things are finally turned around is rather empty, due to its unsure tone and the ending is something you could see miles ahead.
Susan Montford's soberly slick direction lacks cohesion and energy, as it pretty much chugs along. I liked the opening credits though, with its hauntingly sullen score (which is the most effective thing throughout the feature) and polished photography.
No great shakes. Doesn't ask much of your time, but I wouldn't care to see it again. However with the inclusion of a Joy Division song, it made me grab a couple of their albums for a listen.
The problem here falls on the misguidedly erratic and foreseeable material (taken from a short story), along with the very variable performances. The flimsy script was poorly thought-out (which isn't so good when your plot has a slight structure to hang off), so many wretched inclusions and dubious actions just go on to find its way in this endless chain of events. As for the bunch of stereotypical goons (led by an unconvincing Lukas Hass as a loose canon) terrorizing Basinger, well they were less than threatening, but hopelessly clueless. Watching Basinger scrounging around in the dank wilderness with a red tool box in her hand (don't ask me why?) knocking off these wannabe punks one by one became ridiculous because it didn't elicit tension or emotion but instead clumsy jolts that were absurdly daft because of the stupidity of the lead up. Basinger's performance is stout-like, but doesn't craft much empathy. Craig Sheffer shows up as her hot-headed husband. Strangely I couldn't keep my eyes off the screen thinking to myself that red toolbox is hypnotic (why would she be constantly carrying it) and what tool was she going to use to dispatch the next thug her choices were quite disappointing. Watching her transformation through the traumatic situation when things are finally turned around is rather empty, due to its unsure tone and the ending is something you could see miles ahead.
Susan Montford's soberly slick direction lacks cohesion and energy, as it pretty much chugs along. I liked the opening credits though, with its hauntingly sullen score (which is the most effective thing throughout the feature) and polished photography.
No great shakes. Doesn't ask much of your time, but I wouldn't care to see it again. However with the inclusion of a Joy Division song, it made me grab a couple of their albums for a listen.
Considering the cast,you'd expect better with that said..
The opening shot of driving on the road was nauseating,perhaps because the cinematography was horribly shot in low-light.
There was no real back story on the main character,basically she is an abused wife & mom.. We see her go to a mall casually looking around at stuff & a life,she wished that really existed while buying wrapping paper.
Not sticking up for the thugs but the minute she(Della)stuck that poorly worded note on the windshield,you knew that she brought on anything to come.
Also how does a suburban upper class wife & mom,become a survivalist.. Again,what's her backstory.
Than once done after she kills everyone instead of stopping for help she goes home,her car dies & she walks the rest of way.. Once home basically husband is upset for her being away long,not why she was after seeing she had blood or anything & than follows-up"what did you get me?" Where she responds & shoots him.. Roll credits!
Skip this! Was low-quality,full of plot holes & clichés.
The opening shot of driving on the road was nauseating,perhaps because the cinematography was horribly shot in low-light.
There was no real back story on the main character,basically she is an abused wife & mom.. We see her go to a mall casually looking around at stuff & a life,she wished that really existed while buying wrapping paper.
Not sticking up for the thugs but the minute she(Della)stuck that poorly worded note on the windshield,you knew that she brought on anything to come.
Also how does a suburban upper class wife & mom,become a survivalist.. Again,what's her backstory.
Than once done after she kills everyone instead of stopping for help she goes home,her car dies & she walks the rest of way.. Once home basically husband is upset for her being away long,not why she was after seeing she had blood or anything & than follows-up"what did you get me?" Where she responds & shoots him.. Roll credits!
Skip this! Was low-quality,full of plot holes & clichés.
Você sabia?
- CuriosidadesVersion of this story was filmed as a segment of the anthology series The Hidden Room starring Stephanie Zimbalist as Della.
- Erros de gravaçãoAt about 0h 8 minutes, when Tammi gives Della the drawing, Della puts it in her left front pocket, but at about 0h 48 minutes, she pulls it out of her right front pocket.
- ConexõesFeatured in Bad Movie Beatdown: Christmas Special: While She Was Out (2010)
- Trilhas sonorasDay Of The Lords
Written by Ian Curtis, Peter Hook, Stephen Morris, Bernard Sumner
Performed by Joy Division
Courtesy of Warner Music U.K. Ltd.
By Arrangement with Warner Music Group Film & TV Licensing
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is While She Was Out?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- While She Was Out
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 498.088
- Tempo de duração1 hora 26 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What is the Canadian French language plot outline for Enquanto Ela Está Fora (2008)?
Responda